“东西”是一个神奇的中文单词，“东方”。

"Dong Xi" is a fantastic Chinese word, "East & West" in English, which stands for both the positions and the Taoist theory of the Five Elements, including the spatial concept, cultural attributes, and generally refers to a variety of specific or abstract people, things, objects... and so this plac

 © Xufeng Jing

(三)徐凤静

前面站着一棵巨大的榕树。平面布局和整个空间的循环都是从这棵树推导出来的。在红土里总能找到榕树。这个长得很好，就像它和院子一样。带着钢板的飞机一步地下来，满是黑沙，像水一样缓缓流淌，在“东溪”里掀起了风景线。

A huge banyan tree stands ahead. The plane layout and the circulation of the entire space are derived from this tree. Banyan trees are always found in the red earth. This one grows as well as it just matches the courtyard. The flight edged with the steel plates comes down step by step, full of black sand like the water running slowly, setting off the scenery in "Dong Xi".

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入口处的竹制钢制装置，既空心又曲折；你甚至可以透过旧钢制的门板，隐约地看到外面的景象；触摸“董溪”的外墙时，可以感受到大自然的力量。

The bamboo steel installation at the entrance, hollow and twisty; you can even see the scene vaguely standing outside, through the doorplate with old-made steel; the power from the nature can be felt, when touching the exterior wall of "Dong Xi".

 Model. Image Courtesy of Horizontal Space Design

模特。水平空间设计中的形象礼貌

门把手是手工制作的，特别定制；墙面上的灯杆是体现和打破传统节奏的关键。内部或外部的各种装置是空间关系所要求的向艺术视觉转化的动力。此外，还有看似因果的墙壁图案，这些图案实际上是根据美学、一面未完成的柱子和从安塞尔姆·基弗展览中衍生出来的枝条形成的灯的形状而贴上的。所有这些感觉都来自于对设计和生活的热爱。体验从东到西的丰富性和“多而少”的视觉感受，你可能会对这里只有100平方米的面积感到惊讶。

Door handles are handmade and specially tailored; the light bars built in the wall are the key to embodying and breaking the conventional rhythm. The various installations inside or outside are the motive of converting into art vision, required by the spatial relationship. In addition, there are seemingly causal wall patterns which are actually tiled according to the aesthetics, pillar with one unfinished side, and the shape of the lamps on which there are branches derived from the Anselm Kiefer’s exhibition... All these feelings come from the love of design and life. Experiencing the richness from the east to the west and the visual feelings of “much in little”, you might surprise about the area of only 100 square meters here.

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(三)徐凤静

这是罕见的，一块木材是1.2米厚，4米长，客人坐在树干附近成双成对，合并到现场，创造一个愉快的气氛，在空间，形成能量场。循环水场景是多层次的，层叠下降，波浪覆盖波浪.褐色的有机玻璃和灯光悬挂在桌子上，反射着游泳池的水。软与硬的关系可用皮革和大理石与铜来表达。入口处由双层屏幕组成的隔断图可以看到这幅旧画。

It’s infrequent, which a piece of wood is 1.2 meters thick and 4 meters long, guests sit in pairs nearby the trunk, merging into the scene and creating a pleasant atmosphere in the space, the energy field is formed. Circulating water scene is multi-layered, falls down stack by stack, waves cover the waves. Brown Plexiglas and lights hang over the table, reflecting the pool water. The relationship of soft and hard is expressed by Leather and marble with copper. The partition made of double-layer screen at the entrance gives figures a view of the old picture.

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(三)徐凤静

“东”区与“西”区相互协调，但又各不相同。庭院附近的两张茶几各具特色，营造出不同的氛围。一种人与环境共存的艺术，一种“与人并驾齐驱，不失自我”的心态，一种丰富多彩、积极倡导的价值取向。他们可以在像样的茶，服务员特制的服装做的卷边广东纱布，控制食品的材料质量，艺术装饰的选择。

“East” area and “West” area coordinates each other but differ to each other. Two tea tables near the courtyard have respective styles and create different atmosphere. A coexistence art is expressed between human and environment, a state of mind “keep pace with others without losing yourself”, a value orientation of richness and active advocating. They can be found in the decent made tea, the attendants’ specially tailored clothing made of cambered Guangdong gauze, the control of food material quality, the choice of art decorations.

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(三)徐凤静

从吃饭到聊天，再到略醉，热情过后，每个人都向东或西离别。

From dining to chatting to being slightly drunk, after the enthusiasm, everyone parts to the east or the west.

 © Xufeng Jing

(三)徐凤静