© Niveditaa Gupta

(c)NiveditaaGupta

架构师提供的文本描述。这个设计是从客户的简介中发展出来的，这是一个现代的房子，灵感来源于这个家族在印度喀拉拉邦的根基。我们从喀拉拉邦传统的宫殿建筑中寻找灵感。我们注意到了大多数这些建筑所描绘的一些关键特征，比如环绕着周围生活空间的走廊，一楼一层有厚厚的拱门和雕刻柱的重砖石基座的外观，以及一层似乎在材料和整体处理方面较轻的建筑。这成为了建筑正面的灵感。刻柱，这是传统喀拉拉邦建筑的一个突出元素，被采用，但与当代的扭曲。

Text description provided by the architects. The design developed from the client’s brief, which was to have a modern house inspired by the family’s roots in Kerala, India. We looked towards traditional palace construction of Kerala for inspiration. We noticed a few key features that most of these structures portrayed, such as - the verandah that wrapped the living spaces all around, the appearance of a heavy masonry base on the ground floor, with thick arches and carved columns and a first floor which appeared to be lighter in terms of materials and overall treatment. This became the inspiration for the front façade of the building. Carved columns, which are a prominent element of traditional Kerala architecture, were adopted but with a contemporary twist.

 © Niveditaa Gupta

(c)NiveditaaGupta

我们用金属板制作它们，剪裁成与传统柱子的轮廓相匹配的形状，并作为十字架放置。这些柱子架在房子的前面，坐在一个大的、连续的、突出的阳台上。前面的悬空不仅保护了南面的外观，而且还提供了充足的交叉通风。计划一直很简单。开放和连续的公共和半公共空间在底层，以及客人的卧室。这对夫妇及其子女的个人私人空间以及单独的家庭区域位于一楼。把这个计划设计成一个外向型结构的主要工作是充分利用各种意见。前面通向安静的街道和公园的后面。楼梯上方的中央天窗使空气在上层通风，有助于空气的流动。

We fashioned them using a metal sheet, cut out to match the silhouette of a traditional column and placed as a cross. These columns frame the front of the house and sit on a large continuous overhanging balcony. The overhang in the front not only protects the south façade but also allows for ample cross ventilation. The planning has been kept simple. The open and continuous public and semi-public spaces are on the ground floor along with the guest bedrooms. Individual private spaces for the couple and their children, along with a separate family area are on the first floor. The main exercise of designing the plan as an outward-looking structure was to take full advantage of views. The front opens up to a quiet street and the rear of a park. A centrally located skylight over the staircase allows a mild draft of air by ventilating it at the upper level aiding the movement of air.

 © Niveditaa Gupta

(c)NiveditaaGupta

这座建筑的两侧显示出裸露砖砌体的强烈存在。土质兵马俑的颜色直接参考了喀拉拉邦建筑的物质性，与前面和后面的轻金属阳台形成了鲜明的对比。在砖石孔保持最小，以强调开放在前面和后方。起伏的砖砌体是一个有趣的解释，芒加洛尔瓦片屋顶表面-另一个元素广泛地在喀拉拉邦。砖石膨胀，允许开口，是用佛兰芒粘结建造的。当砖墙逐渐向外延伸时，它的负面印记就出现在里面-几乎是对外面戏剧的认可！

The two sides of the building show the strong presence of exposed brick masonry. The earthy terracotta colour makes a direct reference to the materiality of Kerala architecture and stands in sharp contrast to the light metal balconies pushing through in the front and rear. Openings in the masonry are kept minimal in order to accentuate the openness in the front and rear. The undulating brick masonry is a playful interpretation of a Mangalore tiled roof surface – another element seen extensively in Kerala. The masonry swells out to allow for openings and is constructed using the Flemish bond. As the brick gradually corbels outwards, its negative imprint is seen on the inner side - almost as an acknowledgement of the drama outside!

 © Niveditaa Gupta

(c)NiveditaaGupta

 © Niveditaa Gupta

(c)NiveditaaGupta

室内材料的使用也受到了传统喀拉拉邦住宅的启发。甘蔗屏风和柚木的结合是一种尝试，将怀旧的元素添加到本来最小的室内。连续的，几乎是整体的花岗岩地板有助于进一步强调开放式的底层平面图。这所房子的动力是安装在结构屋顶上的太阳能电池板。

The use of materials for the interiors was also inspired by those seen in a traditional Kerala home. The combination of cane screens with teak wood is an attempt to add that element of nostalgia to an otherwise minimal interior.  The continuous, almost monolithic granite floor helps further accentuate the open ground floor plan. The house is powered by solar panels placed on the roof of the structure.

 © Niveditaa Gupta

(c)NiveditaaGupta

Architects Kamat & Rozario Architecture

Location Bengaluru, India

Design Team Smruti Kamat-Rozario, Lester Rozario, Divya Joseph

Area 3650.0 ft2

Project Year 2018

Photographs Niveditaa Gupta

Category Houses

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