C+S House AE Superlab

2018-05-21 13:00

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架构师提供的文本描述。位于纽约东汉普顿一片茂密的3英亩土地的边缘，CS住宅是对70年代现存住宅的彻底重新设计和翻新，是曼哈顿客户、平面设计师、艺术顾问和策展人的避风港。

Text description provided by the architects. Located at the edge of a heavily wooded 3-acre plot in East Hampton, New York, The C+S house is a complete redesign and renovation of an existing 1970’s era residence and serves as a retreat for the Manhattan based clients; a graphic designer, and an art consultant and curator.

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干净的线条，极简的细节和有限但仔细选择的材料调色板，为现有的房子注入新的活力，同时保留和建造原作的特质。

Clean lines, minimalist details and a limited but carefully selected palette of materials, breathe new life into the existing house, while retaining and building on the idiosyncratic character of the original.

重新设计的线索来自于客户的愿望，即创建一个生活的画廊空间，容纳他们现有的艺术品收藏，以及作为一个帆布为几个特定网站的作品委托专门为该空间。其中最突出的是两幅大型壁画，它们俯瞰着中央双高居住区域，这两幅壁画都是从远处茂密的树林的景色中得到灵感的。这两幅壁画都是由新的全高、朝南的窗户墙构成的，在艺术和建筑之间展开了一场有趣的对话。

The redesign takes its cues from the client’s desire to create a living gallery space that would house their existing collection of artworks as well as serve as a canvas for several site-specific pieces commissioned specifically for the space. The most prominent of these are the two large scale murals that overlook the central double height living area, both of which draw inspiration from the views of the dense woods just beyond, framed by the new full-height, south-facing window wall in a playful dialogue between art and architecture.

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第一幅作品是艺术家玛丽·坦普尔的一幅微妙而短暂的作品，它回响着光线和阴影在树林中的作用，而第二幅作品则是艺术家娜奥米·里斯的作品，它是一个充满活力的、几乎超现实的自然世界的代表。

The first, a subtle and ephemeral piece by the artist Mary Temple, echoes the play of light and shadow through the trees, while the second by artist Naomi Riis is a vibrant almost hyper-real representation of the natural world.

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该房子现有的乙烯基外墙被一种更耐用的、炭灰色的GFRC雨幕外墙所取代，餐厅的玻璃窗被延伸到包括角落的条件。此外，还对外部开口的形状进行了修改，以加强其与现存倾斜顶板线的关系。

The existing vinyl exterior cladding of the house was replaced with a much more durable, charcoal grey GFRC rainscreen façade and the dining room glazing was extended to encompass the corner condition. The shape of the exterior openings was also modified to enhance their relationship with the extant canted roof line.

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对室内布局的显著重新配置包括收回一条狭窄且未被充分利用的二楼循环走廊，这反过来又使主卧室套房得以扩展，并增加了一个新的套房浴室和步入式壁橱。起居室边缘的宴会装潢，以补充主起居室家具，并用于激活厨房/餐饮和起居室之间的功能中间区域，以及帮助视觉定义和标识的边缘的凸起起居室平台。

Notable reconfigurations to the interior layout include the reclaiming of a narrow and underused second floor circulation corridor which in turn allowed for the expansion of the master bedroom suite and the addition of a new en suite bathroom and walk-in closet. Banquettes at the edge of the living area are upholstered to compliment the main living room furniture and serve to activate a functional intermediate zone between the kitchen/dining and living zones as well as helping to visually define and demark the edge of the raised living area platform.

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简洁轻盈的主题延伸到二楼的主楼梯，而新的“艺术墙”提供了一个新的和理想的表面展示艺术作品。仔细的几何秩序的内部空间和极简材料的选择提供了一个强大的对立面，郁郁葱葱的树木外观。通过打开和重建北方起居室的缝隙，内部和外部的分界线在视觉和物质上都变得越来越缺乏实质。

The theme of simplicity and lightness extends to the main stair to the second floor while the new “art wall” provides a new and ideal surface upon which to showcase artworks. The careful geometric order of the interior space and the minimalist material selection provide a powerful counterpoint to the lush wooded exterior. By opening up and re-framing the north living room aperture, the line separating interior and exterior becomes increasingly insubstantial both visually and materially.