架构师提供的文本描述。Skorba是斯洛文尼亚最古老的城镇Ptuj附近的一个小村庄。曾经是一个典型的村落，有着密集的聚居模式，岁月的流逝和城市的临近，使它迅速成长，变成一个没有清晰结构的通勤郊区。由于有机增长，在通路沿线组织了一项明显不同的发展，没有公共地面布局，也没有一个清晰的村庄中心。

Text description provided by the architects. Skorba is a small village in the vicinity of Ptuj, Slovenia's oldest town. Once a typical village with a clustered settlement pattern, the passage of years and the proximity of the city caused it to grow out of turn, transforming it into a commuter suburb without a clear structure. The organic growth resulted in a markedly heterogeneous development organised along the access roads, with no public surface layout and without a clearly legible village centre.

因此，在决定建立一个村庄礼拜堂之后，首先要考虑的是如何利用这一机会为村民安排一个中心活动和社交空间。新村中心的选址是经过精心挑选的：地块曾经包含了村庄的溪源，这也是一条河阶岸向上延伸到另一条河岸的地方。村庄中心位于社区中心大楼附近，在穿过村庄的主要道路的十字路口。

Consequently, the first consideration following the decision to erect a village chapel was how to use this opportunity to also lay out a central event and socialising space for the villagers. The site for the new village centre was carefully chosen: the plot once contained the village stream source, and this is also the point where the one river terrace bank rises upwards to the other one. The village centre is sited close to the community centre building, at the crossroads of the main paths through the village.

 © Miran Kambič

c Miran Kambič

在讨论新的村镇中心Skorba时，值得注意的是，整个项目从最初的构想到完成，都是由居民自己的倡议推动的。他们积极参与筹集资金购买地块，并参与建设，村民们需要许多小时的自愿工作。所有这些都必须在起草项目时加以考虑。因此，设计并不依赖于每一个细节的完美，也没有任何高科技的解决方案。相反，它的目的是建立一个适当的关系与它的周围和一个足够大胆的外观，主要是通过一个清晰的体积设计和简单的物质性。

In discussing the new village centre Skorba, it is remarkable that the entire project, from the initial idea to completion, was driven by the initiative of the inhabitants themselves. They took an active part in raising the funds to purchase the plot as well as in the construction, which required many hours of voluntary work by the villagers. All of this had to be taken into account when drafting the project. Therefore, the design does not hinge upon the perfection of every detail and does not feature any high-tech solutions. Instead, it aims to establish an appropriate relationship with its surroundings and a sufficiently bold appearance chiefly by means of a clearly legible volumetric design and simple materiality.

 © Miran Kambič

c Miran Kambič

定义空间的第一步是将新广场的三角面放置在空地的中心。铺好的路面，明显地与长满草的环境分开，决定了未来的社交空间。然后，该表面使用一条狭窄的通路连接到经过的道路。中间部分由两个铺面的几何图形部分组成，稍微倾斜一下，使活动空间免受周围环境的影响，并引导所有用户凝视中心。接下来，教堂和看台的体积被抬高，以创建一个内向的村庄广场。设计新村广场的最后一个装置是用一个均匀的平面截断提高的体积，创造一个虚拟屋顶的印象，完成结构的形式。

The first step in defining the space is the siting of the triangular surface of the new square in the centre of the vacant plot. The paved surface, clearly separate from the grassy surroundings, defines the future socialising space. The surface then employs a narrow access path to connect to the road passing by. The central part, created by the section of the geometries of both paved surfaces, is given a slight dip, which shelters the event space from the impacts of the surroundings and directs all users' gazes towards the centre. Next, the volumes of the chapel and the grandstands are raised to create an introverted village square. The final device in designing the new village square is the truncation of the raised volumes by means of a uniform plane which creates an impression of a virtual roof and completes the structure's form.

 © Miran Kambič

c Miran Kambič

整个结构由一种均匀的材料-白色混凝土组成。简单物质性和强调体积的结合创造了一个吸引人的空间元素，它的外观足够大胆，淹没了环境的异质结构，并标志着该地区的意义。

The entire structure is made of a uniform material - white concrete. The combination of simple materiality and emphasised volumes creates an attractive spatial element, its appearance sufficiently bold to drown the heterogeneous structure of the surroundings and mark the significance of the area.

 © Miran Kambič

c Miran Kambič