架构师提供的文本描述。艺术家艾蒂安·克利歇于2001年写了一篇名为“默认美学”的“香草味美”一书，阐述了在互联网上出现的一种新的人与机器关系美学的基础。它以老式的、简单的界面的形式显示出来，这是协作人员/计算机的结果，而在这种协作中，设计是完全不存在的。事实上，既定的对话只能是务实的，缺乏任何情感形态的机器。

Text description provided by the architects. In a text which written in 2001 entitled The Default Aesthetic,Vanilla flavored beauty, the artist Etienne Cliquet, defines the bases of a new aesthetic appeared on the Internet of the relation between man and machine. It shows itself in the form of oldfashioned, simple interfaces, result of a collaboration man / computer in which the design is totally absent. Indeed, the established dialogue can be only pragmatic, the machine lacking any shape of sensibility.

 © Maxime Delvaux

c Maxime Delvaux

“香草”带回了美国人最喜欢的冰淇淋口味。它被认为是默认的味道，我们自然地选择它来满足最大的数量。我们喜欢默认的…

"Vanilla" sends back to the favorite flavor of the ice creams of the Americans. It is considered as the taste by default, the one that we choose naturally to satisfy the largest number. We like it by default …

 Courtesy of Raphaël Betillon et Guillaume Freyermuth Architects

拉斐尔·贝蒂隆和纪尧姆·弗赖尔穆特建筑师提供

例如，作为索引的互联网平台完美地说明了上述特征“香草”：尽管完全没有设计元素，但在默认情况下，一种极具吸引力的审美从极简主义中散发出来，其简单性与可见的树形图相得益彰。

An internet platform as indexhibit, for instance, illustrates perfectly this said characteristic "vanilla": in spite of a total absence of elements of design, an esthetic by default extremely attractive radiates from the minimalism, the simplicity of use with the visible tree diagram.

 Floor Plan

在维勒加莱·德·劳拉戈斯的体育馆项目中，以及更一般的机构的作品中，由于我们建筑的实用主义，美学在默认的情况下也会从我们的建筑中散发出光芒。我们尽量避免意义的陷阱，充满意象的建筑。兴趣在其他地方：在慷慨的空间，在创造各种各样的空间，在多变的气候或明亮的品质。

In the project of Villefranche de Lauragais's Gymnasium and more generally in the works of the agency, esthetics by default also radiates from our architecture thanks to its pragmatism. We try to avoid at the most the pitfall of meaning, full of imagery architecture. The interest is somewhere else: in the generosity of spaces, in the creation of a variety of spaces, in the changeable climatic or bright qualities.

 © Maxime Delvaux

c Maxime Delvaux

如果我们采用接口的定义：“进行交换和交互的两个元素之间的层限制”，它会作为体系结构的一个可能定义。

If we take the definition of an interface: "layer limits between two elements by which take place exchanges and interactions", it resounds as a possible definition of the architecture.

 © Maxime Delvaux

c Maxime Delvaux

因此，体育馆的建筑就是建筑界面，可以让身体进行体育活动。回声起作用了。

So the architecture of a gymnasium is the constructed interface which allows the body to carry out sports activities. The echo works.

 © Salem Mostefaoui

(Salem Mostefaoui)

因此，为维勒加莱·德·劳拉莱斯的体育馆提议的界面声称它与艾蒂安·克利歇在其文章中描述的美学有着密切的关系。体育馆从粗糙材料的精确装配中提取其美学，而不是配置。可见的技术和结构元素参与了空间的组织，其和谐就像一个可见的树状图参与了现代计算界面。

Thus the interface proposed for Villefranche de Lauragais's gymnasium claims its filiation with the aesthetic described in its article by Etienne Cliquet. The gymnasium draws its esthetics from the precise assembly of rough materials and not configured. The visible technical and structural elements participate in the organization of the space, in its harmony in the same way as a visible tree diagram participates in it in contemporary computing interfaces.

 © Salem Mostefaoui

(Salem Mostefaoui)

在比赛中，我们努力用同样的实用主义来回答节目中提出的问题。体育馆位于一个倾斜的场地上，与其他几种设备、一条轨道、一处停车场和一所高中的交汇处。通过排列各种游乐场的建筑偏见创造了一个巨大的悬垂广场，从而确保了区域内各种设备之间的连接和一致性。

During the competition, we tried hard to answer with the same pragmatism the questions lifted by the program. The gymnasium is on a sloping ground, in the joint of several other equipment, a track, a parking lot and a high school. The architectural bias by aligning the various playgrounds creates a big overhanging square, so assuring connection and coherence between the various equipment of the zone.

 © Maxime Delvaux

c Maxime Delvaux

建议的美学和简单但激进的方案解释有助于给这个项目提供一个香草建筑的味道，在其中我们认识自己。

The proposed aesthetic and the simple but radical interpretation of the program contribute to give to this project a taste of Vanilla architecture in which we recognize ourselves.

 © Maxime Delvaux

c Maxime Delvaux

Architects CTV Architects, Raphaël Betillon et Guillaume Freyermuth Architects

Location 31290 Villefranche-de-Lauragais, France

Area 1900.0 m2

Project Year 2017

Photographs Salem Mostefaoui, Maxime Delvaux

Category Gymnasium

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