© Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。平面房屋是一个激进的练习，在水平，方面普遍探索在工作室的项目。小心翼翼地插入地块的最高点，并有利于现有的地形，它的存在是最强烈的感觉在脚印，而不是体积。开阔的风景中的一条宽阔的线。

Text description provided by the architects. Planar House is a radical exercise in horizontality, aspect commonly explored in the projects of the studio. Discreetly inserted in the highest point of the plot and favoring the existing topography, its presence is most strongly felt in the footprint rather than volumetrically. An extensive line in an open landscape. 

这类插入在地块上需要小心和注意的设计屋顶，这是建筑物的第五个正面。这是在组成和选择放置在那里的设备，如太阳能电池板和天窗。绿色屋顶模仿了周围的草坪，也为室内的热舒适性做出了贡献。

This type of insertion on the plot demanded care and attention with the design of the rooftop, which is the fifth facade of the building. This was an exercise in composition and selection of equipment to be placed there, such as solar panels and skylights. The green roof mimics the surrounding lawn as well as contributes to the thermal comfort in the house.

 © Fernando Guerra | FG+SG

费尔南多·格拉

 Floor Plan

 © Fernando Guerra | FG+SG

费尔南多·格拉

在结构上，板是一个刚性平台，它不是由梁支撑，而是由柱子直接支撑，柱子以三轴的方式分布。十字形金属柱是对米西亚建筑中优雅比例的致敬。

Structurally, the slab is a rigid platform that is not supported by beams but directly by the pillars, which are distributed modularly in three axes. The cross-shaped metallic pillars are homage to the elegant proportions of miesian architecture. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

屋檐下有两个编程式箱，第一个有服务区、健身房、电视和游戏室，第二个有五个套房卧室。起居室位于极端，可以通过滑动玻璃门完全打开或关闭，把整个房子变成一个露台。

Under the roof there are two programmatic boxes, the first one with the service areas, gym, tv and playrooms and the second one with the five en-suite bedrooms. The living rooms are located at the extremities and can be completely opened or closed by sliding glass doors transforming the entire house into a terrace. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

 © Fernando Guerra | FG+SG

费尔南多·格拉

室内由低矮实木家具构成，空间布局为家具与面板之间的自由流通留出了足够的空间，每件作品都可以进行个性化阅读。一块半透明的、多色的俱乐部椅挂在板子上，成为人们关注的焦点，与房子的水平性形成鲜明对比。

The interiors are made of low and solid wood furniture and the layout of the spaces leaves enough space for free circulation between the furniture and the panels and allows for an individualized reading of each piece.  A translucent multi-colored club-chair hanging from the slab becomes the focus of attention and contrasts with the horizontality of the house.

 © Fernando Guerra | FG+SG

费尔南多·格拉

在刚性的形式分布周围，有一个立式缠绕墙，由固体和空隙中的实心砖组成。矛盾的是，它定义了内部空间和外部空间之间的不同关系。

Surrounding the rigid formal distribution, there is a vertical winding wall made of solid bricks arranged in solids and voids. Paradoxically, it defines the different relationships between the internal and external spaces. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

这堵墙通常是分隔和隔离的象征，在这个项目中，有时是凹的，而另一些则是凸的，包括入口花园，创造透明，以及提供保护远离街道。它的砖结构有助于一个舒适的气氛，并创造出具有动力效应的光过滤器，随着时间的推移。

The wall, which is usually a symbol of division and isolation, in this project, is at times concave and at others convex, embracing the entrance garden and creating transparencies as well as offering protection from the street. Its brick texture contributes to a cozy atmosphere and creates light filters with kinetic effects as the day passes.

 © Fernando Guerra | FG+SG

费尔南多·格拉

Architects Lair Reis, Studio MK27 - Marcio Kogan

Location Porto Feliz, Brazil

Author Marcio Kogan

Co-Autora Lair Reis

Team Project Carlos Costa, Carolina Castroviejo, Laura Guedes, Mariana Simas, Oswaldo Pessano, Pedro Ribeiro, Raquel Reznicek, Renato Périgo, Ricardo Ariza Miyabara, Suzana Glogowski, Tamara Lichtenstein, Thauan Miquelin

Area 1000.0 m2

Project Year 2018

Photographs Fernando Guerra | FG+SG

Category Houses

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