© Stéphane Ramillon-Vile de Nîmes

(C)Stéphane Ramillon-Vile de N mes

架构师提供的文本描述。罗马博物馆是罗马文化和创新博物馆、考古花园和生活环境的重要综合体，是法国2018年最大的当代建筑和文化活动。它于2018年6月2日向公众开放，第一天就有超过5，000名游客(整个周末有10，000名游客)。其独特的考古藏品有25 000多件，其中约5 000件展出面积超过9 100平方米。

Text description provided by the architects. An important complex of Roman culture and an innovative museum, archeological garden and living environment, the Musée de la Romanité is the largest contemporary architectural and cultural event for 2018 in France. It opened for the public on June 2, 2018, with over 5,000 visitors in the first day (10,000 visitors in the whole weekend). Its exceptional archeological collections contain over 25,000 pieces, of which some 5,000 are exhibited over 9,100 m².

 © Nicolas Borel

c.尼古拉斯·博雷尔

 Context Plan

上下文计划

 © Serge Urvoy

c.塞尔日·乌尔沃伊

这座建筑是围绕着沿着古代奥古斯都城墙痕迹的一条内部街道组织起来的。向所有人开放，这条公共通道创造了一个视觉开放和连接广场周围的圆形剧场与考古花园。当参观者穿过博物馆的一楼时，他们被邀请去发现这个遗址的古代珍宝。在建筑的核心，一个17米高的中庭展示了喷泉保护区的普罗皮拉亚碎片，位于这座建于罗马前城市基础上的神圣遗址的壮观重建中。这是有史以来第一次公共娱乐是一个邀请，以发现整个收藏品和博物馆的内部。

The building is organized around an interior street that follows the trace of the ancient Augustan rampart. Accessible to all, this public passageway creates a visual opening and links the plaza surrounding the Amphitheater with the archeological garden. As visitors cross through the museum’s ground floor, they are invited to discover the ancient treasures of the site. In the building’s core, a 17-meter atrium reveals a fragment of the Propylaea of the Sanctuary of the Fountain, placed within a spectacular reconstitution of this sacred site dating from the foundation of the pre-Roman city. This first-ever public recreation is an invitation to discover the entire collections and interior of the museum.  

 Courtesy of 2Portzamparc-Elizabeth de Portzamparc Architect

2 Portzamparc-Elizabeth de Portzamparc建筑师提供

博物馆位于古城的入口处，透过透明的底楼向剧场开放视野。柔和的立面窗帘让人联想起罗马的长袍和方形玻璃板，它将现代透明度与罗马一门主要艺术：马赛克艺术的传统结合在一起。它还巧妙地唤起了博物馆藏品的一个主要元素。这种半透明的玻璃皮由7，000块丝网印刷的玻璃板组成，表面面积为2，500平方米.这种玻璃马赛克的反射和起伏在一天的过程中改变了外观。

Situated at the entrance to the ancient city, the museum opens the view to the Amphitheater through transparent its ground floor. The supple drapery of the façade evokes a Roman toga and the square glass plates composing it combines modern transparency with the tradition of a major Roman art: mosaics. It also subtly evokes a major element of the museum’s collections. This translucent glass skin is composed of 7,000 screen-printed glass plates covering a surface of 2,500 m2. The reflections and undulations of this glass mosaic change appearance over the course of the day.

 Longitudinal Section

门面上的一些洞口提供了对圆形剧场的不同看法，以及下面的考古花园。在整个展览空间中，博物馆与外部保持着不间断的对话，使城市渗透到博物馆。

A number of openings in the façade offer different views of the Amphitheater, and the archeological garden below. Throughout the exhibition spaces, an uninterrupted dialog is maintained between the museography and the exterior, causing the city to penetrate the museum.

 © Serge Urvoy

c.塞尔日·乌尔沃伊

这座考古园是围绕罗马城墙和在铲平之前挖掘过程中发现的其他遗迹组织起来的，被认为是一座“绿色博物馆”。这里发现的所有历史遗迹都得到了保存和修复，现在所有的游客和婴儿车都可以自由地接触到这些痕迹。Régis Guignard认为这片面积为3，500平方米的绿色公共空间分为三个层次，分别对应于博物馆遗迹的三个主要时期-高卢人、罗马人和中世纪-，从而丰富和完成了科学目的，同时提供了很大的一致性。

Organized around the Roman wall and other vestiges discovered during the excavations prior to leveling work, the archeological garden is imagined as a “green museum.” All traces of history discovered here have been preserved and restored and are now freely accessible to all visitors and strollers. This green public space of 3,500 m²thought by Régis Guignard is structured in three layers corresponding to the three major periods – the Gauls, the Romans and the Middle Ages – of the museographic trail, thus enriching and completing the scientific purpose while offering a large coherence.

 © Nicolas Borel

c.尼古拉斯·博雷尔

这座绿色的屋顶，不是由伊丽莎白·德·波尔赞帕克(Elizabeth De Portzamparc)创建的竞赛项目的计划，它是博物馆上升轨迹的一个顶点。它在参观期间提供了一座关于纽梅斯和21世纪历史的观景台，前景是圆形剧场，远距离的是从城市创建之日起的巡回赛马格纳(TourMagne)。这个公共空间，一个所有人都可以进入的会议场所，一个位于上面的城市广场，将城市生活带到博物馆的最顶端。

The green roof, which wasn’t planned to the competition program, created by Elizabeth de Portzamparc as a culminating point of the museum ascentionnal trail. It punctuates the visit by offering a belvedere on Nîmes and its 21 centuries of history, with the Amphitheater in the foreground and, in the distance, the Tour Magne, dating from the city’s founding. This public space, a meeting place, accessible to all, a city square up above, brings urban life up to the very top of the museum.

 © Serge Urvoy

c.塞尔日·乌尔沃伊

Architects 2Portzamparc – Elizabeth de Portzamparc

Location Nimes, France

Area 9100.0 m2

Project Year 2018

Photographs Nicolas Borel, Serge Urvoy, Stéphane Ramillon-Vile de Nîmes, Sergio Grazia, Wade Zimmerman

Category Museum

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