Jan Shrem and Maria Manetti Shrem Museum of Art SO

2018-03-08 12:00

 © Iwan Baan

(Iwan Baan)

架构师提供的文本描述。加州大学戴维斯分校的JanShrem和MariaManettiShrem艺术馆是该校和戴维斯市的第一个当代艺术博物馆。我们密切关注博物馆的许多环境，我们设计了一个创新的建筑空间组织，将公共区域与画廊和活动空间混合在一起，包括室内空间和室外空间。这个结果为未来的博物馆提供了一个模型，它既不是孤立的，也不是排他性的，而是开放的和可渗透的。这不是一个静态的圣地，它是一个不断演变的公共活动，欢迎不同的观众。

Text description provided by the architects. The Jan Shrem and Maria Manetti Shrem Museum of Art at the University of California at Davis is the first contemporary arts museum for the university and for the city of Davis. Paying close attention to the museum’s many contexts, we designed an innovative organization of its architectural spaces, intermingling public areas with gallery and event space, both indoor and outdoor. The result offers a model for the future museum that is neither isolated nor exclusive, but open and permeable. Rather than a static shrine, it is a constantly evolving public event that welcomes diverse audiences.

该设计放大了博物馆的各种艺术节目，反映了大学前卫艺术创作的遗产，韦恩·蒂博德、罗伯特·阿内松和威廉·威利等人才都是在那里培养出来的。随着正式的教室和艺术工作室的开放，进入大厅，博物馆是一个活生生的实验教学，制作，并与艺术互动。波纹外墙的平滑区域允许室外放映，玻璃墙庭院也可用作户外雕塑画廊。

The design amplifies the museum’s variety of arts programming and reflects the legacy of avant-garde art- making at the university, where talents like Wayne Thiebaud, Robert Arneson, and William T. Wiley were nurtured. With formal classrooms and art studios that open into the lobby, the museum is a living experiment for teaching, making, and interacting with art. Smooth zones of the corrugated façade allow for outdoor screenings and a glass-walled courtyard also functions as an outdoor sculpture gallery.

 © Iwan Baan

(Iwan Baan)

 © Iwan Baan

(Iwan Baan)

大棚是博物馆的标志性元素。我们创造了一个滚动的形式，就像一个起伏的被子，用铝梁拼凑而成，延伸到工地和建筑上。树冠响应了大学丰富的自然景观和农业环境，呼应了农田的网格。作为一个视觉信号，它也宣布博物馆作为一个新的社会节点和标志的大学作为一个整体。

A Grand Canopy is the museum’s signature element. We created a rolling form like an undulating quilt patchworked with aluminum beams that stretches over both the site and the building. The canopy responds to the university’s abundant natural landscape and agricultural context, echoing the grids of farming fields. As a visual signal, it also announces the museum as a new social node and emblem for the university as a whole.

 © Iwan Baan

(Iwan Baan)

在天篷下，多样性和透明度的空间特性突出了博物馆的民主立场。不经意间出现在校园的边缘，独特的树冠形式吸引了来自远方的游客。阳光和阴影在公共广场之间微妙的相互作用有助于模糊公民和机构领域之间的界限。在里面，一个玻璃墙大厅邀请互动，位于各个区域的交汇处观看，学习和制作。这些相互关联的内部和外部空间创造了体验艺术的非正式机会，支持了博物馆让所有游客都成为学生的使命。

Beneath the canopy, the spatial qualities of diversity and transparency underscore the museum’s democratic stance. Casually emerging at the edge of the campus, the unique form of the canopy draws visitors from a distance. The subtle interplay of light and shadow across the public plaza helps blur the boundary between civic and institutional spheres. Inside, a glass-walled lobby invites interaction, situated at the intersection of areas for viewing, learning, and making. These interconnected interior and exterior spaces create informal opportunities for experiencing art, supporting the museum’s mission to have all visitors become students.