这个新博物馆是挪威第四大建筑竞赛，旨在向游客介绍16至17世纪末定居在瑞典和挪威森林中的芬兰移民森林芬兰人，并对他们进行教育。

The fourth largest architectural competition in Norway, the new museum aims to inform and educate visitors about the Forest Finns, Finnish migrants who settled in Swedish and Norwegian forests in the late 16th to 17th centuries.

这个团队的提议，“芬斯克罗斯Hus”，是森林中的一个博物馆。它被一片圆柱森林所包围，在它所处的森林和博物馆的周边之间创造了一个有趣的过渡。建筑与景观的互动，内外互动，共同展现森林芬兰人的历史文化。在黑暗的时间里，博物馆内的光线流淌在圆柱林中，轻轻照亮周围的林地。

The team’s proposal, ‘Finnskogens Hus’, is a museum in the forest. Surrounded by a forest of columns, it creates an interesting transition between the forest it sits within and the perimeter of the museum. The interaction between building and landscape, inside and outside, works together to present the history and culture of the Forest Finns. During the dark hours, the light from within the museum bleeds through the forest of columns and gently illuminates the surrounding woodland.

 Hide and Seek. Image Courtesy of Lipinsky Lasovsky Johansson

捉迷藏。Lipinsky Lasovsky Johansson的形象礼貌

这座建筑的入口处就像一片空地，穿过一堆柱子，把游客引到接待区、咖啡厅和图书馆。一旦进入博物馆，柱子仍然存在，但更加分散，自然光被过滤通过天花板，这是一个参考森林芬兰人的建筑技术，在那里的烟雾通风通过一个烟雾舱口。

The entrance of the building appears as a glade through a thicket of columns, leading the visitor into the reception area, café and library. Once inside the museum, the columns are still present but more dispersed, and natural light is filtered through the ceiling, a reference to the Forest Finns building technique where smoke was ventilated out through a smoke hatch.

 Inside the Museum. Image Courtesy of Lipinsky Lasovsky Johansson

博物馆里。Lipinsky Lasovsky Johansson的形象礼貌

这座建筑本身有很多地方提到森林芬兰人的文化，例如主要的建筑材料是木头。烧木也被用来讲述一个关于森林芬兰人刀耕火种农业技术的故事。博物馆的大门廊屋顶与周围建筑物类似的门窗屋顶相连，而建筑物的规划简单明了，以确保博物馆不同部分之间的清晰流通。它的设计还具有灵活性，可将建筑物延长到第二阶段。

The building itself holds many references to the culture of the Forest Finns, such as the primary building material being wood. Burnt wood is also used to tell a story about the slash-and-burn agricultural technique of the Forest Finns. The large gabled roof of the museum creates a link to the similarly gabled roofs of the surrounding buildings, while the plan of the building is straightforward and simple to ensure a clear circulation through the different sections of the museum. It is also designed to have the flexibility of extending the building through a second building phase.

 View from Outside. Image Courtesy of Lipinsky Lasovsky Johansson

从外面看。Lipinsky Lasovsky Johansson的形象礼貌

建筑师JurášLasovsk，FilipLipinski，HannaJohansson，AndreaBaresi视觉化工作室面积2000.0平方米

Architects Juráš Lasovský, Filip Lipinski, Hanna Johansson, Andrea Baresi Visualisations Aesthetica Studio Area 2000.0 m2 Category Museums & Exhibit

最新消息：LLJA。

News via: LLJA.