架构师提供的文本描述。窗口屋的概念从两个基本问题开始。

Text description provided by the architects. The concept of The Window House starts with two fundamental questions.

当拟建的房屋位于保留森林的边缘时，住宅与自然的无缝对应将成为设计的优先事项。相反，如果房主对室外空间或自然毫无兴趣，而是将室内容积最大化作为设计简报的一部分，那该怎么办？这种似是而非的情况被负面地转化为一种鼓舞人心的思想。

When a proposed house is sited right on the edge of a reserved forest, a seamless correspondence between the house and the nature shall become the priority of the design. On the contrary, what if the house owner has expressed no interest in the outdoor space or the nature but rather maximising the interior volume as part of the design brief? This paradoxical situation is adversely transformed into an inspirational thought.

窗口可能是定义我们与户外空间关系的最直接的元素。当一所房子被其他房子包围时，这种关系就会立即被拉开帷幕。我们如何在不损害我们的隐私的情况下恢复与室外空间的这种关系？

Window is probably the most direct element that define our relationship with the outdoor space. When a house is surrounded by other houses, such relationship is immediately disjoined by just dropping down a curtain. How can we restore such relationship with the outdoor space without compromising our privacy?

 © Ronson Lee - Twins Photography

(三)李荣森-双生摄影

为了回答这些问题，窗口住宅的设计理念通过对窗口的形式和功能的操纵，以三种构造的方式离开了。这样做，这个项目的最终目的是加强业主与现有环境的联系，而不削弱设计的简要。

To answer these questions, the design concept of The Window House departed with three tectonic approaches through the manipulation of the form and function of window. By doing so, the ultimate aim of this project is to strengthen the house owner’s bonding with the existing context without diluting the design brief.

 © Ronson Lee - Twins Photography

(三)李荣森-双生摄影

CONCRETE SHELL

从东到西，这房子是包裹在一个额外的一层穿孔混凝土墙，看上去像一个外壳。除了作为一个热保护交叉通风，外壳是第一层控制隐私。在房屋和混凝土外壳之间，插入了多层次的景观，以创造一个模糊的条件，使景观看起来更像一个室内空间。

From east to west, this house is wrapped in an additional layer of perforated concrete wall which appears like a shell. Apart from acting as a thermal protection with cross ventilation, the shell is the first layer to control the privacy. Between the house and the concrete shell, multi-level of landscape is inserted in order to create an ambiguous condition which makes the landscape to appear more like an indoor space.

 © Ronson Lee - Twins Photography

(三)李荣森-双生摄影

 © Ronson Lee - Twins Photography

(三)李荣森-双生摄影

伸缩形式

TELESCOPING FORM

混凝土壳以伸缩的形式成形。它在前面逐渐变细，在平面和剖面上都向森林延伸，就像创造了一个巨大的窗框，可以俯瞰森林。同时，锥形正面被投影到街道上，这创造了一个更人性化的房子。

The concrete shell is shaped in a telescoping form. It is tapered at the front, widened towards the forest in both plan and section, like creating a giant window frame to look out to the forest. At the same time the tapered front facade is projected to the street that creates a more human scale house.

 © Ronson Lee - Twins Photography

(三)李荣森-双生摄影

Windows跟随函数

WINDOWS FOLLOW FUNCTIONS

不同功能的房间需要不同的窗户。为了为每个房间创造特定的观赏体验，根据每个房间的功能，推导出南北立面各窗口的比例和位置。因此，立面不是强加一种任意的审美，而是成为每一个房间的集体表现。除了提高框架视图的质量外，窗户还以加深的屋檐勾画，每一个景物都被捕捉在一个画框中。

Rooms with different functions deserve different windows. To create specific viewing experience for each room, the proportion and the position of each window on the north and south facade are derived out of the function of each room. Instead of imposing an arbitrary aesthetic, the facade therefore becomes a collective expression of each room. In addition to enhancing the quality of framing view, the windows are outlined with deepened eaves, every scenery is captured in a picture frame.

 © Ronson Lee - Twins Photography

(三)李荣森-双生摄影

Architects FORMZERO

Location Kuala Lumpur, Malaysia

Architect in Charge Cherng Yih Lee

Area 900.0 m2

Project Year 2017

Photographs Ronson Lee - Twins Photography

Category Houses

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