架构师提供的文本描述。这栋房子位于艾哈迈达巴德郊外，占地4英亩，植物密集，有一个百合花池塘，还有一座有乡土风格的厕所。新房子将成为远离城市的永久住所，进入自然荒野。早期，蒙肖家族在人口稠密的艾哈迈达巴德地区拥有一座殖民风格的房子，建于20世纪中叶。房主为新房子做的初步简报包括：倾向于避免僵化的盒子形成，提及主要是在户外的生活方式，以及一套用来收集文物、绘画、波斯地毯、书籍和祖传家具的住宅。

Text description provided by the architects. This house is on the outskirts of Ahmedabad on a 4-acre land having dense flora, a lily pond and an existing outhouse having a vernacular typology. The new house was to be a permanent dwelling away from the city into the natural wilderness. Earlier the Munshaw family owned a colonial style house in a densely populated locality of Ahmedabad and which was build in mid 20th century. The owner’s initial brief for the new house included a preference to avoid a rigid box formation, a mention of lifestyle that was mostly outdoors, and a dwelling that would be a container for the collection of artifacts, paintings, Persian rugs, books and ancestral furniture.

 © Bharat Aggarwal

(Bharat Aggarwal)

 Floor Plan

 © Bharat Aggarwal

(Bharat Aggarwal)

所提出的设计结合了上述考虑。流体曲线形成是对古民居意象的重新诠释，也是对遗址现有自然地层的再认识。这所房子弯了弯，以便能看到百合花池塘的景色。同时在室内空间的体验中产生了一种惊奇的元素。入口处有门廊，下边和上廊，构成房子的主要部分，所有这些都是朝向主花园和百合花池塘的。这是一个15英尺的悬挑和悬停的空间，与周围的景观融合。室内空间奢华地打开了这些半开放的走廊空间。

The proposed design weaves and integrates the above concerns. The fluid curvilinear formation is a reinterpretation of imagery of old ancestral house and also to reiterate the existing natural formation on the site. The house bends to allow views of the lily pond. and simultaneously generates an element of surprise in the experience of interior space. The entry verandah, lower and upper verandah that comprises a major part of the house and all these are oriented towards main garden and lily pond. These are a 15 feet cantilevered and hovering spaces that fuses with the surrounding landscape. The interior space lavishly opens into these semi-open verandah spaces.

 © Bharat Aggarwal

(Bharat Aggarwal)

这所房子是一座底层的建筑，拥有更高层次的主卧室和女儿的房间。中央书脊将生活、就餐、图书馆和主卧室分隔开，旁边有主花园和百合花池。后海湾有厨房，母亲的房间和女儿的房间。后海湾也是与景观进入法院和中央法院，以减轻这一湾，并让自然光在房子内穿插。中央脊柱也被天窗照亮，与黑暗的科塔地面形成鲜明对比。

The house is a ground floor structure having the master bedroom and daughter’s room at a higher level. The central spine segregates the living, dining, library and master bedroom on the side that has the main garden and lily pond. The rear bay houses the kitchen, mother’s room, and daughter’s room. The rear bay is also interspersed with landscaped entry court and the central court that relieves this bay and lets natural light within the house. The central spine also is illuminated by skylights to have a contrast to the dark Kotah floor.

 © Bharat Aggarwal

(Bharat Aggarwal)

 © Bharat Aggarwal

(Bharat Aggarwal)

这座房子融合了户外空间的原始特征和室内装饰的巧妙之处。外部材料调色板是天然黄麻面板上的弯曲梁面，瓦尔萨迪木板，和门，混凝土天花板，赤塔色粗糙表面和粗糙的科塔石地板。这是进一步补充了旧的翻新木材和藤条家具的走廊空间。相比之下，室内空间有白色的墙壁，抛光的科塔石。室内空间融合了旧的和定制的新家具，以及大量的文物、绘画和波斯地毯。

The house is a fusion of raw character of outdoor spaces and the finesse of the interiors. The exterior material palette is natural jute panels on the curving beam face, Valsadi wood paneling, and doors, concrete ceilings, terracotta colored rough surface and rough Kotah stone flooring. This is further complemented by old renovated wood and cane furniture in the verandah spaces. The interior space, in contrast, has white walls, polished Kotah stone. The interior space fuses old and customized new furniture along with lots of artifacts, paintings, and Persian rugs.

 © Bharat Aggarwal

(Bharat Aggarwal)

Architects Modo Designs

Location Ranchodpura, India

Architect in Charge Arpan Shah

Architectural Team Arpan Shah, Deep Bhagat, Khanjan Joshi

Interior Design PVDRS

Area 630.0 m2

Project Year 2018

Photographs Bharat Aggarwal

Category Houses

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