架构师提供的文本描述。于庆成是世界著名的泥塑艺术家，在中国和国外享有盛誉，独特的风格为自己开辟了一条新路。

Text description provided by the architects. Yu Qingcheng is a world famous original clay sculpture artist who is renowned in China and oversea, the unique style strike out a new line for himself.

 Courtesy of Architectural Design and Research Institute of Tianjin University

天津大学建筑设计研究院提供服务

用情绪化的词来形容这个设计是“抱泥”，理性的词是“多层面的”。思维是近几年设计师的一个主要思想，他提出了“多种”的新概念-从一开始到最后，建筑充满了运动，在不同的末端有两种或两种以上不同的形式，这种形式不是结果，而是一个过程，一个不断流动和变化的物理空间，一个从静态到动态的过程，时空演化过程。一个物体生长的过程，一个非聚焦的建筑，一个从线性到非线性的几何成分，具有拓扑和分形特征。

To describe this design with the emotional word is "hold mud", rational words is “manifold”. The thinking is a main idea of the designer in recent years, he put forward a new concept of "manifold"--- From first to last,the building is full of movement and has two or more different forms at the different ends, the form is not a result but a process, a continuous flowing and changing physical space, a process from static to dynamic, a temporal spatial evolution process. a body growing process, a non-focus building, a geometrical composition from linear to nonlinear changes with both topology and fractal characteristics.

 Courtesy of Architectural Design and Research Institute of Tianjin University

天津大学建筑设计研究院提供服务

这个画廊的物理空间有十个变化：1：力学-从静态到动态的形状，2：从直线到曲线，3：平面图-从大到小，4：光学-颜色从暗到光，5：测量-表层从厚到薄，6：从宽到窄每个面砖的间隙，7：质地从粗到光滑，8：维-空间从二维到三维，9：性格-气质从粗糙到柔软，10：哲学-从阴到阳的属性。

Physical space of this gallery has ten changes: 1: Mechanics---- the shape from static to dynamic, 2: Differential---- line from straight to curve, 3: Level---- block from large to small, 4: Optics ----color from dark to light, 5: Measurement---- surface layer from thick to thin, 6: Mete-rage---- gap of each face brick from broad to narrow, 7: Physical ----texture from coarse to smooth, 8: Dimension ----space from two-dimensional to three-dimensional, 9: Character ----temperament from rough to soft, 10: Philosophy---- attributes from Yin to yang.

 Courtesy of Architectural Design and Research Institute of Tianjin University

天津大学建筑设计研究院提供服务

1996年，西藏大师阿方索·卡鲁波切(Alfonso Karupoche)写了一本书“西藏死者之书”(The藏籍of the Death)，他说：“科学家告诉我们，整个宇宙只是变化、活动和过程-整个变化的流动”，“生与死被视为一个不断变化的过渡实体的连续序列”。

Tibet master Alfonso Karupoche wrote a book   in 1996 which sold around the world, he said": scientists tell us, the whole universe is just change, activity and process -- a whole flow of change "," life and death were seen as a continuous sequence of transition entity in a changing".

 3.9 Meter High Plan

3.9米计划

美国评论家罗杰·休伯特说：“每一个热爱电影的人最终都会到达小祖的视野，把握影片的本质是在运动与静止之间的选择。”

American critic Roger Hubert said "every people who love movies will eventually arrived at Yasujiro Otsu's vision, grasp the essence to the film is the choice between movement and stillness."

 Courtesy of Architectural Design and Research Institute of Tianjin University

天津大学建筑设计研究院提供服务

科学、宗教和艺术三者有许多共同之处。

Science, religion and art three have much in common.

我们过去习惯于建筑物是正方形的，或者是在直线或曲线上的圆形底座，这座建筑有正方形和圆形的直线和曲线，这是不符合逻辑的。曲线与线性不再相反，而是由同胚、非同胚到一系列拓扑非线性变换。

We used to be accustomed to that a building is either square or round \bases on either straight line or curve, this building with both square and round\ straight line and curve is not logical. Curve and linear are no longer in contrast, but changes from the homeomorphism, non homeomorphic homotopy to a series of topological nonlinear transformation.

 Courtesy of Architectural Design and Research Institute of Tianjin University

天津大学建筑设计研究院提供服务