© Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

架构师提供的文本描述。在二十世纪二十年代中期和四十年代，著名的里斯本建筑师约阿金·诺特·朱尼尔(Joaquim Norte Jr.)设计了三座在Av附近相对未知的建筑。位于里斯本中心地带的达利伯达，在上个世纪初期的浪漫装饰主义和最后一套现代主义建筑的正式清拆之间发生了变化。

Text description provided by the architects. Among the mid-20s and the 40s of XX century, Joaquim Norte Junior, a well known Lisbon-based architect, designed three buildings relatively unknown near Av. da Liberdade, in the heart of Lisbon, changing between a romantic decorativism of the early years of the last century, and a formal clearance openly modernist buildings in the last of the set.

 Exploded Isometric

爆炸等距

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

这些项目中的第一个项目包括一条连接街区内部两条街道的半公共通道，这条通道在20年后由努诺·特奥尼奥·佩雷拉(Nuno Teotonio Pereira)和努诺·波塔斯(Nuno Portas)设计的耶稣圣心教堂(The Church of the Sacred Central of耶稣)的建筑群中，重新设计了从圣玛尔塔Avenida da Liberdade到Rua de Santa Marta的道路。

The first of these projects includes a semi-public passage that connects two streets through the interior of the block, that than continues through the complex of the Church of the Sacred Heart of Jesus, designed 20 years later by Nuno Teotonio Pereira and Nuno Portas, redesigning the path leading down from Avenida da Liberdade at Rua de Santa Marta.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

工作室的空间，在一个正方形的计划与大约。25x25米的显著标志是钢筋混凝土中存在梁和柱子的结构，支撑着大楼的六层楼上，并组织了工作室工作空间的不同区域。一个阁楼隔开了5米的高度，在后面的伟大的地狱大厅。坡道下，允许汽车交通在街区内，是位于一个会议室和档案。

The space of the studio, in a square plan with approx. 25 x 25 meters is strongly marked by the presence of the structure of beams and pillars in reinforced concrete, supporting the six upper floors of the building, and organize the different areas of the studio workspace. A mezzanine divides the 5m height at the rear of the great hypostyle hall. Under the ramp, which allows the motor traffic inside the block, is located a meeting-room and the archives.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

该项目主要包括打开庭院前的大窗户，并在旧仓库中引入基础设施系统，以便将其用作建筑工作室，但随后隐藏技术的侵入性存在，将房间留在其基础矩阵中。

The project consisted mainly in the opening of the former large windows facing the courtyard and in introducing the infrastructural system in the old warehouse to allow its use as an architectural studio, but then hiding the intrusive presence of technology, leaving the room in its foundational matrix.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

与混凝土地板相反，声波板、架子和隔板中的木料的存在重新唤起了在空间工作的老木工车间的记忆。

Opposed to the concrete floor, the presence of the wood in accoustic panels, shelves and partitions reclaims the memory of the old carpentry workshop that worked in space.

Architects Ventura Trindade

Location R. Rodrigues Sampaio 152, 1150-006 Lisboa, Portugal

Area 625.0 m2

Project Year 2015

Photographs Ricardo Oliveira Alves

Category Offices Interiors