© Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。在第32届圣保罗双年展之后举办的现场不确定性展览中，迪奥戈·阿吉亚尔工作室被选为临时展馆之一，以主持将在塞尔拉尔夫斯当代艺术花园博物馆展出的电影。

Text description provided by the architects. By the occasion of the exhibition Live Uncertainty: An Exhibition after the 32nd Bienal de São Paulo, Diogo Aguiar Studio was selected to design one of the ephemeral pavilions to host the selected films to be displayed in the Serralves Museum of Contemporary Art gardens.

 © Francisco Nogueira

弗朗西斯科·诺盖拉

 © Francisco Nogueira

弗朗西斯科·诺盖拉

Serralves花园中临时结构的发现是通过三个不同的时刻实现的：可居住空间的识别、过渡路径的识别和投影位置的确定。圆形展馆有一个抽象的表皮，一个连续的正面横跨它的曲面，建造在四层垂直木板上。

The discovery of the temporary structure in the Serralves gardens is achieved by three distinct moments: the recognition of a habitable space, a transition path and the projection site. The circular pavilion features an abstract skin, a continuous facade across its curved surface, built on four levels of vertical wooden planks.

 © Francisco Nogueira

弗朗西斯科·诺盖拉

 © Francisco Nogueira

弗朗西斯科·诺盖拉

在不设一个主入口的情况下，可以从三个不同的点进入的外立面，将入口处按其周长划分为展馆，从而促进了与Serralves花园的不同通道和关系。

Without assuming one main entrance, the outer façade, which may be entered from three different points, divides the entrance into the pavilion by its perimeter, thus fostering different accesses and relationships with Serralves gardens.

 © Fernando Guerra | FG+SG

费尔南多·格拉

在阳光的照射下，建造的建筑物在自身上方投射，形成弯曲的阴影，绕着中央的外墙蜿蜒而行，随着时间的流逝，形成了不同的影子图。

Crossed by sunlight, the built structure projects over itself causing curved shadows that meander around the central façade, creating different shadow-drawings as the day passes by.

 © Fernando Guerra | FG+SG

费尔南多·格拉

 Floor Plan

 © Fernando Guerra | FG+SG

费尔南多·格拉

建筑在圆柱形空间上，这也强调了作品展示的中心性，展馆的设计重点是建造两个功能不同的同心圆空间：间隙空间和中心空间。

Building on the cylindrical spatiality, that also emphasizes the centrality of the work on display, the design of the pavilion focuses on the construction of two concentric spaces that have distinct functions: the interstitial space and the central space.

 © Francisco Nogueira

弗朗西斯科·诺盖拉

有助于控制室内空间中的自然光，将弯曲和平行的两个立面平面图并置，交替打开双曲弧形跨度，引导参观者穿过沉浸式的中介空间-作为一条前路-而不从外部揭示中央核-作为一个封闭的空间-电影的投影位置，是电影OS幽默的人造场所，展示的是一个分支。

Contributing to the control of natural light in the interior space, the juxtaposition of two façade-plans, curved and parallel, which alternately open double-curved arc spans, guides the visitor to walk through the immersive space of mediation – as an antechamber-path – without revealing the central nucleus – as a space-enclosed – from the outside – the projection place where the film Os humores artificiais.Abrantes is shown.

 © Fernando Guerra | FG+SG

费尔南多·格拉

Architects Diogo Aguiar Studio

Location Museu Serralves, R. Dom João de Castro 210, 4150-417 Porto, Portugal

Architect in Charge Diogo Aguiar Studio

Area 75.0 m2

Project Year 2017

Photographs Francisco Nogueira, Fernando Guerra | FG+SG

Category Small Scale