Palace of Justice Mecanoo + AYESA
2018-01-26 03:00
架构师提供的文本描述。科尔多瓦新的司法宫位于Arroyo del Moro,其特点是以匿名住房为主,这是21世纪西班牙城市快速发展的产物。作为该区城市结构特征的街区无法创造公共空间或为城市提供新的东西,但它们共同构成了一个紧凑和连贯的城市特征。该地区增加了一个公共机构,为这一相对新的社区提供了升级公共领域和增加公民素质的机会。
Text description provided by the architects. The new Palace of Justice in Córdoba is located in Arroyo del Moro which is characteristically dominated by anonymous housing blocks, products of the rapid urban development of 21st century Spanish cities. The blocks that characterize the urban fabric of the zone were not capable of generating public space or offering something new to the city, but collectively they form a compact and coherent urban identity. The addition of a public institution to the area creates the opportunity to upgrade the public realm and add a civic quality to this relatively new neighborhood.
这一加强公众身份的责任为司法宫的概念提供了依据。虽然科尔多瓦市中心位于东南距遗址,建筑体积被压缩,以创造一个慷慨的入口广场的北部,连接它与现有的沃尔塔德尔索迪略花园。
This responsibility to strengthen the public identity informed the concept for the Palace of Justice. While the Cordoba city center is located south-east from the site, the building volume was condensed to create a generous entrance square to the north which connects it with the existing Huerta del Sordillo gardens.
集团化战略通过碎片化创造城市一体化。它遵循着类似于中世纪城市自发成长过程的策略,形成了一本经过精心雕琢以适应周围环境的卷。这就形成了一个谜状的结构,它暗示了它的形成过程,并模仿了科尔多瓦密集的历史中心的经验。
The massing strategy creates urban integration through fragmentation. It follows a similar strategy to the spontaneous growth process of medieval cities resulting in a volume which is carefully sculpted to adapt to the surrounding context. This results in a puzzle-like structure which hints its process of formation and emulates the experience of the dense historical center of Cordoba.
在建筑中引入的垂直裂缝创造了露台,与当地的庭院类型有关。这些裂缝在大型建筑的中心区域提供自然光和通风。可以说,建筑物的可持续性不是通过昂贵的技术机制来实现的,而是通过对乡土建筑的明智解释来实现的。
The vertical fractures that are introduced in the building mass create patios, relating the local courtyard typologies. These fractures provide natural light and ventilation in the central zones of the large building. One can say that the sustainability of the building is not achieved by expensive technological mechanisms but by an intelligent interpretation of the vernacular architecture.
这座建筑离街道两米高,从倾斜的入口广场进入。这个立面给了建筑一个象征性的力量,同时解决了由于插入半开放的露台而产生的隐私和安全问题。由于皇宫分为几个独立的部门,这座建筑需要几个入口,这些入口都是基于内部和外部等级的。你可以从正门广场或较小的露天露台进入建筑物,在建筑物的其他3面仔细放置。
The building is elevated two meters from the street level and is accessed by the sloping entrance square. This elevation gives a symbolic power to the building while solving problems of privacy and security created by the insertion of semi-open patios. Since the Palace is divided into several independent departments, the building requires several entrances that are positioned based on both internal and external hierarchies. You can access the building either from the main entrance square or smaller open patios carefully placed along the other 3 sides of the building.
从正门看,内部组织很容易辨认。一个中央脊柱创建一个循环轴,它连接到建筑物的各种程序。这一空间跨越数层跨越整个建筑物的长度和连接每个部门。它还将公共流通与外部露台联系在一起,脊柱呼应着外部聚集的建筑语言,多层白天照明的空隙在整个建筑中创建雕塑般的中庭。
From the main entrance, the interior organization is easily recognizable. A central spine creates a circulation axis which connects to the various the programs of the building. This space spans through several floors across the length of the building and articulates each department. It also links the public circulation with the exterior patios. The spine echoes the architectural language of the exterior massing, with multi-level day-lit voids creating sculptural atriums throughout the building.
大楼的内部功能变得更加私密。在广场的水平,法院的特色是开放的底层,其中包括最公开的部分,如审判室,婚姻登记处和餐厅。较高的安全办公室位于上院外,档案和监狱牢房位于地下。
The internal functions become more private higher up the building. At the level of the square, the courthouse features an open ground floor that contains the most public sections such as courtrooms, marriage registry and restaurant. High security offices are situated off the upper courtyards and the archives and jail cells are found below ground level.
Architect in Charge Mecanoo Architecten + AYESA
Design Team Mecanoo + Ayesa.
Photographs Fernando Alda
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