© Andrius Stepankevičius

Andrius Stepankevič

架构师提供的文本描述。1976年，建筑师Jean和VeroniqueBoland-Springal在布鲁塞尔的宿舍里为自己设计并建造了一座排屋。虽然业主多次更换，建筑物经过了几次维修，主要空间和建筑保持不变。该住宅被组织成6层，创造引人注目的空间，吸引人的视角，并连接街道和内部庭院在不同的层次。建筑框架是由整体混凝土柱和楼板组成，在砖墙之间有一个5米的空隙。在室内空间中，有一个开放的混凝土结构框架的海湾窗户被复制。同时，被捕捉到的表象受到压迫-所有的东西都用不同的颜色画出来，并被不同的材料所包围，这些材料在身体上和道德上都磨损了。

Text description provided by the architects. In 1976 architects Jean and Veronique Boland-Springal designed and built a row house for themselves in the sleeping quarters in Brussels. Even though owners changed several times and the building went through several maintenances, main spaces and architecture stayed the same. The dwelling is organized into 6 levels, which creates compelling spaces, engaging perspectives and connects street and inner-courtyard on different levels. Building framework is from monolithic concrete columns and slabs and is compressed in a 5m gap between masonry brick walls. Bay windows with an open concrete structure framework are duplicated in the interior spaces. Meanwhile, the captured representation was oppressing – everything was painted in various colors and enclosed with diverse materials, which were physically and morally worn out.

 © Andrius Stepankevičius

Andrius Stepankevič

在室内工程中，我们试图强调建筑的主要价值-既有空间、混凝土结构和砌体砖的温暖。首先，整个地区都清除了不必要的隔墙、门、大炉子，甚至院子里的旧灌木也被清理掉了。由于深空间缺乏自然光，我们用白色的表面、透明的隔墙和栏杆来解决它。因此，客厅和餐厅之间的不同层次空间变得更加坚实和连续。客人厕所通过透明玻璃隔板获得自然光线，而主人衣帽间-从墙上的一个开口。砖石砖，是布鲁塞尔固有的，被抛光和展示在住宅的一侧。墙的粗糙的质地和温暖的颜色出乎意料地中介和适度突出主要空间。混凝土结构暴露在白色的表面上。梁的各种形式，柱，海湾窗户是由油漆砂，成为积极参与室内空间。此外，所有家具、门和隔板都与这些元素相连。钢筋混凝土，连同砖块一起，在新的表面材料的背景下成为一种奇特的遗产(甚至从70年代起)，因此，我们试图避免它们的丰富。基本上，这些都是郁郁葱葱的玩乐图案的地板，在地下室微妙的灰色瓷砖，公用事业室和白色油漆表面。空气流通的气氛被伪装成绿色，出现在不同的家具和表面，以及新的黑白加热器协调居住的时代。

In the interior project, we attempted to emphasize main values of the building – existing spaces, concrete structure and warm of the masonry bricks. Firstly, the whole area was cleared up of unnecessary partitions, doors, massive furnace, even the courtyard was purged off from old brushwood. Since deep spaces lack natural light, we solved it with a help of white surfaces, transparent partitions and railings. Consequently, variant level space between living and dining rooms becomes more solid and continuous. Guest toilet gets the natural light through the transparent glass block partition, while master cloakroom - from an opening in the wall. Masonry bricks, which are inherent for Brussels, were polished and displayed at one side of the dwelling. Wall’s rough texture and warm color unexpectedly mediates and moderately highlights main spaces. Concrete structures are exposed on the white surfaces. Beams of various forms, columns, bay windows are sanded from paint and become an active participant in the interior space. Furthermore, all furniture, doors and partitions are tied to these elements. Reinforced concrete, together with masonry bricks becomes a peculiar heritage (even from 70’s) on the background of new surfaces materials, for this reason, we tried to avoid the abundance of them. Basically, these are lush playful-patterned parquet, subtle grey tiles in the basement, utility rooms and white painted surfaces. The airy mood is livened up by camouflage green color, which appears on different furniture and surfaces, as well as new black/white heaters harmonized to dwelling’s epoch times.

 Floor Plans

平面图

目前，该建筑继续与新的成长中的家庭并排存在，因此最终室内将充满设计的内外家具，额外的闪电和庭院将充满新的绿色植物。

For now, the building continues to exist side-by-side with the new growing family, so eventually the interior will be filled in with designed inside/ outside furniture, additional lightning and courtyard will lush with new greenery.

 © Andrius Stepankevičius

Andrius Stepankevič

Architects YCL studio

Location Woluwe-Saint-Pierre, Belgium

Architects in Charge Tomas Umbrasas, Aidas Barzda, Tautvydas Vileikis

Area 204.0 m2

Project Year 2017

Photographs Andrius Stepankevičius

Category Houses

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