© Nader Tehrani

内德·特赫拉尼

架构师提供的文本描述。深圳的城中村由一系列的历史核心组成，这些核心的存在如今充其量是岌岌可危的。在当代城市迅速扩张的包围下，这些社区密集的城市结构提醒人们，过去并不遥远，因为它与新兴房地产力量的规模根本不相称。

Text description provided by the architects. The Urban Villages of Shenzhen comprise of a series of historic cores whose presence today is precarious at best. Surrounded by the rapid expansion of the contemporary city, the dense urban fabric of these communities serves as a reminder of a past that is not so distant as it is fundamentally out of scale with the emerging forces of real estate.

 Courtesy of UABB

UABB提供

 Axonometric

 © Jeremy Son

(杰瑞米·森)

“双年展”作为一项文化活动的出现也许是了解这些脆弱社区的一个很好的工具，但馆藏方面的限制要求经济不具备持久性。尽管如此，也许正是因为这个原因，我们设想在主广场上安装一个设施，无论它多么脆弱，它的设计目的是成为城市结构的一部分，作为一个公民结构，并在今后更长的时间内熟悉它所服务的社区；同时，该结构面临的挑战是制定一项弹性战略，使基础设施、经济约束和想象许多活动、方案和事件的灵活性得到原始的完成。

The advent of the ‘biennale’ as a cultural event is maybe a good vehicle to draw light onto these vulnerable communities, but the curatorial constraints require economies that do not afford permanence. Despite this, or maybe precisely because of it, we imagined an installation on the main plaza that, that however vulnerable, is designed to become part of the urban fabric, to serve as a civic structure, and to become conversant with the community it serves for a longer time to come; in tandem, the challenge of the structure is to develop a resilient strategy that has the raw finish of infrastructure, the constraints of economy  and the flexibility to imagine many activities, programs and events.

 © Jeremy Son

(杰瑞米·森)

广场的遗址沿着村墙形成了一个城市边缘，这是规划启动的时机成熟了。作为一种以墙为基准的结构，我们提出了一种线性组织结构，它广泛地被类型学所知，其具象行为有能力激活某种长度的边缘条件：斯托塔、拱廊、柱廊、圆木。每个海湾都由一个定制的部分组成，结构最初被设想为脚手架，但当地的材料和劳动力经济决定了最后一分钟的改变-命令采用标准管状钢挤压-具有讽刺意味的是，这是实现永久性战略的关键机制。

The site of the plaza produces an urban edge along the village wall that is ripe for programmatic activation. As a structure that adopts the wall as datum, we proposed a linear organization, broadly informed by typologies whose figural demeanor have the power to activate an edge condition of some length: a stoa, arcade, colonnade, loggia. With each bay composed of a customized section, the structure was originally conceived as scaffolding, but the local material and labor economies dictated a last-minute change-order to adopt standard tube steel extrusions—which ironically was the key mechanism to enable a strategy of permanence.

 © Jeremy Son

(杰瑞米·森)

这个结构被穿在一个穿孔的皮肤上，它的形状是相对于给它的身体形状的骨架而扭曲的。在北端的地面上作为支撑，这个数字的体积在每个海湾的周长上减小，最终形成一个由现有建筑物支撑的向南的薄薄的树冠。不适合于类型学的描述，它在形状、功能和城市位置上振荡，允许它的混合行为。同时，它的结构作为一个城市柱廊，其结构的收缩-包装在城市景观中是一个巨大的图形，它给城市的虚空提供了巨大的存在。

The structure is clothed in a perforated skin, whose figure is torqued in relation to the very skeleton that gives shape to its body. Meeting the ground on the northern end as a support, the volume of the figure reduces in girth at every bay, eventually compacting itself to a thin canopy towards the south which is supported by an existing building. Not reducible to typological description, the piece oscillates in shape, function, and in urban position, allowing its hybrid behavior. At once compositionally legible through the regimented syncopation of its structure as an urban colonnade, and at the same time the shrink-wrapping of its structure is legible as a colossal figure in the urban landscape, something that gives monumental presence to an urban void.

 Courtesy of UABB

UABB提供

这座新建筑给了城市房间一张脸-几十年来，这个空间一直是停车和碎石的残留物-这也是历史上第一次提供保护，使人们免受动态环境的影响，为它所服务的社区提供一个休憩和休闲的场所，以及一个占据集体想象力的人物。

The new structure gives a face to the urban room—a space that has for decades served as a residue for parking and detritus—and for the first time in history, also offers protection from the dynamic environment, a place of respite and leisure for the very community it serves, and a figure that occupies the collective imagination.

 © Yan Meng

(三)颜蒙

Architects Cooper Union, NADAAA

Location Nantou, Nanshan District, Shenzhen, China

NADAAA Design Team Nader Tehrani, Katherine Faulkner, Mitch Mackowiak

Cooper Union Design Team Margaux Wheelock-Shew, Jeremy Son

Area 110.0 m2

Project Year 2017

Photographs Nader Tehrani, Jeremy Son, Dongmei Yao, Yan Meng

Category Pavillion

Manufacturers Loading...