Guest House in Kyoto B.L.U.E. Architecture Design Studio
2018-03-23 00:00
架构师提供的文本描述。原址位于京都的Krasuma,有着100多年的历史。它是一种传统的木结构房屋,以京都民居的典型形式存在,除了一些后来随机改建的建筑外,其主要骨架仍处于良好状态。店主打算把它改造成一家独特的精品家居用品店。
Text description provided by the architects. Located at Gojo Krasuma, Kyoto, the original house has more than 100 years history. It is a traditional timber-structure house in typical form of Kyoto house, and the main skeleton remains in good condition except for some random later rebuilt. The owner intended to transform it into a unique boutique homestay.
这个项目的原则是尽最大努力保存尽可能多的原创建筑,同时,我们需要更新房子以满足现代生活的需要,这就导致了新旧建筑风格的结合,就像一种混合功能。不同于一般的家居,我们提供了一个小型的文化展览博物馆空间的房子,这就是为什么这个节目被称为“和院”(合庭)。
The program’s principle is to try our best to preserve as much original building as we could, and at the same time, we need to update the house to meet the demand of modern life ,which leads to a mix of old and new building style spontaneously, like a hybridism. Different from the normal homestay, we provide a small cultural exhibition museum space in the house, that is why the program is called as “He-courtyard”(合庭).
设计中插入一个纯粹现代风格的隧道作为主要入口,隧道延伸到外面的街道,穿过主楼,最后到达后面的庭院。这样,当游客经过街道时,他们可以向内看庭院的景致。它是新的互动对话场景,旨在表达传统京都文化的精髓&庭院。除了连接不同空间的功能外,隧道还作为展厅,提供了一个清晰的平台,展示各种旧日本收藏品。
Design inserts a purely modern style tunnel as the main entrance, the tunnel extends outside to the street, inside through the main house and finally reach the courtyard at the back. Thus allows visitors can look deep inside to the view of the courtyard when they pass by the street. It is the new interacting dialogue scenes which aims to express the essence of traditional Kyoto cultural – the courtyard. Except for the function of connecting different spaces, the tunnel is also served as exhibiting hall, providing a clear platform to display different kinds of old Japan collection.
为了适应现代生活的新要求,我们在不破坏原有结构的情况下,对主楼的内部空间进行了重组,改造了楼梯,改变了楼梯的方向,因为旧楼梯又陡又窄。此外,我们在一楼和二楼都增加了现代化浴室,这增加了游客逗留的舒适性。加强原有结构也是非常必要的。我们再利用旧房子的木板,使商店抽屉在楼梯下面,反映了房子的历史情感。
To meet the new demands of modern life, we reorganised the interior space of the main house without destroying the original structure, we reframed the staircase and changed its direction since the old staircase was steep and narrow. In addition, we added modern bathrooms for both first and second floors, which increase the comfortability of visitors’ stay. The strengthening of original structures is also very essential. We reuse the old house’s wood planks to make the store drawers underneath the staircase, reflecting the house’s historical emotion.
在清理后院时,我们挖出了许多历史石料和石柱,后院的景观设计就是以这些石头为基础的,同时保留了原来的枫树。通过结合现代风格和传统风格,我们创造了日本风格和现代风格的结合,在这么小的区域内形成了一个无限的花园空间。
When cleaning the back yard, we dug out many historical stone and stone cylinder and the design of backyard’s landscape is based on these stone, meanwhile, the original maple tree was kept. By combining modern and tradition style, we created a mix of Japanese style and modern style courtyard, making an infinite garden space within such a small area.
在材料选择方面,以原木为主,主体采用土壤质地涂层,手柄用黄铜和旧金属等硬核为主。为了保持原始材料的自然质感,我们试图延续这座古老建筑的朴素之美。古老的木结构和新的木制家具的结合在每个房间里都可以看到,这创造了一个有趣的场景。在一种看似矛盾的表达中,我们希望带领人们在这座房子里体验到日本不同时代的痕迹。
As for the selection of materials, we give priority to logs and soil texture coating for the main body, brass and old metal for handles and other hardcore. Aimed at keeping the original natural texture of materials, we try to continue the beauty of plainness of the old building. The combination of old timber structure and the new wooden furniture can be seem in each room, which creates an interesting scene. In a seemingly contradictory expression, we hope to lead people to experience the trace of different era of Japan in this house.
Architects B.L.U.E. Architecture Design Studio
Location Kyoto, Kyoto Prefecture, Japan
Lead Architects Shuhei Aoyama, Yoko Fujii, Huiyong Yang
Photographs Toshiyuku Yano
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