Greenacres House Austin Maynard Architects
2018-03-28 17:00
© Tess Kelly
C.苔丝·凯利
架构师提供的文本描述。格林英亩位于距新墨西哥州纽卡斯尔州梅里韦瑟的海洋悬崖仅几米远的地方。在他们的简报中,巴兹尔和乔要求一家人住在一个可以让他们变老的家庭,用电梯、许多轻盈、光滑、干净的线条,他们试探性地要求:“一扇窗户,如果可能的话,可以看到风景。”奥斯汀梅纳德建筑师为他们设计了一个住宅,从房子内和周围的几乎每一个空间都能捕捉到景色。
Text description provided by the architects. Greenacres is located only metres from the ocean cliffs in Merewether, Newcastle, NSW. In their brief, the owners, Basil and Jo, asked for a family home that they could grow old in, with a lift, lots of light, sleek, clean lines and, they tentatively requested: “a window with a view if possible.” Austin Maynard Architects designed them a home which captures the views from almost every space within and around the house.
© Tess Kelly
C.苔丝·凯利
绿英亩对地点和地点都有反应。由于无法挽救原来破旧的房屋,在陡峭的街区上建造了一座新房子,这一地形给人们带来了新的、令人兴奋的挑战。不同的高度为多个平台提供了观看海洋、梅韦瑟海洋浴场和纽卡斯尔城广阔前景的机会。
Greenacres responds to both site and location. Unable to save the original dilapidated house, a new home was constructed on the steep block, a topography that set new and exciting challenges. The varying heights created the opportunity for multiple platforms to view the expansive outlook over the ocean, the Merewether Ocean Baths, and the city of Newcastle.
© Tess Kelly
C.苔丝·凯利
Ground floor plan
© Tess Kelly
C.苔丝·凯利
从三层陡峭的坡度上走下,房子与景观一起工作,就像它沿着山坡走向街道一样。车库被埋在物业的底部,入口的小径和花园在屋顶旁边,向上和上方编织,穿过绿色的屋顶。车道的设计被美化,以减少大面积的硬表面在房子前面的影响。一种简单的白色长方形形状,支撑在三个巨大的钢制“回形针”上,是厨房、居住和就餐区的房子,下面有两间卧室和一间浴室。在街区的后面是父母的卧室,里面有一件行军服、套间和书房-安静而私密。在车库里,电梯可以直接进入所有三层楼,隐藏在三层的厨房橱柜内。
Stepping down a steep gradient at three levels the house works with the landscape as it terraces down the hill towards the street. The garage is buried at the base of the property, with the entry path and garden weaving beside, up and over the top, through the green roof. The design of the driveway is landscaped to reduce the impact of a large expanse of hard surface in front of the house. A simple, white rectangular form, propped on three giant steel ‘paperclips’, houses the kitchen/ living and dining area, with two bedrooms and a bathroom beneath. At the back of the block is the parent’s bedroom, with a walk-in-robe, ensuite and a study - quiet and private. In the garage a lift provides direct access to all three floors, concealed within the kitchen cabinetry at the third floor level.
© Ayden Sheperd
艾登·谢珀德
Diagram 03
Diagram 03
© Tess Kelly
C.苔丝·凯利
受“星球大战:帝国反击战”中的大望远镜的启发,这个白色悬空的生活区被设计成像镜头一样将视野聚焦在视野中。顶部是一个透光透明的阳台,所有五面-玻璃纤维地板和扁平天花板、栏杆和侧面的线性排列-把眼睛拉出来。
Inspired by the macrobinoculars in Star Wars: The Empire Strikes Back, the white suspended living zone was designed to bring the views into focus, like a lens, framing the vista. Capping the end is a light and transparent balcony, with all five sides - the fibreglass floor and linear arrangement of the battened ceiling, balustrade and sides - drawing the eye out.
© Tess Kelly
C.苔丝·凯利
Diagram 04
Diagram 04
© Tess Kelly
C.苔丝·凯利
在海洋前建一座房子,一切都围绕着风景。在格林英亩,故意的透明性确保了房子不会妨碍自己的视线。坐在后面的花园里,在书房里工作,或者在街区的最后一个房间里洗澡,巨大的城市和海洋是畅通无阻的。
Build a house in front of an ocean and everything becomes about the view. At Greenacres the deliberate transparency ensures the house never gets in the way of its own view. Whilst sitting in the back garden, working in the study, or showering in the very last room on the block, the great expanse of city and ocean is unimpeded.
未来派的科幻联想进一步扩展,因为白色居住区似乎完全是一种不同的形式,徘徊或停靠在一个工业砖块基地。对比是鲜明的。回收砖,一个色彩丰富的混合调色板,大约有20%的涂鸦,提供颜色,性格和过去的感觉。土质的,质感的,厚重的,结实的。在这个砖头上,是挤压的形式,一个干净的,白色的钢和面板,机器制造的盒子。
The futuristic sci-fi associations extend further, as the white living zone appears to be a different form entirely, hovering or docked to an industrial brick base. The contrast is stark. The recycled bricks, a colourful mixed palette bearing approximately 20% graffiti, provide colour, character and a sense of past. Earthy, textured, heavy and robust. Resting on this brick plinth, is the extruded form, a clean, white steel and panellised, machine-made box.
© Tess Kelly
C.苔丝·凯利
Architects Austin Maynard Architects
Location Australia
Project Team Andrew Maynard, Mark Austin, Natalie Miles
Area 310.0 m2
Project Year 2018
Photographs Tess Kelly, Ayden Sheperd
Category Houses
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