© Nelson Kon

(Kon)

架构师提供的文本描述。玛丽亚·安东尼娅街是圣保罗大学历史上的一个里程碑，也是该市文化和政治生活中的一个里程碑。它成为学术和社会讨论的催化剂，在1949年设立了哲学、科学和文学院。

Text description provided by the architects. Maria Antonia Street is a landmark in the history of the University of São Paulo (USP) and a landmark in the cultural and political life of the city. It became a catalyst for academic and social discussions with the installation of the Faculty of Philosophy, Sciences and Letters at that address in 1949.

 © Nelson Kon

(Kon)

1968年，一群右翼学生在警察的陪同下，暴力入侵了这座建筑，之后，哲学系被转移到大学城。这些事件的相关性决定了将建筑物的主要建筑列入城市遗产清单的原因。

After the violent invasion of the building by a group of right-wing students, accompanied by the police, in 1968, the Faculty of Philosophy was transferred to the University City. The relevance of these events defined the reason for including the building's main building construction into a heritage list of the city.

 Mockup. Image © Bebete Viégas

模拟模型。图像(Bebete Viégas)

改革和恢复项目力求调整“原则和规则”(ED)。鲁伊·巴博萨(Rui Barbosa)和乔金·纳布科(Joaquin Nabuco)提出新用途，这是当代艺术的核心，汇聚了展览空间、理论和实践课程的教室、大学剧院，并有一个中心问题，以确认在历史上标志着南太大学这一遗产的公共性质。该提案包括修复主立面，保持Rui Barbosa和Joaquim Nabuco建筑的体积不变，但建议与城市建立一套新的关系。这两座建筑之间的自由空间获得了公共空间的尺寸，形成了一个小广场。在街道层面，这个广场是人行道的自然扩大，并定义了一个吸引人的通道。在较低的层次上，一个树木繁茂的露台连接着这两座建筑，为户外表演创造了一个场所。重新获得自由空间，提供与城市的慷慨联系，是该项目对纪念总部设在玛丽亚安东尼娅街的学术、文化和政治运动的贡献。

The reform and restoration project seeks to adapt the set (Ed. Rui Barbosa and Joaquin Nabuco) to the new use, a nucleus of contemporary art that agglutinates exhibition spaces, rooms for theoretical and practical courses, the Theater of the University and has as central question to affirm the public character that historically marked this patrimony of USP. The proposal includes the restoration of the main facades and maintains intact the volumetric of the Rui Barbosa and Joaquim Nabuco buildings, but proposes a new relation of the set with the city. The free area between the two buildings gains the dimension of public space, forming a small square. At street level, this square is the natural enlargement of the sidewalk and defines an inviting access to the set. On the lower level, a wooded patio connects the two buildings, creating a place for outdoor performances. To requalify the free spaces, offering a generous connection of the set with the city, is the contribution of the project to the memory of the academic, cultural and political movement that had its headquarters in Maria Antonia Street.

 © Nelson Kon

(Kon)

 Section - Street

路段-街

 © Nelson Kon

(Kon)

最重要的干预措施发生在Edifício Rui Barbosa。该项目保持了建筑的空间组织，其特点是有一个中央楼梯和三个大小不同的大厅。侧廊的开放揭示了建筑原始建筑的原始墙壁，从二十世纪的第一个十年开始。最大的房间面向地块的内部，一楼和一楼都没有板子；它的地板是由木条和木地板组成的，完全受到真菌和白蚁的影响。该结构被金属片和混凝土板取代，并根据其新用途进行调整，允许集中荷载的工程暴露出来。因此，侧面外观，缺乏表现力，揭示了这种干预，并重新提出了计划，回到新的公共空间。布丽斯太阳镜，占据了这个门面的大部分，是一种由不锈钢丝组成的工业过滤器。面板从工厂调到金属框架中。

The most significant interventions took place in Edifício Rui Barbosa. The project maintains the spatial organization of the building, characterized by a central staircase and three halls of different sizes. The opening of the side porch revealed the original wall of the building's primitive construction, from the first decade of the twentieth century. The largest room, facing the interior of the lot, had no slab, both on the ground floor and on the first floor; its floor was constituted of bars and wood floor, totally compromised by the action of fungi and termites. This structure was replaced by metallic pieces and concrete slab, sized according to its new use, allowing exposure of works with concentrated load. Consequently, the side facade, inexpressive, reveals this intervention and requalifies the plan that goes back to the new public space. The brise-soleil, which occupies much of this façade, is an industrial filter composed of stainless steel wires. The panels were modulated from the factory and screwed into the metal frame.

 © Nelson Kon

(Kon)

一楼是展览厅，其中一个展厅通往玛丽亚安东尼娅街(MariaAntonia Street)。较低层除了一间咖啡厅、一间舞厅和音乐室外，还有服务空间、技术储备。在一楼，还有三个不同尺寸的展厅。

On the ground floor are the exhibition halls, one of them with wide openings to Maria Antonia Street. The lower level is occupied by service spaces, technical reserve, in addition to a cafe and a dance and music room. And on the first floor, three more rooms of exhibition, of different dimensions.

 © Bebete Viégas

(Bebete Viégas)

 © Nelson Kon

(Kon)

该项目揭示了建筑物的不同时代，以及伴随着它们不同职业的一系列转变。遗迹空间，地段背景，原始建筑和新建筑通过广场，坡道和一座人行桥。玛丽亚·安东尼娅大学中心不是一座建筑，而是交织在一起的碎片，是一个人口密集的城市中心的连接部分。玛丽亚·安东尼娅项目是圣保罗市中心的一个显著特征，尤其为学生和大量不同的人所使用，这是一个关于干预这座合并城市的假设。对现有城市建筑的反思，其建筑品质脆弱，与城市记忆的关系，以及圣保罗中部地区理想的转变。

The project reveals the different times of the buildings and the set of transformations that accompanied their different occupations. Remains spaces, lot background, original buildings and new constructions through squares, ramps and a footbridge. The Maria Antonia University Center is not a building, but intertwined fragments, articulated parts of a densely occupied urban center. Used especially by students and by great diversity of people, a striking feature of the center of São Paulo, the Maria Antonia project is a hypothesis about intervening in the consolidated city. A reflection on building from the existing city, with a fragile patrimony in its architectural qualities, its relations with the urban memory and the desirable transformations in the central region of São Paulo.

 © Bebete Viégas

(Bebete Viégas)

 Cortesia de IAC - UNA Arquitetos

Cortesia de Iac-UNA Armisetos

 © Bebete Viégas

(Bebete Viégas)

Architects UNA Arquitetos

Location R. Maria Antônia, 294 - Vila Buarque, São Paulo - SP, Brazil

Authors Cristiane Muniz, Fábio Valentim, Fernanda Barbara, Fernando Viégas

Area 6199.0 m2

Project Year 2017

Photograph Nelson Kon, Bebete Viégas, Courtesy of UNA Arquitetos

Category Renovation

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