Mill Humenné Atrium Architekti

2018-01-02 05:00

 © Martin Pitoňák

c.Martin Pitoňák

架构师提供的文本描述。根据AtriumArchitekti工作室的一个项目，旧的无功能磨坊的破旧物体被赋予了新的面貌。她的手带来了一个新的特征。这座建筑被授予国家建筑奖-杜鲁科维奇(duš)2017年尤尔科维奇(Jurkovič)奖。从逻辑上讲，这些公寓补充了现有的独居家庭住宅结构和邻近小学附近住宅建筑的中高渗透采样器建筑。街道线，以及与邻近土地的距离，都是由现有楼宇决定的。北面的当地服务通讯是现场的领头羊。建筑工地的地形被认为是轻微的下降。一个带有长方形平面图的物体位于它的北部。

Text description provided by the architects. The dilapidated object of the old non-functional mill was given a new face, according to a project from Atrium Architekti studio. A new feature comes with her hand. The building was awarded the National Architecture Prize - the Dušan Jurkovič Prize 2017. Logically, the flats have supplemented the existing structure of solitary family houses and the medium-high ossampler building of residential buildings near the nearby elementary school. The street line, as well as the distance to the neighbouring land, are given by the existing buildings. Local service communications from the north side lead the site. The terrain of the building site is considered south by a slight decline. An object with a rectangular plan is located in its northern part.

 © Martin Pitoňák

c.Martin Pitoňák

 Elevation and Floor Plan

立面平面图

 © Martin Pitoňák

c.Martin Pitoňák

在一楼，将有两套公寓，与周围的绿色树篱隔开，可以进入私人花园。在公寓中，有一个锅炉房和有地窖的公共区域。在二楼和三楼，有三套公寓。在四楼有三套阁楼公寓，楼上，五楼在露台上有两栋外屋。屋顶设计为锡锌钛，在开放的露台上有槽.可以说，在一幢倒塌的大楼里，任何东西都会更好。然而，新公寓有可能真正和真正地振兴这座建筑。对于投资者的观点，他也没有使用流行的公式：旧的爆发和重建和现代。

On the ground floor, there will be two apartments with access to private gardens separated from the surrounding green hedge. Among the apartments, there is a boiler room and common areas with cellars. On the second and third floors, there are three apartments. On the fourth floor are three maisonette apartments, the upper, 5th floor of which has two outbuildings on the open terrace. The roof is designed as a tin-zinc titanium with slots on open terraces. It is to be said that anything in the place of a broken-down building would be better. New apartments, however, have the potential to truly and truly revive the building. To the investor's point of view, he also did not use the popular formula: the old burst and rebuild and modern.

 © Martin Pitoňák

c.Martin Pitoňák

 © Martin Pitoňák

c.Martin Pitoňák

建筑师没有错过原来的体积和内部布局。他们并不试图完全重叠并重新改造；然而，他们的干预涉及到新立面中的前磨坊，代表了新的孔洞安排，但仍然有迹象表明，它不是一座新建筑。这些干预措施可以与清洁和不妥协的削减相比较，这将允许快速和有效的治疗。简单的窗户和帐篷屋顶在斜坡上，指的是屋顶的原始形状，让人想起原来填充的物体。该设计适用于钛锌屋面。当然，这并不是最便宜的想法，但任何其他材料都会从功能的角度(在用钛代替更便宜的彩纸)或美学(任何其他封面)的角度来品尝精致的重建。

Architects did not miss the original volume and interior layout. They do not try to completely overlap it and rework it; their intervention, however, involves the former mill in the new facade and represents a new arrangement of holes, but there is still a hint that it is not a new building. The interventions can be compared to a clean and uncompromising cut that will allow rapid and effective treatment. Simple windows and tent roof in the slope that refers to the original shape of the roof are reminiscent of the original fill of the object. The design works with titanium zinc roofing. Sure, it is not the cheapest idea, but any other material would taste refined reconstruction either from a functionally functional point of view (in the case of titanium substitution for a cheaper coloured sheet) or aesthetic (any other cover).

 © Martin Pitoňák

c.Martin Pitoňák

阳台的形式是倾斜的抽屉和老式的元素画廊给这个项目一个笑话和污秽。钩子的使用可以看作是对过去生产的另一种参考。然而，展览馆本身的形状和垂直的交流，这些都是没有障碍的，作为一种新的元素被接受到外部，纯粹是当代的，几乎是永恒的。游戏性和输入的易用性甚至揭示了输入的不可避免的强调，从高音中拉出一个面板，用透明的玻璃栏杆代替它。在带有白色灰泥和灰色金属元素的单色调色板上，延伸阳台上的玛瑙木与室外应用和内部混合。

Balconies in the form of sloping drawers and the old-fashioned element of the gallery give the project a joke and smut. The use of hook could be considered as another reference to the production past. However, the shape of the pavlax itself and the vertical communications, which are without barriers admitted to the exterior as a new element added, are purely contemporary, almost timeless. The playfulness and ease of input reveal even the inevitable accentuation of the input by pulling one panel out of the treble, replacing it with a transparent glass railing. On a monochromatic palette with white plaster and grey metallic elements, the agate wood on the extended balconies and outdoor applications and interiors blended.