架构师提供的文本描述。作为包括Casa da ArquArchtura在内的Real Vinícola建筑群修复项目的一部分，Matosinhos Jazz乐团也是该项目的一部分。到目前为止，该机构没有自己的设施，促进爵士乐的创作、研究、传播和培训，发挥国家爵士乐团的作用。

Text description provided by the architects. As part of the rehabilitation project of the buildings of the Real Vinícola complex, with includes Casa da Arquitectura, is also the Matosinhos Jazz Orchestra. This institution, without its own facilities until now, promotes the creation, research, dissemination and training in jazz, playing the role of a National Jazz Orchestra.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

该中心位于Real Vinícola建筑群的南侧，为CARA(高艺术表演中心)项目提供了空间，在该项目中，他们通过多学科项目促进艺术、技术和科学之间的对话。

It is located in the south side of the Real Vinícola complex, with a space for the project CARA (Center for High Artistic Performance) where they promote the dialogue between art, technology and science, through multidisciplinary projects.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

这一翼有空间排练，办公室，社交室，练习和录音室具有不同的容量。

This wing has spaces for rehearsals, offices, social rooms, practicing and recording rooms with different capacity.

 Ground Floor Plan

 Section 02

Section 02

 First Floor Plan

一层平面图

空间是通过功能要求强加的原则和程序本身施加的限制来组织的，这些限制了形式和材料的选择。

Space was organized through principles imposed by functional requirements and the constraints imposed by the program itself that limited formal and material choices.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

该建筑的占领探索了废弃的体积与材料相结合的入侵和占用空间的空白。不同尺度、不同成分、不同组合材料的使用，使某些房间产生的声学效应产生了多感体验。

The occupation of the building explores the void of abandoned volumes with the combination of materials that invade and occupy space. The appropriation of different scales, compositions and combinations of materials result in multisensorial experiences consequence from the acoustic effect created in certain rooms.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

建筑的外部，大而明亮，和内部之间的对比，通过隔音，导致不同的温度气氛。室内作为一种工具，在改变元素之间的游戏中，如木质板的节奏和先前存在的石头的重量，导致纹理，颜色和照明结果的多样化，这影响了它所体验的空间知觉。

The contrast is felt between the exterior of the building, large and bright, and the interior, which, through soundproofing, leads to different temperature atmospheres. The interior functions as an instrument, in a game between the alterning elements, such as the rhythm of the wooden slabs and the weight of the pre-existing stone, leading to a diversification of textures, colors and lighting results, which influence the spatial perception it experience.

 © Luís Ferreira Alves

路易斯·费雷拉·阿尔维斯

通过探索感官的潜力及其对空间理解的影响，我们试图创造这种新的和预先存在的材料的和谐结合，保持建筑的记忆和历史存在于投射的大气中。

By exploring the potentialities of the senses and their impact on the apprehension of a space, we tried to create this harmonious combination of new and pre-existing materials, keeping the memory and history of the building present in the projected atmosphere.