NOUS Restaurant-Flowers 0321 STUDIO

2018-04-19 19:00
架构师提供的文本描述。今年初,Nous在东莞东城区开设了首家实验性花卉餐厅,提供了探索配料美学和花卉搭配的混合服务。深圳创意代理公司0321工作室与NOSS合作,在街道上组织和设计了这家店。客户的要求集中在如何解决花卉与餐饮之间的视觉、功能和情感之间的关系。
Text description provided by the architects. Nous opened its first pioneering experimental floral restaurant in Dongcheng District in Dongguan early this year, offering mixed services of exploring the aesthetics of ingredients and floral matching. The creative agency 0321studio in Shenzhen collaborated with Nous to organize and design this shop along the street. The customer's request focuses on how to solve the relationship between floral and dining in visual, functional, and emotionalways.
 © Meat mountain
肉山
 
 © Meat mountain
肉山
我们认为,空间的重要性是人与空间之间、空间与空间之间、情感与环境之间的关系、联系。首先,我们只选择一种材料使其与空间的接触最大化。外观和它自己的机制都试图将其识别与常规材料区分开来。该项目将减少水磨石骨料和辅助材料的数量。强调了白色骨料的随机性,扩大了其尺寸,形成了一种特殊的材料机制,在很大的面积上创造了极端的视觉体验,试图影响客户的情绪,创造独特的就餐体验。
We believe that the importance of space is the relationship, connections between people and space, between space and space, and between emotion and environment. First of all, we choose solely one material to maximize its contact with space. Both the area of appearance and its own mechanism try to differentiate its recognition from conventional materials. The project will reduce the amount of terrazzo aggregates and auxiliary materials. Emphasizing the randomness of the white aggregates and enlarging their size, forming a special material mechanism, and creating an extreme visual experience over a large area attempt to influence the customer's emotions and create a unique dining experience.
 © Meat mountain
肉山
该设计理念建议重新考虑是否有必要从外部容易地识别一家餐馆。沿街餐馆的视觉信息完全隐藏在花卉功能的背后。花卉区不附属于就餐区,而是受到内部和公共街道之间的干扰。
The design concept proposes to rethink the necessity of easily recognizing a restaurant from the outside. The visual information of restaurants along the street is completely hidden behind the floral function. The floral area is not affiliated with the dining area, instead it interferes by jamming between the interior and the public street.
 © Meat mountain
肉山
一个透明的立方体矗立在门口,既是街道背景,也是餐厅的背景,当人们往外看的时候。这个盒子一定是半透明的。去餐馆的人需要翻过这个盒子。我们喜欢这种冲突,甚至是干涉,而不是平庸和谐的共存。
A transparent cube stands in the doorway, serving both as a street backdrop and as a background to the restaurant when people look outside. And this box must be translucent. Restaurant-goers need to go through this box. We like this kind of conflict and even interference rather than a mediocre and harmonious coexistence.
 © Meat mountain
肉山
我们选择了一种比较大规模的透明彩色玻璃外观,作为商店与外界的分界线,并将花卉展示、花卉操作、存储等功能结合在一起,形成了完整的金属团块。
We choose a relatively large-scale appearance of transparent colored glass, as the boundary between the store and the outside world, and combine flower display, floral operation, storage and other functions to create a full metal mass.
 © Meat mountain
肉山
 © Meat mountain
肉山
长座水磨石座椅,结合两厘米厚的毛皮毛毯和简单的金属组件创造了一个整洁的座位布局,保持和提高客户的独特的就餐体验。这也实现了空间和区别于其他类似餐厅的重要因素,同时又不失去舒适感,激发了每个人在这个环境中的想象力,尤其是就餐的想象力。
Long cast-in-seat terrazzo seats, combined with two centimeter-thick fur blankets and simple metal components create a neat seating layout, maintaining and enhancing the customer's unique dining experience. This also achieves the important elements of space and differentiation from other similar restaurants without losing comfort, inspiring everyone's imagination in this environment, especially dinning imagination.
 © Meat mountain
肉山
粉红楼梯既是空间装饰元素,也是垂直交通工具。
The pink staircase serves as a space decoration element as well as the vertical traffic tool.
最后,我们想谈谈与强烈恐惧症有关的墙壁碎片。与它的装饰性相比,我们更关心的是它在三维空间中的情感强度、二维障碍美学.
Finally, we would like to talk about the wall fragments related to intensive phobia. Compared with its decorativeness, we care more about its emotional intensiveness, two-dimensional obstacle aesthetics in three-dimensional space.
 © Meat mountain
肉山
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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