Carrara House Mário Martins Atelier

2018-04-24 03:00

 © Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。Casa Carrara以一种不太明显的方式呈现在Casa Colunata和Casa Elíptica中的某种雕塑特征，在这两种雕塑中，弯曲和动态的形态被当作是从一个粗糙的块上雕刻出来的一卷书，它被赋予了生命。在卡萨·卡拉(Casa Carrara)，更多的角形和更长的形体都是以平行的形式雕刻而成，在这里，充分和空的空间作为生活区共存，而不是失去原点。值得注意的是，露台的长度超过了30米，它起到点缀或顶点的作用-但这是一个自相矛盾的水平-建筑合奏中的最终元素。

Text description provided by the architects. Casa Carrara has, in a less obvious way, a certain sculptural character that is present in both Casa Colunata and Casa Elíptica, where the curved and dynamic forms are treated like a volume sculpted from a rough block that has been brought to life. In Casa Carrara, more angular and longer forms are sculpted in a parallelepiped where, without losing their origin, full and empty spaces coexist as living areas.  To be noted is the terrace, more than thirty meters long, which functions as an embellishment or a pinnacle – but one that is paradoxically horizontal - the finishing element in an architectural ensemble.

 © Fernando Guerra | FG+SG

费尔南多·格拉

 © Fernando Guerra | FG+SG

费尔南多·格拉

 © Fernando Guerra | FG+SG

费尔南多·格拉

这些元素贯穿于架构的历史，它同时支持、赋予任何项目以意义、规模和优雅。因此，露台是一种概念上的重新解释，用一种刻意枯燥而简单的语言来显示它的清晰度和比例。露台作为房子不可分割的一部分，同时履行着为一个特别优越的地方提供框架、给房间提供遮阳和建立房间的物理关系的功能，这些房间与南方成一条直线，向外望望大海。在这里，起居室和厨房在一个单独的开放空间中共存，由它们的功能组织而成，定义得很精细。

Elements that have come down through the history of architecture, which simultaneously supports, give meaning, scale, and elegance to any project. The terrace is, therefore, a conceptual reinterpretation, in a deliberately dry and simple language, to show its clarity and proportions. The terrace, as an integral part of the house, at the same time fulfils the function of providing a frame for an especially privileged place, giving shade and establishing the physical relationship of the rooms, aligned to the south and looking out to sea, where the living room and the kitchen coexist in a single open space, organized by their functions, subtly defined.

 © Fernando Guerra | FG+SG

费尔南多·格拉

 Floor Plans

平面图

 © Fernando Guerra | FG+SG

费尔南多·格拉

悬空池是这一雕塑卷的一部分，呈强烈的白色，散布着大理石的真实性和不规则的图案，这些图案似乎表明了通往入口的道路和标志出入区域的道路。而且，只有纯白而天然的石头，才能设计出一座多元化的房子。一座充满空旷空间、重量和轻盈、光线和阴影的房子，里面和外部在宜人的角落相遇，遮住或故意暴露，以享受这片地方和地平线，如此遥远，但却像这座房子的设计一样简单和线性。

The suspended pool is part of this sculpted volume, intensely white, interspersed with the authenticity of the marble and by its irregular patterns, which appear to show the way to the entrance and to mark areas of access. And, only with the purity of white and the natural stone, has a diversified house been designed.  One with full and empty spaces, weight and lightness, light and shade, in which the interior and exterior meet in pleasant corners, sheltered or deliberately exposed, to enjoy this place and the horizon, so distant but as simple and linear as the design of this house.