Redwood House Jeff Svitak

2018-02-02 11:00

架构师提供的文本描述。一栋房子和一间工作室坐落在一个独特的峡谷里，穿过圣地亚哥市。峡谷创造了一种本质，使房子在周围工作并与之结合。这一概念是为了分散峡谷和房屋之间的界限，使两者无缝地流动在一起。在街道和峡谷之间不是一个钝的聚集物，房子被分割成单独的聚集元素，这使得峡谷可以通过一个纤细的庭院元素进入房子和工作室的空间。

Text description provided by the architects. A house and studio nestled into a unique canyon running through the city of San Diego. The canyon created an essence for the house to work around and integrate with. The concept was to diffuse the division between canyon and house, so that the two flow together seamlessly. Instead of a blunt massing object between the street and the canyon, the house is divided into separate massing elements, which allow the canyon to enter into the spaces of the house and studio through a slim courtyard element.

 © Onnis Luque

欧尼斯·卢克

这座房子穿过一座漂浮的钢桥，通过一扇雪松门，开始向远处的峡谷展示瞬间和窗户，尽管这是有限的和可控的。从那里，用户通过各种空间的房子，因为峡谷揭幕自己，如果完整的形式。起居室空间是一个悬挑的房间，漂浮在峡谷的自然元素中，完全开放给外界的生活。流动的内部和外部，进入卧室是通过一个室外前厅，然后进入一个软木箱，树木是唯一的视觉元素。地下室有另一个室外私人通道，用作建筑师的办公室和工作室。

The house is accessed across a floating steel bridge, and through a sliding cedar door that begins the reveal moments and windows into the canyon setting beyond, although limited and controlled. From there the user travels through the various spaces of the house as  the canyon unveils itself if full form. The living room space is a cantilevered room floating within the natural elements of the canyon, which opens up completely to the life outside. The circulation flows inside and out, access to the bedrooms is through an outdoor vestibule and then into a soft wood box where trees are the only visual element. The basement has another outdoor private access and is utilized as the architect’s office and studio.

 © Onnis Luque

欧尼斯·卢克

 First floor plan

一楼平面图

 © Onnis Luque

欧尼斯·卢克

建筑足迹虽然很小，但通过复杂而精细的几何图形和空间布局，垂直集成，提供了广泛的生活机会。

The architectural footprint, while small, is vertically integrated to offer a wide array of living opportunities by complex yet refined geometry and spatial layouts.