© Adam Gibson

(亚当·吉布森

架构师提供的文本描述。这个位于塔斯马尼亚东北国家公园的常设营地(krakani lumi或休息地)是为塔斯马尼亚州土著土地委员会设立的。

Text description provided by the architects. This Standing Camp (krakani lumi or place of rest) in Tasmania’s North East National Park is for the Aboriginal Land Council of Tasmania.

 © Adam Gibson

(亚当·吉布森

该遗址位于火湾北缘，并在乌卡利纳-威廉山的文化景观中进行了为期4天的为期4天的中途停留。这是塔斯马尼亚州第一次完全由土著土地委员会拥有和经营的一种步行方式。

The site fringes the northern edge of the Bay of Fires, and serves as a two night stop over for a 4 day guided walk through the cultural landscape, from wukalina – Mt William, to larapuna - Eddystone Point.  The brief required accommodation and communal facilities for 2 guides and 10 walkers.  It is the first walk of its kind in Tasmania that is entirely owned and operated by the Aboriginal Land Council.

 © Adam Gibson

(亚当·吉布森

该地点的方法是从裸露和原始的海滩沙丘，通过开放的海岸荒原，是丰富的植物和动物的生活。在到达之前是看不见的，克拉卡尼·卢米(Krakani Lumi)被深深地包裹在一片边缘银行的树林里。这些建筑被烧焦的塔斯马尼亚木料包裹着，呈现出一系列离散的黑暗亭子，像阴影一样汇入周围密集的银行，在没有使用的时候伪装营地。站立营地的各个结构的外部都是坚固的，严格的细节和抗腐蚀的海气和篡改。当个别的结构打开时，一个温暖的半圆顶内衬黑木内衬是暴露出来的。(鼓掌)

The approach to the site is made from an exposed and pristine beach dune, through open coastal heath that is rich in diverse flora and animal-life. Impossible to see until arriving, krakani lumi is enveloped deep within a grove of banksia marginata.  Clad in charred Tasmanian timber, the individual structures appear as a series of discrete dark pavilions, merging as shadows into the surrounding dense banksia, camouflaging the camp when it is not in use.  The exterior of the individual structures of the standing camp are robust, tautly detailed and resilient to the corrosive sea air and to tampering.  When the individual structures are opened, a warm half-domed blackwood-lined interior is exposed.  

 Floor plan

这些拱形内部建筑的比例和物质性来源于塔斯马尼亚第一民族的传统季节性庇护所的位置、形式和质量。主要由拱形树枝和树皮制成，传统的半穹顶结构的内部经常覆盖着圆形图案的木炭素描，以及星座的描绘。传统的半穹顶形式的开放空间扩大了居住在更大的景观空间中的经验。对创作的讲述是一种国家的存在。它是对景观的文化和精神内部的一种启蒙。这种背景和讲述故事的内部概念是克拉卡尼·伊米的一个重要部分。通过对内部的揭示，讲述了一个隐藏和揭示的故事，它属于特殊的文化体验，表面烧焦的“皮肤”掩盖和保护了内部形式的叙事，确保了土著社区讲述他们的故事的代理。

The proportion and materiality of these vaulted interiors is derived from the siting, form and qualities of the traditional seasonal shelters of Tasmania’s first peoples.  Predominantly made of arched branches and sheets of bark, the interior of the traditional half-dome structures were often covered in charcoal drawings of circular motifs, and depictions of the constellations. The open spatiality of the traditional half dome form amplified the experience of dwelling within a larger landscape room.  The telling of the creation is a speaking into being of country.  It is an initiation into the cultural and spiritual interior of the landscape.  This context and the notion of the story-telling interior is an important parti for krakani lumi.  Through the revelation of the interior, a story of concealing and revealing is told, which belongs to the privileged cultural experience.  The exterior charred ‘skin’ which conceals and protects the narrative of the interior forms, ensures agency to the Aboriginal community in the telling of their story.

 © Adam Gibson

(亚当·吉布森

 Elevation 002

Elevation 002

 © Adam Gibson

(亚当·吉布森

结构的位置和细节，以尽量减少对当地动植物的影响。个别建筑物被建造成模组，并小心地空运到适当的地方。在整个过程中，墙上的洞内都有小的空洞，以便被特有的鸟类和其他依赖中空的有袋动物占据。

The structures are sited and detailed to minimise impact to native flora and fauna. Individual buildings were constructed in modules and carefully airlifted into place.  Throughout, small hollows have been made within the wall cavities to allow occupation by endemic birdlife and other hollow-dependent marsupials.

 © Adam Gibson

(亚当·吉布森

在沉睡的小屋里，床上用品补充了被子上的壁虎皮-传统上被称为“reore”(Reore)，这一空间还散发着当地马利乌(Maleleuca Ericifolia)精油的芬芳：一种传统上用来帮助睡眠的花。

Within the sleeping huts, the bedding is supplemented with quilted wallaby furs – known traditionally as ‘reore’, and the space is scented with the essential oil of the local maleleuca ericifolia: a flower that was traditionally used to aid sleep.

 © Adam Gibson

(亚当·吉布森

Architects Taylor and Hinds Architects

Location Mount William National Park, 800 Musselroe Rd, Mount William TAS 7264, Australia

Lead Architects Mat Hinds, Poppy Taylor

Area 150.0 m2

Project Year 2017

Photographs Adam Gibson, Jordan Davis

Category Small Scale

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