架构师提供的文本描述。这一建筑项目是在1897年至1901年之间真正的Vinícola建成后100年的，通过对工业建筑历史背景的调查，建立在现有废墟及其修复的基础上。

Text description provided by the architects. The architectural Project – which comes a hundred years after the Real Vinícola was built, between 1897 and 1901 – is grounded on the existing ruins and their rehabilitation, through an investigation on the historical context of the industrial buildings.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

西美尔说：“建筑物一旦倒塌，就意味着仅仅是大自然的力量开始主宰人类的工作：建筑所表现出来的自然与精神之间的平衡，有利于自然。”

“The instant a building crumbles”, said Simmel, “this means nothing more than the mere forces of nature beginning to predominate over human work: the balance between Nature and spirit, which the building manifested, moves in favour f Nature”.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

这个项目的主要目标是重建自然和人类精神之间的力量平衡。通过与自然的谈判实现了一种平衡，这两种自然都声称有一个曾经属于她的空间，在一场没完没了的斗争中；人类精神，它在一百年前表现出来并建立了这个空间；与今天必须表现出来的精神保持平衡，并与前两者建立对话。

The main objective of this project was re-establish the balance of forces between Nature and the human spirit. A balance achieved through a negotiation with both Nature, which claims a space that was once hers, in an endless struggle; the human spirit, which manifested a hundred years ago and built the space; and with the spirit that will necessary have to manifest today and establish a dialogue with the previous two.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

这种对话的一个例子是在其中一座建筑物内生长的树木，这些树是通过建立外部露台来维护的。这座建筑再次被占领，但大自然多年来所获得的权利却得到了尊重。

An example of this dialogue is the trees growing inside one of the buildings, which have been maintained by creating exterior patios. The building was once again occupied, but the rights acquired by Nature over the years in which the place was abandoned were respected.

只要有可能，我们就试着按照原来的计划抽签。所有的外部尺寸都得到了恢复，木桁架的设计得以保留，所有的木制品都得到了重建。我们力求保持这个地方的工业精神。

We tried draw in accordance with the original project, whenever possible. All exterior dimensions were recuperated, the design of the wood trusses remained, all woodwork was rebuilt. We sought to maintain the industrial spirit of the place.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

职能发生了变化，这意味着需要遵守新的空间、新的基础设施和新的立法。由于消防安全的原因，在建筑物外设置混凝土楼梯是必需的。由于它们会对板的钢结构产生负面影响，因此决定不在内部引入它们，其美体现在柱子和梁所创造的结构模块的几乎无限重复上。有必要在这座大楼的东面开窗户。由于我们在这个项目中引入了一个新的元素，我们选择了调整干预措施的当代特征，而不是掩盖它-将新的窗户框架压在墙上，与大量从墙上取出的现有窗户相反。

There were changes in function which implied new spaces, new infrastructures and new legislation to comply with. Concrete staircases placed outside the building were requires for fire safety reason. It was decided not to introduce them in the interior due to the negative impact they would have on the steel structure of the slab, with its beauty expressed in the almost infinitive repetition of the structural module created by the pillars and the beams. It was necessary to open windows on the east elevation of the block. Since we were introducing a new element into the project, we chose to adapt the contemporary character of the intervention rather than to disguise it – by making the new windows frames pressed against the wall, in opposition to the existing windows which are mass taken from it.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

除了在不同的介入力量之间寻求这种平衡之外，我们还希望它是可见的，并以其所有的真实性表现出来。我们认为，在这一特殊情况下，应该在空间和时间上看到这一问题。

In addition to seeking this balance between the different intervening forces, we wanted it to be visible and manifest itself in all its veracity. We believe that matter should, in this particular instance, be perceived in both space and time.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯