Bored House Cynthia Seinfeld
2018-03-25 13:00
钻孔屋
BORED HOUSE
这个项目从了解三代人形成的家庭关系开始。通过长时间的对话,他们传递家庭动态,作为他们的“记忆”的一部分,但最重要的是,他们的渴望和愿望。该提案必须涵盖所有这些方面,预见到新的职业形式和意想不到的关系。
The project starts by understanding family relationships FORMED BY three different generations. Through long conversations, they transmit family dynamics as part of their "memory", but above all, of their longings and desires. The proposal must cover all of them foreseeing new forms of occupation and unexpected relationships.
© Juan Solano Ojasí
(Juan Solano Ojasí)
![](works/201803/Bored House Crushi.net01_11mg_6138.jpg)
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减少的地段和分隔墙是位于一个单一功能的利马住宅区合并几十年前,但在一个不断变化的过程中,许多地区的城市。我们把成交量集中在批次的中间,扣除先前和以后的一项严格规定的提款。这些撤出使我们能够建立未来的位置关系,与环境,目前没有太多的财富,但是在不断的变化。
The reduced lot and between dividing walls is located in a mono-functional residential district of Lima consolidated several decades ago, but in a changing process as many areas of the city. We concentrate the volume in the middle of the lot, discounting previous and subsequent withdrawals of a strict regulation. These withdrawals allow us to establish future location relationships with the environment that does not currently have much wealth, but is in constant mutation.
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因此,我们将体积还原性追溯到一个简单的主立方实体,它占用了最大允许的和可用的批次。这片土地有300平方米,项目面积达750米。休息和服务的功能集中在第一层、第二层和第三层的周边区域,这样就可以通过正面有控制的不透明度来追踪与街道的界限。
Thus, we trace the volume reducibility to a simple and primary cubic entity occupying the maximum allowed and available lot. This lot has 300 square meters and the program amounts to 750 meters. The functions for rest and services are concentrated in the perimeter areas of the first, second and third floors, allowing to trace the boundaries with the street through a controlled opacity in the facades
© Juan Solano Ojasí
(Juan Solano Ojasí)
![](works/201803/Bored House Crushi.net01_11mg_6223.jpg)
![](/Public/Home/images/caiji.png)
集体家庭聚会的空间位于内部,通过空间序列:通过项目的所有层次叠加在天空方向的空隙,以便在每个空间中通过移动中的空间体验到另一个空间的存在和关系。在这些方面,没有既定的确定性,他们可以改变,变异或重新定义。
The spaces for collective family gatherings are located towards the inside, through spatial sequences: voids that are superimposed in the direction of the sky through all the levels of the project, so that in each space the presence of the other and the relationships are experienced through spaces in movement. In these, there are no established certainties they can change, mutate or redefine.
![](works/201803/axonometria_vac%c3%b7os.jpg)
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我们把这种空间连续性理解为擦除边界的可能性,这是一种允许内部和外部共生的操作,这样它的居民就可以定义和重新定义他们的精神和物质状态。因此,我们可能会发现,也许亲密并不意味着孤独或分开,集体生活有时也需要一种亲密的状态。
We understand this spatial continuity as the possibility of erasing boundaries, as an operation that allows a symbiosis between the interior and exterior, so that its inhabitants can define and redefine their spiritual and physical state. Thus, it will be possible to discover that maybe intimacy does not mean loneliness or being apart, and that collective life can sometimes require a state of intimacy as well.
© Juan Solano Ojasí
(Juan Solano Ojasí)
![](works/201803/Bored House Crushi.net01_11mg_6142.jpg)
![](/Public/Home/images/caiji.png)
混凝土的适用性,其模板给材料留下了深刻的印象,允许根据阴影变化的读数取决于SUNPATH。中间空间与街道,意思是阳台,被处理的另一个实质性,如留下的痕迹减去体积,使用木材。
The applicability of concrete, whose formwork leaves a deep impression on the material, allows a reading that mutates according to the shadows depending on the sunpath. Intermediate spaces with the street, meaning balconies, are treated with another materiality, such as a trace left by subtracting the volume, by using wood.
© Juan Solano Ojasí
(Juan Solano Ojasí)
![](works/201803/Bored House Crushi.net01_11mg_6106.jpg)
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