© Miguel Ángel Cabrera

米格尔·安杰尔·卡夫雷拉

Boom City是一个好玩的技术装置，它结合了地中海流行的木桩[Hoguera](在夏季春分之夜烧毁的短暂城市纪念碑)，采用传统的建筑技术，利用新技术，通过使用增强现实应用程序和智能手机，为城市提供了更广泛的体验。这个装置重建了消失的电影院、温泉浴场和舞厅的碎片，让市民重新享受，他们可以虚拟的方式重新发现这些地方并与之互动。

Booom City is a playful technological installation combining the Mediterranean popular stakes [Hogueras](ephemeral urban monument burned in the summer equinox night) built with traditional construction techniques with the use of new technologies to offer an expanded experience of the city through the use of an Augmented Reality App and the Smartphone. The installation reconstructs fragments of disappeared cinemas, spas, and ballrooms to be enjoyed again by the citizens, who can rediscover and interact with those places in a virtual way.

 Concept App Interior

概念应用程序内部

阿利坎特是一个以旅游业为基础的地中海城市。为了实现向游客和市民提供广泛的休闲服务，20世纪大量的娱乐设施取得了成功。为了适应市场需求，数以百计的建筑物和基础设施被建造和拆毁，无论其遗产价值如何。这种不断更新也影响到小规模的安装，露天活动，和商业表演.布洛姆市展示了1917年至2017年期间出现在这个城市的娱乐设施的集合，并成为阿利坎特最大的夏季景点。他们中的每一个都曾经是“夏天的繁荣”，但却突然消失得无影无踪。

Summer boooms Alicante is a Mediterranean city with an economy based on tourism. To accomplish a broad leisure offering to visitors and citizens, a large number of entertainment facilities have succeeded in the 20th century. In an attempt to adapt to the market demands, hundreds of buildings and infrastructures have been built and demolished regardless their heritage values. This constant renewal of also affects to small-scale installations, open-air activities, and commercial performances. Booom City presents a collection of the recreational facilities that appeared in the city between 1917 and 2017 and became the biggest summer attractions in Alicante. Each one of them was once the "boom in the summer" but suddenly disappeared without a trace.

 © Miguel Ángel Cabrera

米格尔·安杰尔·卡夫雷拉

布洛姆市重建这些结构，而不是寻找怀旧；它是为互动和当代的乐趣而设计的。该装置位于阿利坎特的Teatro校长旁边，采取剧院后台的形式。形成结构的五个木板中的每一个都按主题编成了一本关于上个世纪夏夜居住的城市建筑的选集。因此，木桩的形式是一条浓缩的天际线，从一个简单的雕塑变成一个互动的城市景观，半是实体的，一半是虚拟的。它没有用来居住这种建筑的典型的“九根”(人形雕塑)，因为穿越纪念碑的游客发挥着他们的作用。

Booom city rebuilds those structures without looking for nostalgia; it is designed for interactive and contemporary fun. The installation is located next to the Teatro Principal of Alicante and takes the form of the backstage of a theatre. Each of the five wooden panels shaping the structure compiles, catalogued by themes, an anthology of the urban constructions living up summer nights during the last century. As a result, the stake takes the form of a condensed skyline, shifting from a mere sculpture to a walkthrough interactive urban landscape, half physical-half virtual. It does not have the typical "ninots" (human-like sculptures) that use to inhabit this kind of constructions because the visitors running through the monument play their role.

 Elevations

 © Miguel Ángel Cabrera

米格尔·安杰尔·卡夫雷拉

一个增强的现实吸引力，桩纪念碑是一起设计的移动应用程序，允许不同的互动。物理上的利害关系是一个平行的技术现实的支持，这个现实可以用智能手机来探索。一旦游客发现了消失的吸引结构，他们就可以拍摄自己融入许多不同的场景，并带着这些空间的虚拟纪念品。该移动应用程序还允许用户在所需的位置几乎定位所需的股份，并使用移动电话拍摄它。大众传统和对失踪遗产的记忆在社会网络中传播。因此，布欧姆市作为一个虚拟纪念碑，已经被安置在欧洲和美洲的许多城市。

An augmented reality attraction The stake monument is designed together with a mobile application that allows for different interactions. The physical stake is the support of a parallel technological reality that can be explored with the Smartphone. Once the visitors discover the disappeared attraction structures, they can photograph themselves integrated into many different scenes and take with them a virtual souvenir of those spaces. The mobile application also allows the user to virtually locate the stake in the desired location and to shoot it with the mobile phone. Popular tradition and the memory of the disappeared heritage disseminates in social networks. As a result, Booom City has been located, as a virtual monument, in a large number of cities in Europe and America.

 © Miguel Ángel Cabrera

米格尔·安杰尔·卡夫雷拉

 App in use

APP在使用中

 © Miguel Ángel Cabrera

米格尔·安杰尔·卡夫雷拉

从生态的角度来看，这座纪念碑完全是用木板建造的，以避免EPS的有毒燃烧。EPS是目前这些建筑中使用的主要材料。这代表着休闲和臭氧之间的妥协，这体现在它自己的外貌上。

An ecological scene Conceived with an ecological concern, the monument is entirely built with wooden panels, to avoid the toxic combustion of the EPS, the main material used in these constructions today. The stake stands for a compromise between leisure and ozone which shows in its own physiognomy.

 Courtesy of V&V

V提供

Architects Vilaplana&Vilaplana estudio

Location Alicante, Spain

Author Architects Amelia Vilaplana, Paula Vilaplana

Area 36.0 m2

Project Year 2017

Photographs Miguel Ángel Cabrera

Category Monuments