架构师提供的文本描述。位于米兰Via de Cristoforis的名为“Novetredici”的住宅建筑群，代表着维甘·奥罗、罗萨莱斯、德·克里斯托福里斯和弗拉泰利·卡斯蒂廖尼街(Fratelli Castiglioni)之间街区的自然完工，后者位于新的Unicredit摩天大楼建筑群(Porta Nuova)的两侧。这座街区在北面的新城市改造和南方现有的城市结构之间起着枢纽的作用；后者由位于街区周边的建筑物组成，由“过渡”元素组成-比如在维甘岛的现有房屋，将庭院向街道开放-以及二战后的建筑，以更自由的性格和更高的高度为标志。除了CZA设计的、位于街区北部的名为“La Corte佛得角”的附近建筑群外，Novetredici建筑群还修改了该地区的总体规划指南，以支持一种能够加强现有城市结构的定居模式，同时产生新的环境质量。

Text description provided by the architects. The residential complex named "Novetredici" in via De Cristoforis, Milan represents the natural completion of the block bordered by the streets Viganò, Rosales, de Cristoforis and the street Fratelli Castiglioni, which flanks the new Unicredit skyscraper complex in the Porta Nuova development. The block acts as a hinge between the new urban transformation on its North side and the existing urban fabric on the South; the latter is formed by buildings aligned on the perimeter of the blocks, by “transitional” elements - such as the existing houses in via Viganò, which open their courtyards to the street - and by post-WWII architecture, marked by a freer disposition and greater heights. Along with the nearby complex designed by CZA and called "La Corte Verde", which occupies the northern portion of the block, the Novetredici complex revises the master plan guidelines for the area in favor of a settling mode capable of reinforcing the existing urban structure and at the same time of generating a new environmental quality.

这两个建筑群的布局具有很强的城市特色，但不一定会重建一个周边街区：新建的建筑群位于北部、东部和南部，与现有道路的边界相连，而西侧则保持开放，在绿色的心脏与罗萨莱斯之间创造了强大的视觉交流。由Via de Cristoforis的总体规划确定的建筑围护结构被分为两个不同的部分，一个是位于西边的较低的部分，另一个是位于东部的较高的部分，在底部由一个普通的玻璃门厅连接在一起。这是一个线形的高体，可以在花园里投下长长的影子，并创造出一个永远没有阳光的北面。这两卷集结合了集中规划的效率和紧凑性，并高度重视现有城市边缘与太阳走向之间的关系，在以实心墙为特征的正面与以大梯田为特征的部分之间形成了一个“有人居住的屏障”。

The arrangement of the two complexes is marked by a strong urban character without necessarily recreating a perimeter block: the new built volumes line up on the North, East and South to the borders of the existing roads, while the West side is left open, creating a strong visual communication between the green heart and via Rosales. The building envelope defined by the master plan on via De Cristoforis - a linear high body that would have cast its long shadow on the garden and created a North side perpetually without sun - was divided by the project into two distinct parts, a lower one on the West and a higher one on the East, joined at the base by a common glazed entrance hall. The two volumes combine the efficiency and compactness of a centralized plan with a great attention to the relationship between the existing urban edges and the course of the sun, producing a soft progression between fronts characterized by solid walls and parts marked by large terraces that together constitute an "inhabited screen".

 © Filippo Poli

菲力波·波利

西侧建筑物的台阶轮廓取决于它与科索·科莫历史建筑的邻近程度所规定的挫折，而东边的建筑则通过维甘奥罗和对历史城市和新诺瓦门的长期看法提高了这一建筑的宽度。普通中庭的几何图形断裂，其标志是位于细长圆柱形柱子上的薄板一块薄片，加上一个玻璃周边，形成了一个城市门厅，扩大了南部的Via de Cristoforis的狭窄空间，标志着街道和后方私人花园之间的高度透明，北侧的Corte佛得角花园变得模糊不清。

The stepped profile of the building on the West side is determined by the prescribed setbacks in relation with its proximity to the historical buildings in Corso Como, while the one to the East one enhances the width of via Viganò and the long views on the historic city and the new Porta Nuova development. The broken geometry of the common atrium, marked by a thin slab resting on slender cylindrical pillars and by a glazed perimeter, creates an urban foyer expanding the narrow dimension of via De Cristoforis on the South, marked by a great transparency between the street and the rear private garden blurring with the Corte Verde garden on the North side. 

 Ground Floor Plan

通往私人地下停车场的通道位于建筑物的体积之内；这两个车体的底部都有大块由金属元素隔开的粗糙的白色石板，在现有街道的视线层形成了形式上的连续性。在此基础上，玻璃护栏坚固的水平线被金属元素的垂直度和堆放在高高的垂直图形中的寡妇平衡着，它们把不同的楼层连在一起。这些材料的颜色和表面结构的多样性-手工砖在两种不同颜色的粘土中-彩色、磨砂玻璃、瓦楞纸和穿孔铝板-涂上灰色-绿松石金属色调-在强烈统一的设计范围内，从不同的角度产生了城市正面的持续变化，使不同大小的开口保持在一起。

The access to the private underground car park is located within the building volume; the base of both bodies is marked by large slabs of rusticated white stone divided by metallic elements, creating a formal continuity at eye level along the existing street. Over this, the strong horizontal lines of the glass parapets is balanced by the verticality of the metallic elements and by the widows stacked up in tall vertical figures which bind together the various floors. The variety of colors and surface textures of the materials - handmade bricks in two different shades of clay-color, frosted glass, corrugated and perforated aluminum sheets enameled in a gray-turquoise metallic hue - generates a continuous variation of the urban fronts from different points of view within a strongly unified design, which keeps together the different sizes of the openings. 

 © Filippo Poli

菲力波·波利

这两座建筑的单斜屋顶有两个不同的方向，集中在中央花园，这是项目的真正心脏。它们的倾斜轮廓加上建筑物的加冕和顶层的双高，增强了住宅综合体的城市特征，能够将良好的建筑陈述与那些将在新旧公共空间漫步的人的多个感性状态结合起来。尽管以不同的材料和建筑解决方案为标志，但Novetredici建筑群在街区北部与Corte佛得角进行了强烈的对话，创造了一系列正式的共鸣，试图给“内城生活”的主题赋予新的尊严，并重新诠释米拉诺二战后最好的住宅建筑的“现代传统”，而没有任何怀旧或直接的参考。

The single-pitched roofs of the two buildings has two different orientations converging towards the central garden, the real heart of the project. Together with the crowning of the buildings and the exhibited double heights of the top floors, their slanted profile reinforce the urban character of a housing complex capable of combining a sound architectural statement with the plurality of perceptual states for those who will stroll along the old and new public spaces. Although marked by different materials and architectural solutions, the Novetredici complex dialogues strongly with the Corte Verde on the North portion of the block, creating together a series of formal resonances which try to give new dignity to the theme of “inner city living", and reinterpreting the “modern tradition” of the best Post-WWII residential architectures in Milano without any nostalgia or direct reference.

Architects Cino Zucchi Architetti

Location Milan, Metropolitan City of Milan, Italy

Project Year 2016

Photographs Filippo Poli

Category Apartments