© Stéphane Groleau

(Stéphane Groleau)

架构师提供的文本描述。魁北克注册的文化遗址建筑师们选择了一种土地艺术的方法，重点是自然环境和材料。其目的是使新建筑尽可能谨慎，并展示该遗址最有趣的景观和遗产特征。

Text description provided by the architects. The concept for the siting and construction of the new visitor center for Seigneurie-des-Aulnaies, a registered Quebec cultural heritage site, is grounded in the characteristic elements of the surrounding landscape: the river, bridges, forest and stone buildings. The architects opted for a Land Art approach, focusing on natural settings and materials. The aim was to make the new building as discreet as possible and showcase the site’s most interesting landscape and heritage features.

 Masterplan

由此产生的展馆利用了场地的坡度：建筑“融化”在其中，尽量减少对场地的视觉影响，并允许普遍的可访问性。石头是这个项目的主要灵感来源。它被发现在现场的各种形式：作为挡土墙，堆放在河岸，并凿成用于磨坊的外部。这种天然原料出现在新展馆里，就像一堵石堡墙。同时，建筑的绿色屋顶暗示了底层暴露的地层，强调以景观为中心的建筑理念，模糊了对建筑物的所有引用。内部空间沿屋顶纵向排列。

The resulting pavilion takes advantage of the site’s slope: the building “melts” into it, minimizing its visual impact on the site and allowing for universal accessibility. Stone is the project’s dominant source of inspiration. It is found on the site in every form: as a retaining wall, piled on the riverbank, and hewn for use on the mill’s exterior. This natural raw material appears in the new pavilion as a gabion wall. Meanwhile, the building’s green roof suggests an exposed stratum of the underlying ground and emphasizes the idea of landscape-focused architecture by blurring all references to buildings. The interior spaces are organized longitudinally, following the roofline.

 © Stéphane Groleau

(Stéphane Groleau)

 Floor Plan

 © Stéphane Groleau

(Stéphane Groleau)

作为历史遗迹的入口，新的展馆被用来欢迎游客和控制网站的访问，同时给游客提供一个不同的探索地点的方式。第一卷，木材和石头，用于服务，而第二卷，完成在玻璃，打开景观，并提供了一个“框架”来观察磨坊及其活动。这两卷书之间的差距提供了一个景观河岸的看法。在街道的一侧，辉长岩墙引导行人走向入口，其特征是有一个画窗和一个薄薄的遮阳篷连接在建筑物上。遮阳篷为引导活动或沉思提供了庇护所；它也被设计用来引导游客走向通往庄园房子的木制人行道。

As the gateway to the historic Seigneurie site, the new pavilion is used for welcoming visitors and controlling site access, while giving visitors an overview of different ways to explore the site. The first volume, in wood and stone, is used for services, while the second volume, finished in glass, opens on the landscape and provides a “frame” for looking at the mill and its activities. The gap between the two volumes provides a view of the river side of the landscape. On the street side, the gabion wall guides pedestrians toward the entrance, characterized by a picture window and a thin awning attached to the building. The awning provides shelter for guided activities or contemplation; it is also designed to steer the visitor toward the wooden walkway leading to the manor house.

 Section + Elevation

剖面高程

该项目预算非常紧张，反映了将一个新结构纳入一个敏感地点的当代做法，其中最优先事项是突出历史建筑和景观遗产。通过尽量减少展馆的环境和视觉影响，建筑师们对丰富的自然环境表现出高度的敏感性。除了与周围环境融合的挑战外，还需要解决该项目在社会上的可接受性-由于一个积极参与的客户对新的想法持开放态度并对奥尔纳耶群岛充满热情，这一挑战得以成功应对。

The project, executed on a very tight budget, reflects a contemporary approach to integrating a new structure into a sensitive location, where the top priorities were to highlight historic architecture and landscape heritage. By minimizing the environmental and visual impact of the pavilion, the architects showed a high degree of sensitivity to the rich natural setting. In addition to the challenge of integration with the surroundings, there was also a need to address the social acceptability of the project – a challenge successfully met thanks to an actively involved client open to new ideas and passionate about the Seigneurie des Aulnaies.

 © Stéphane Groleau

(Stéphane Groleau)

Architects Anne Carrier architecture

Location Saint-Roch-des-Aulnaies, QC, Canada

Designers Anne Carrier (lead architect) , Robert Boily (B.arch./ B.sc.a.), Patricia Pronovost (architect)

Area 150.0 m2

Project Year 2015

Photographs Stéphane Groleau

Category Visitor Center

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