© Nelson Garrido

尼尔森·加里多

架构师提供的文本描述。这是我们第一次介入葡萄牙的Suave建筑-独裁统治的独特建筑风格。在这种情况下，一所建于20世纪40年代的房子应该更新，以适应我们这个时代的家庭。这座房子实际上是完好无损的，如果它的语言确实揭示了一种政治意识形态和一套现在受到一致谴责的愿望，那么它的建筑仍然很好，是有效设计和熟练利用现有资源的结果。

Text description provided by the architects. This is our first intervention on a Português Suave building - the distinctive architectural style of the dictatorship. In this case, a house built in the 1940s that should be updated to accommodate a family of our time. The house was practically intact and, if it is true that its language reveals a political ideology and a set of aspirations that are now consensually condemned, it is nonetheless very well built, the fruit of an effective design and a skilful use of available resources.

 © Nelson Garrido

尼尔森·加里多

一段时间和情感距离的背景出现，使我们可以看到它没有报复或美化的感觉，而是作为现成的材料，以个人的欲望和需要衡量。房子的空间组成及其语言-一个伪造的民族志-被接受为这样。新的墙壁、窗户、门和配件是公认的新东西，但与原始要素并没有建立辩证关系：而是和平与无声的共存。

A time and emotional distance to the context in which the house emerged allowed us to look at it without a sense of retaliation or glorification, but rather as ready-to-use material, to the individual measure of desire and need. The spatial composition of the house and its language - a fabricated ethnography - are accepted as such. The new walls, windows, doors and fittings are recognizably new but do not establish a dialectical relationship with the original elements: rather a peaceful and silent coexistence.

 © Nelson Garrido

尼尔森·加里多

 © Nelson Garrido

尼尔森·加里多

在底层，门厅周围的一系列小的单功能空间-办公室、客厅、餐厅和厨房-在一个单一的多功能空间中结合在一起，自然光线和花园景观交织在一起。在较高的楼层，亲密空间进行了微小的变化，以实现以下社会空间的相同空间和物质尊严。在这些空间中，最重大的变化发生在阁楼，女佣的房间变成了主卧室，布置在一个大灯笼周围，里面有浴室。我们已经探索了空间作为捕捉光的传感装置的想法，以及DG I中时间的流逝，尽管在这里，光看起来更加自主和绝对。

On the ground floor, a succession of small mono-functional spaces around the entrance hall - office, living room, dining room and kitchen - are united in a single multi-functional space crossed by natural light and views of the garden. In the upper floors, intimate spaces undergo minor changes to achieve the same spatial and material dignity of social spaces below. Among these spaces, the most substantial change took place in the attic, where the maid's room became the master bedroom, arranged around a large lantern that houses bath spaces. We had already explored the idea of a space as a sensing device to capture light and the passage of time in DG I, although here the light appears more autonomous and absolute.

 © Nelson Garrido

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Architects Camarim Arquitectos

Location Lisbon, Portugal

Author Architect Vasco Correia, Patrícia Sousa

Area 400.0 m2

Project Year 2016

Photographs Nelson Garrido

Category Houses Interiors