© İsmail Hakkı Gurbetçi

(İSmail HakkıGurbet i)

架构师提供的文本描述。马尔马拉大学神学清真寺学院是用今天的语言来解释奥斯曼古典主义建筑传统的。本课题以从微观到宏观的宇宙中的分形旋转运动为基础，将“整体中的部分”和“部分中的整体”的概念与海洋分形形式和千年传统“kırangı”天花板技术相结合，揭示了清真寺建筑传统的抽象、程式化和解读的新视角。该项目有30.000平方米的建筑面积，包括一个城市广场，一个可容纳4500名信徒的清真寺，以及一个清真寺和广场下的文化中心。

Text description provided by the architects. Marmara University Faculty of Theology Mosque was designed as an interpretation of classical Ottoman architecture tradition by using today’s language. The project is based on the fractal rotational movement which is seen in the universe from micro-scale to macro-scale, reveals seeking of a new perspective in terms of abstraction, stylization and interpretation of tradition in mosque architecture, by combining concepts of "the part in the whole" and "the whole in the part" with fractal form of nautilus and millenary traditional “kırlangıç” ceiling technique. The Project has a 30.000 sqm built area consisting of an urban square, a mosque, which can accommodate 4500 worshippers, and a cultural centre under the mosque and square.

 © İsmail Hakkı Gurbetçi

(İSmail HakkıGurbet i)

 © İsmail Hakkı Gurbetçi

(İSmail HakkıGurbet i)

文娱中心，包括教室、会议厅、展览厅、书吧和视景室，被认为是社会生活的吸引中心。所有这些功能，项目构成了“复杂”的概念，一组建筑聚集在城市规模与其城市广场。本课题以当今的材料和建筑技术为基础，结合人与空间关系的辩证法，结合古典建筑中神的概念与诗学的统一性及其现象学，结合了人与空间关系的辩证法。清真寺的设计最重要的标准是程式化，因为奥斯曼建筑中的空间诗学仍然无法理解，无法超越。

The culture centre including classrooms, conference hall, exhibition spaces, book cafe and cinevision rooms, was considered as an attraction centre of social life. With all these functions, the project constitutes the concept of “complex”, group of buildings gathered together in the urban scale with its urban square. Dialectics of human-space relations, considering tawhid, the oneness of God concept and poetics and its phenomenology in classical architecture, was combined in this project by today’s materials and construction techniques. The most important criteria for designing the mosque is stylization, by reason of that poetics of space in Ottoman architecture is still uncomprehended and is unable to go beyond.

 © İsmail Hakkı Gurbetçi

(İSmail HakkıGurbet i)

今天，这样的空间诗学只有在古典清真寺才能被感知到，而且清真寺建筑中也没有讨论过，因为这个传统已经被打破了。由于缺乏这一概念，一些试验项目的设计要么是糟糕的重复，要么是只提供完全功能主义风格的祈祷要求，而忽略了空间的诗学。因此，这座清真寺的设计与其先例相比十分方便，是对“经典清真寺-现代清真寺”矛盾的回应，是为了用新的材料创造出一种新的风格。清真寺，十二角平面，是在钢筋混凝土基础之上建造的钢结构。中央穹顶直径35米，高35米，由12根钢柱连接而成，逐步上升.

Today, such poetics of space is perceivable in only classical mosques, and was not discussed in mosque architecture because of that tradition had broken away. Through lack of this concept, some projects as trials were designed as either bad repetitions or as providing only prayer requirements with a completely functionalist style, ignoring the poetics of space. Therefore, this mosque was designed in a convenient way in relation to its precedents and as a reaction to “classical mosque-modern mosque” contradiction, in order to create a new style with new materials. The mosque, dodecagon plan, was built as steel construction above a reinforced concrete base. The central dome, 35 m in diameter and 35 m high, forms by joining 12 steel columns, ascending step-by-step.

 © İsmail Hakkı Gurbetçi

(İSmail HakkıGurbet i)

承重柱连接到穹顶的内墙，采用传统的土耳其三角形钢梁形式。脊肋上有多级螺旋结构.在山顶，有一个天窗启发从穆卡纳斯和新月的主要穹顶安装在上面。在内部空间方面，为了从内部理解结构的形象，从清真寺内部也可以看到螺旋玻璃结构的运动及其与顶部玻璃罩的连接。在这里，与外界不同的是，人被他们从外部感知到的结构包围着。为了加强室内空间的投影中心，顶部是玻璃螺旋和玻璃罩，圆心有6个字母，喷泉和水池强调的是达到天堂的中心。

Load-bearing columns link to an internal wall of the dome with steel beams in the form of traditional Turkish triangles. Over the ridge rib, there is multiple-stage spiral structure. At the top point, there is a skylight inspiring from muqarnas and the crescent of the main dome mounts over it. As for the interior space, to comprehend the image of the structure from the inside, movement of spiral glass structure and it's joining with glass muqarnas cover at the top are also seen from the interior of the mosque. Here, unlike the outside, the person is surrounded by the structure which they perceive from outside. In order to strengthen the centre of projection in interior space, glass spirals and glass muqarnas cover on the top, 6 waw letter on the centre of the circle, and the fountain and pool emphasize the centre reaching to heavens.

 © İsmail Hakkı Gurbetçi

(İSmail HakkıGurbet i)

 © İsmail Hakkı Gurbetçi

(İSmail HakkıGurbet i)

Architects Hassa Architecture Engineering Co.

Location Altunizade Mahallesi, Aksoy Sk. No:3, 34662 Üsküdar/İstanbul, Turkey

Lead Architect Muharrem Hilmi Şenalp

Area 30000.0 m2

Project Year 2015

Photographs İsmail Hakkı Gurbetçi

Category University

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