架构师提供的文本描述。60米高的托瑞是在裸露的白混凝土中实现的.新建筑进一步发展了不同展览条件的曲目，共同定义了基础的建筑远景，其特点是各种反对意见和碎片。

Text description provided by the architects. The 60-meters high Torre is realized in exposed white concrete. The new building further develops the repertoire of different exhibition conditions that together define the architectural vision of the foundation, characterized by a variety of oppositions and fragments.

 © Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada

德尔菲诺·西斯托·莱格纳尼和马尔科·卡佩莱蒂。普拉达礼遇基金会

由于平面尺寸、清晰高度和方向这三个空间参数的具体组合，Torre的九层楼中的每一层都提供了对内部环境的原始感知。其中一半实际上是在矩形平面图上形成的，而另一半则是梯形的。

Each of the nine floors of Torre offers an original perception of the internal enviroments thanks to a specific combination of three spatial parameters: plan dimension, clear height and orientation.  Half of the levels is in fact developed on a rectangular floor plan, while the other half displays a trapezoid one.

 © Bas Princen. Courtesy Fondazione Prada

巴斯普林森。普拉达礼遇基金会

天花板的清晰高度从底部到顶部都在增加，从一楼的2，7米到顶层的8米不等。外立面的特点是混凝土和玻璃表面的交替，允许从不同楼层的北面、东侧或西侧曝光，而顶部的画廊空间则暴露在天光下。

The clear height of the ceilings increases from bottom to top, varying from 2,7 meters on the first floor to 8 metres on the top level. The external façades are characterized by an alternation of concrete and glass surfaces, which allows exposure from a northern, eastern or western side on the different floors, whereas the top gallery space is exposed to zenithal light.

 © Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada

德尔菲诺·西斯托·莱格纳尼和马尔科·卡佩莱蒂。普拉达礼遇基金会

托瑞的南侧呈现出一种对角线结构，将它与迪波西托连接起来，并在其中整合了一部全景电梯。正如雷姆·库哈斯(Rem Koolhaas)所言，“这些变体在一本简单的书中产生了根本的多样性-因此空间与特定事件或艺术品之间的相互作用提供了无穷无尽的各种条件”。

The southern side of Torre presents a diagonal structure connectiong it to the Deposito, and inside which a panoramic elevator is integrated.  As stated by Rem Koolhaas, “Together these variations produce a radical diversity within a simple volume – so that the interaction between the spaces and specific events or works of art offers an endless variety of conditions”.

 © Bas Princen. Courtesy Fondazione Prada

巴斯普林森。普拉达礼遇基金会

自普拉达基金会(Fondazione Prada)的新场馆于2015年启用以来，这批藏品已成为该基金会文化项目发展的可用工具之一。它采取了不同的配置，从主题到集体表演，从选集展览到艺术家策划项目-现在Torre找到永久的展览空间。

Since the opening of Fondazione Prada’s new venue in 2015, the collection has become one of the available tools for the development of the foundation’s cultural program, taking different configurations – from thematic to collective shows, from anthological exhibitions to artist-curated projects – and now finding in Torre its permanent exhibition space.

 © Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada

德尔菲诺·西斯托·莱格纳尼和马尔科·卡佩莱蒂。普拉达礼遇基金会

餐厅“Torre”位于新大楼的第六层，存放着纽约“四季餐厅”的原始陈设件，1958年由Philip Johnson设计，Carsten H ller的装置“双人俱乐部”(2008-2009年)中的元素，卢西奥·丰塔纳(Luco Fontana)的三件雕塑-两件釉面彩色陶瓷Cappa per Caminetto(1949)和Pilasto(1947)，以及一幅玻璃糊镶嵌和水泥Testa di Medusa(1948-54)-以及威廉·科普利(William N.Copley)、杰夫·昆斯(Jeff Koons)、戈什卡·麦库加(Goshka Macuga)受意大利餐馆传统的启发，墙上陈列着艺术家的盘子，特别是约翰·巴尔德萨里、托马斯·需求、纳塔莉·德朱贝格为这家餐厅设计的盘子。

 Restaurant “Torre”, located on the sixth level of the new building, hosts original furnishing pieces from the “Four Seasons Restaurant” in New York, designed by Philip Johnson in 1958, elements from Carsten Höller’s installation The Double Club (2008-2009), three sculptures by Lucio Fontana – two glazed polychrome ceramics Cappa per caminetto (1949) and Pilastro (1947) and a glass paste mosaic and cement Testa di medusa (1948-54) – as well as a selection of paintings by William N. Copley, Jeff Koons, Goshka Macuga and John Wesley. Inspired by the tradition of the Italian restaurant, the walls display artists’ plates especially created for the restaurant by John Baldessari, Thomas Demand, Nathalie Djurberg & Hans Berg, Elmgreen & Dragset, Joep Van Lieshout, Goshka Macuga, Mariko Mori, Tobias Rebherger, Andreas Slominski, Francesco Vezzoli and John Wesley.

 © Bas Princen. Courtesy Fondazione Prada

巴斯普林森。普拉达礼遇基金会

屋顶露台被认为是一个灵活的空间，容纳一个酒吧。它的特点是黑色和白色的光学地板装饰和一个镜子包覆栏杆，创造了反射效果，能够视觉擦除之间的实际空间和360°视图之间的米兰城之间的屏障。

 The rooftop terrace was conceived as a flexible space hosting a bar. It is characterized by a black and white optical floor decoration and by a mirror clad balustrade which creates a reflection effect, capable of visually erasing the barrier between the actual space and the 360° view on the city of Milan.

 © Bas Princen. Courtesy Fondazione Prada

巴斯普林森。普拉达礼遇基金会

Architects OMA

Location Largo Isarco, 2, 20139 Milano MI, Italy

Partners in Charge Rem Koolhaas, Chris van Duijn, Federico Pompignoli

Area 2000.0 m2

Project Year 2018

Photographs Bas Princen, Delfino Sisto Legnani and Marco Cappelletti

Category Museums & Exhibit