建筑师提供的文字说明。根据弗兰西斯·里夫金德工作室为时装和鞋类品牌创建的新设计理念，位于伦敦的MaryleboneHighStreet上的这家商店标志着金色的天花板和管状金属结构，旨在丰富空间的简单形式及其具体的中性基础。

Text description provided by the architects. In tune with the new design concept created by Francesc Rifé Studio for the fashion and footwear brand ASH, this store located on London’s Marylebone High Street is marked by a golden ceiling and tubular metal structure that seek to enrich the simple forms of the space and its concrete neutral base.

 © David Zarzoso

(David Zarzoso)

 © David Zarzoso

(David Zarzoso)

新设计突出了产品的两个主要特点。另一方面，混凝土包围了整个室内空间-从货架到墙壁、地板和天花板-提供中性和极简主义的表面，并通过将直线照明整合到货架上，使鞋类迅速成为人们关注的焦点。此外，整个商店的一侧都使用了一个铜制框架，将展出的鞋子与搬运工连接起来。目标是这些线条提醒人们传统竹脚手架的形状。

The new design gives more prominence to the product displayed through two main features. On the other hand, the concrete surrounds the whole inside space—from shelves to walls, floor and ceiling—providing neutral and minimalist surfaces, and allowing the footwear come quickly into focus through a linear lighting integrated in the shelves. Additionally, a brass frame has been used throughout one side of the shop connecting the shoes on display with prêt-à-porter. The goal is that those lines are a reminder of the shapes suggested by the traditional bamboo scaffolding.

 © David Zarzoso

(David Zarzoso)

诗意的触摸是金色的“云”作为项目的关键音符。这个天花板的特点是集成了多个孔，根据空间的需要，从这些洞投射光线；而其他的洞则用来添加灯具和附件。这个区域的照明是由一个很小的地方来定义的，以正确地照亮产品，从而形成一个繁星的天空。

The poetic touch is the golden "cloud" used as the project’s key note. The peculiarity of this ceiling is the integration of multiple holes from which light is projected depending on the needs of space; while other holes are used to add lamps and accessories. The lighting of this area is defined by spots with a very small size, to illuminate the product properly, giving as a result a starry sky.

 © David Zarzoso

(David Zarzoso)

一个矩形的形状，一个中央柱被用来分配空间。这是计数器所在的位置：一个体积的混凝土，其中显示较小的产品。在这一点上，布局具有象征意义的两个主要领土。朝后，一个空间，主要是专为普雷托整个商店都有来自Carmenes的立方体混凝土展示平台和座椅长椅。

With a rectangular shape a central pillar is used to distribute the space. This is where the counter is located: a volume of concrete in which the smaller products are displayed. At this point the layout falls symbolically into two main territories. Towards the rear, a space mostly dedicated to prêt-à-porter integrates a fitting room designed in a gray smoke mirror. Throughout the store there are distributed cubic concrete display podiums and seat benches from Carmenes.

 © David Zarzoso

(David Zarzoso)

混凝土的中性语言延伸到橱窗，设想用于动态和不断变化的安装。为了使它的突出，正面是在黑色绘画寻求谨慎，包括两个清晰的解释标志：一个用黄铜，另一个在背光。

The neutral language of the concrete extends to the showcase, conceived to work with dynamic and changing installations. To contribute to its prominence, the facade is painted in black seeking discretion and including two clean interpretation of the logo: one in brass, and a second in backlit.