© Pedro Kok

(佩德罗角)

架构师提供的文本描述。在离海几个街区的地方，一条死胡同，被茂密的海岸植被包围着，穿过莲花的地面，一直延伸到最远处的墙的极限。一系列的空间，有时被覆盖，有时不被发现，标志着这条路线的节奏，并消除了内部和外部的区别。

Text description provided by the architects. A few blocks away from the sea, a dead-end street surrounded by dense coastal vegetation, goes in through the lot`s ground up to the limit of its furthermost wall. A sequence of spaces, at times covered at times uncovered, marks the rhythm of this route and dissolves the distinction between inside and outside.

 © Pedro Kok

(佩德罗角)

 Ground Floor Plan

 © Pedro Kok

(佩德罗角)

持续的凝视只会被覆盖在角质钢上的棱镜打断-这是一种活生生的矿物，在氧化变质过程中几乎是植物-它对房子的社会空间有支撑作用。在上面四米的地方，包含着私人功能，另一个棱镜浮出水面，白色像殖民时期的房子的墙壁一样，但充满活力的穿孔，挖掘，让所有的路进入土壤和它自己的内部，阳光，山景和周围的植被。

The continuous gaze is interrupted only by prisms covered in corten steel – a living mineral, almost vegetal in its metamorphosis by oxidation - which has functions of support to the house’s social spaces. Four meters above, containing private functions, another prism floats, white as the walls of the colonial house, but effusively perforated, excavated, so as to let in all the way to the soil and to its own interior, the sunlight, the views of the mountains and the surrounding vegetation.

 © Humberto Utrabo Júnior

c.Humberto Utrabo Júnio

 © Pedro Kok

(佩德罗角)

通过它的差距，产生了意外相遇的可能性，在自然和理性之间，在私人和社会之间，甚至在两个个体之间最简单的视觉互动。大量的房屋家具是用混凝土模板再用的木材制成的。

Through its gaps, arises the possibility of the unexpected encounter, between the natural and the rational, between the private and the social or even the simplest visual interaction between two individuals. A major quantity of the house furniture was made with wood reused from the concrete formwork.

 © Pedro Kok

(佩德罗角)

Architects Aleph Zero

Location Matinhos, Brazil

Architects in Charge Gustavo Utrabo, Pedro Duschenes

Team Ana Julia Filipe, Marina Oba, Yuri Vasconcelos, Thaylini Luz, Daniela Moro, Gabriel Tomich, Nicolie Duarte

Area 512.76 m2

Project Year 2017

Photographs Pedro Kok, Humberto Utrabo Júnior

Category Houses

Manufacturers Loading...