The Weeknder Lazor Office
2018-05-14 15:00
架构师提供的文本描述。周恩德打开和关闭,它的外观从黑暗和不透明到光明和透明,当你走在它周围。这个周末度假胜地的设计和施工是由它的岛址驱动的:两个预制模块可以装在卡车上,可以乘渡船过来,柱子尽量减少地基混凝土,瓶子千斤顶消除了对起重机的需求。这些平行模块包括厨房、三间卧室、两间浴室、洗衣房和所有基础设施,它们设置了一条基准线,在这条基准线上,由工地建造的“干燥空间”的门廊屋顶像帐篷一样升起。
Text description provided by the architects. Week’nder opens and closes, its façades shifting from dark and opaque to light and transparent as you walk around it. The design and construction of this weekend getaway were driven by its island site: two prefabricated modules fit on trucks to come over by ferry, posts minimized foundation concrete, and bottle jacks eliminated the need for a crane. Containing the kitchen, three bedrooms, two bathrooms, laundry, and all of the infrastructure, these parallel modules set a datum line above which the gabled roof of a shared, site-built “dry space” rises like a tent.
手工的材料-胶合板,松木,瓦楞纸和光滑的金属-借给小屋一种乡村感觉平衡的精确协调的颜色和纹理。大自然沿着一条渐进式的入口走道漂流而来,不时地挂着一层薄薄的木桩。一个屏幕门廊延伸了一个模块,提供了一个独特的视野进入树林。从地板到天花板的窗户打开了主要的居住空间与机舱周围的任何一边。
Materials at hand—plywood, pine, and corrugated and smooth metal—lend the cabin a rustic feel balanced by a precise coordination of colors and textures. Nature drifts in along a gradual entry walkway punctuated with a screen of thin wood posts. A screen porch extends one module, offering a unique view into the woods. Floor-to-ceiling windows open the main living space to the cabin’s surroundings at either side.
一个开放的计划统一了表面质量的数组,使外部充满活力,澄清了它们之间的联系。在舱墙和大教堂天花板之间,神职人员的窗户带来了光明。壁炉和柜台从木地板上升起,而白色的厨房和睡床则由胶合板模组雕刻而成。继续从加厚的卧室墙壁出去,金属窗鳍在里面是白色的,所以铺位充满了炽热的光。
An open plan unites the array of surface qualities that animate the exterior, clarifying their connection. Between the module walls and the cathedral ceiling, clerestory windows bring in the light. A fireplace and counter rise up from the wood floor while the white-walled kitchen and sleeping bunks are carved from the plywood modules. Continuing out from the thickened bedroom walls, metal window fins are white inside so the bunks are filled with glowing light.
Location Ashland County, United States
Photographs George Henrich
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