客户-圣米歇尔、保利诺和阿莱桑德罗教区-更多规格-无规格

Client Saint Michele, Paolino and Alessandro Parish More Specs Less Specs

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

架构师提供的文本描述。位于卢卡历史中心的圣佩莱格里诺教堂的名字来源于圣佩莱格里诺教堂，现在被称为加里塔西教堂，它被认为是建在古老的圣乔治门口，即通往古罗马要塞的大门。在十七世纪中叶，随着巨大的拱形大厅的扩展，它成为当地富裕家庭的朝圣和祈祷中心。1808年圣佩莱格里诺教堂因礼拜而关闭。在二十世纪，它是一个制造和修理城市教堂器官的风琴作坊，然后变成了一个仓库。

Text description provided by the architects. The Church of San Pellegrino in the historic center of Lucca takes its name from its location which is on Via San Pellegrino, now called Via Galli Tassi.It is believed that it was built at the ancient San Giorgio doorway, that is, the access door to ancient Roman forts. Expanded in the middle of the seventeenth century with the great vaulted hall, it became a pilgrimage and prayer center for wealthy local families. In 1808 the Church of San Pellegrino was closed for worship. In the twentieth century, it was an organ workshop where city church organs were manufactured and repaired, it then became a warehouse.

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

 Floor Plan

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

教会处于一种严重的忽视状态，委员会确定的目标是恢复外部、屋顶和内部，目的是将马球博物馆托斯卡诺的石膏铸造的收藏品转移出去。藏品包括230件，从十九世纪中期到二十世纪中期.该项目还包括与教堂相连的相邻房间，当一扇古老的门被重新打开时。这是一个非常尊重历史文物的低成本项目，它的空间已经恢复到以前的辉煌，并创造了人工照明和设备放置在大厅檐上，以隐藏任何技术元素的视线。

The Church was in an advanced state of neglect, the objective set by the commission was to restore the exterior, the roofs, and interiors with the intent of transferring the plaster cast collections from the Polo Museale Toscano. The collection consists of 230 pieces dated from the mid-nineteenth century to the mid-twentieth century. The project also involved the adjacent rooms that were connected to the church when an ancient door was reopened. It's a low-cost project with utmost respect for the historical artifact, space has been restored to its former splendor and artificial lighting has been created with equipment placed on the hall cornice in order to hide any technological elements from view.

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

自然光和人造光真正定义了空间。唯一增加的建筑元素是：为将门与相邻的房间连接起来而放置的粉末涂覆钢板、老人院缺少的台阶、圣罗科的侧祭坛和降生最初放置的区域(不再存在于教堂中)和前门区域。白色大理石和Bardiglio地板已被清洁和涂层，以保持真实的外观多层磨损从上个世纪。相邻房间一楼的中庭房将变成一个小办公室。

The natural and artificial light truly defines the space. The only architectural elements that have been added are the powder coated steel slabs placed to connect the door to the adjacent rooms, the missing steps in the presbytery, the areas where the side altars of St. Rocco and the nativity were originally placed (no longer present in the church), and the front entrance area. The white marble and bardiglio floor have been cleaned and coated in order to keep the authentic look of the multiple layers of wear from the last century. The atrium room on the first floor of the adjacent rooms will be turned into a small office.

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

灰泥沉积物的建立-并给出了大量的碎片-是由两个系统组成的：由金属管和木托盘板组成的架子。这些元素通过使用最重要的雕塑元素并根据它们的形状和大小适当地放置它们来定义多种形式的空间。教堂大厅分为多个可视的一瞥，视光线而异，无论是自然的还是人造的。

The setting up of the plaster deposits - and given a large number of pieces - is structured by means of two systems: shelves made of metal tubes and wooden pallet tatami boards.  These elements define multiform spaces by using the most important sculptural elements and adequately placing them according to their shape and size. The church hall is divided into multiple visual glimpses that vary according to the light, whether it be natural or artificial.

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

建筑装饰的材料与这样一个传统空间的线性相结合，形成了一种非常现代的感觉。玻璃门将城市空间与内部连接起来，第一个可见的元素是用各种语言涂鸦的正面面板。多语种文本是艺术普遍性的视觉隐喻。就在曼西国家美术馆对面，圣佩莱格里诺教堂的石膏模型现在成为托斯卡纳博物馆的组成部分。

The material of the architectural finishes combined with the linearity of such a traditional space makes for a very contemporary feel. The glass entrance door connects the urban space to the interior, the first visible element is the frontispiece panel with graffiti in various languages. The multilingual text is a visual metaphor for the universality of art. Being just across from the Palazzo Mansi National Art Gallery, the Plaster casts of the Church of San Pellegrino now form an integral part of the Tuscan museum area.

 © Pietro Savorelli

c.皮埃特罗·萨瓦雷利

Architects MICROSCAPE architecture urban design AA

Location 55100 Lucca, Province of Lucca, Italy

Area 250.0 m2

Project Year 2016

Photographs Pietro Savorelli

Category Restoration

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