采购产品声学Av设计Jafe Holden剧院规划Fisher Dachs协会照明设计Horton Lees Brogden结构工程公司Magnusson Klemencic Associates机械/电气/管道工程设计工程师能源分析Weidt集团土木工程Shive-电池景观要素图形五边形垂直运输平台生命安全/代码T.A.亲属成本估算Rider Levett Bucknall制造商装货.多规格少规格

Acoustic + Av Design Jafe Holden Theater Planning Fisher Dachs Associates Lighting Design Horton Lees Brogden Structural Engineering Magnusson Klemencic Associates Mechanical/Electrical/Plumbing Engineering Design Engineers Energy Analysis The Weidt Group Civil Engineering Shive-Hattery Landscape Confuence Graphics Pentagram Vertical Transportation Lerch Bates Life Safety/Code T.A. Kinsman Cost Estimating Rider Levett Bucknall Manufacturers Loading... More Specs Less Specs

 © Tim Griffith

蒂姆·格里菲斯

架构师提供的文本描述。Voxman音乐大楼每时每刻都在庆祝音乐表演，拥抱一种以学生为主导的合作模式，将每一个空间都视为表演空间。建筑通过透明的表达与社区分享这种音乐发现的感觉。爱荷华市混合使用区的街道和开放空间模式直接延伸到建筑物的多层室内空间，培养了垂直城市活力感，并承认其在社区中的地位。

Text description provided by the architects. VISION The Voxman Music Building celebrates musical performance at every turn, embracing a collaborative and exploratory student-driven model of education that treats every space as performance space. The building shares this sense of musical discovery with the community through a transparent expression. The pattern of streets and open spaces in the mixed-use district of Iowa City extends directly into the building’s multi-level interior spaces, cultivating a sense of vertical urban vitality and acknowledging its place within the community.

 © Tim Griffith

蒂姆·格里菲斯

 Level 1 Plan

一级计划

 © Tim Griffith

蒂姆·格里菲斯

这座占地186，000平方英尺的六层建筑位于爱荷华市市中心和校园之间，既有学术经验，也有城市经验。该节目包括一个有700个座位的音乐厅、一个200个座位的独奏厅、一个风琴表演厅、一个音乐图书馆、排练室、练习室、教室，以及由一系列垂直连接的社区空间连接的教员工作室和办公室。一个多层玻璃街角入口在一个主要的市中心十字路口加强了校园和城市的合并，与两个主要的表演场所标志着他们的存在每一个主要立面。在表演空间之间，多孔的、白天照明的发行量相互连接，形成学生公地、表演和彩排大厅，以及一个三层楼的中庭。第四层的外部露台，坐落在后立面的两翼之间，作为聚集的空间，将城市历史悠久的法院和郊区的景色一目了然。

SITE AND PROGRAM The six-story, 186,000 square foot building is situated between campus and the downtown core of Iowa City, embracing both academic and urban experiences. The program comprises a 700-seat concert hall, a 200-seat recital hall, an organ performance hall, a music library, rehearsal rooms, practice rooms, classrooms, and faculty studios and offices linked by a series of vertically connected community spaces. A multi-story glass corner entry at a major downtown intersection reinforces the merger of campus and city, with the two major performance venues marking their presence on each of the main facades. Between the performance spaces, porous, day-lit circulation volumes interlink to form the student commons, performance and rehearsal lobby, and a three-story atrium. A fourth-floor exterior terrace, nestled between the wings of the rear facade, serves as gathering space that frames views to the city’s historic courthouse and countryside beyond.

 © Adam Hunter

亚当·亨特

 © Tim Griffith

蒂姆·格里菲斯

设计音乐厅悬臂横跨伯灵顿街人行道和学生公寓楼下面，而独奏厅，包裹在瓦-玻璃墙系统，延伸到南克林顿街人行道。一个微妙的纹理组成的赤陶面板和低铁玻璃与微妙的阴影图案包裹完整的外部。建筑物内的所有空间，包括表演厅、排练室、办公室和公共区域，在保持隔音的同时，提供自然光线和与外界的连接。高性能数字设计满足了工厂高性能空间的要求.

DESIGN The concert hall cantilevers over the Burlington Street sidewalk and the Student Commons below, while the recital hall, wrapped in a shingled-glass wall system, reaches out over the South Clinton Street sidewalk. A composition of subtly textured terra cotta panels and low-iron glass with delicate shading patterns wraps the full exterior. All spaces in the building, including performance halls, rehearsal rooms, offices, and common areas, provide natural light and connections with the outside while maintaining acoustic isolation. Requirements of the facility’s high-profile performance spaces are met by high-performance digital design.

 © Tim Griffith

蒂姆·格里菲斯

音乐厅设有一个悬吊的“剧院声学”系统，将声学、照明和生命安全要求统一为一个戏剧性的多功能建筑表达形式，由此产生的复杂的雕塑元素由946个独特的、折叠的铝复合模块组成，这些模块由数字设计的模块和建筑师的参数模型制作而成。在独奏厅，红色的音响面板优化了房间的声学性能，同时还加入了墙壁大小的瓦形玻璃窗，将表演活动与城市体验结合起来。在三个主要的彩排空间中，高高的天花板充满了一群色彩鲜艳、像风筝一样的反光镜，它们在实心和穿孔之间变化，以达到动态的声学和照明效果。

The concert hall features a suspended “theatroacoustic” system, unifying acoustics, lighting, and life-safety requirements into a dramatic, multi-functional architectural expression, and the resulting intricately sculpted element is assembled out of 946 unique, folded-aluminium composite modules digitally fabricated from modules digitally designed and fabricated from the architects’ parametric model. In the recital hall, red-coloured acoustical panels optimize the room’s acoustical properties while incorporating a wall-sized shingled-glass window that unites the performance event with the urban experience. In the three major rehearsal spaces, high ceilings are filled with swarms of brightly coloured, kite-like reflectors that vary between solid and perforated to achieve dynamic acoustical and lighting effects.

 © Tim Griffith

蒂姆·格里菲斯

 © Tim Griffith

蒂姆·格里菲斯

Architects LMN Architects

Location Iowa City, IA 52242, United States

Category Music Venue

Design Architect + Interior Designer LMN Architects

Associate Architect Neumann Monson Architects

Construction Manager Mortenson Construction

Area 184000.0 ft2

Project Year 2017

Photographs Tim Griffith, Adam Hunter, Arturo Rojas

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