架构师提供的文本描述。这座房子规划在山脚的县道上，是从一位朋友的客户正在他的家乡规划住房的咨询开始的。作为一个安静的物业，除了北边有一条县道外，我尽量设计，这样我才能顺从地享受大地的优雅，而不会有任何遮挡阳光的地方。我们将丰富的自然光作为直接光和间接光融入到建筑中，并规划了主要围绕LDK的光序列。早上，当一群人在二楼的每个私人房间里醒来，穿过书房时，它会唤醒身体，同时感受到柱廊部分的间接光线。

Text description provided by the architects. This house planned along the prefectural road at the foot of the mountain began with the consultation that a friend's client is planning housing in his hometown. Being a quiet property except that there is a prefectural road on the north side, I tried to design such that I could obediently enjoy the grace of the land without any obstructing sunshine. We incorporated rich natural light as direct light and indirect light into architecture and planned the light sequence mainly around LDK. In the morning, when a crowd waking up in each private room on the second floor crosses the study, it awakens the body while experiencing the indirect light of the colonnade part.

 © Tetsuya Yashiro

.Tetsuya Yashiro

 © Tetsuya Yashiro

.Tetsuya Yashiro

当你下楼时，当你从安装在顶部的高窗户处感受到间接光时，你会到达LDK。我用LDK体验南边的直接学校，体会到真正的一天的开始。我想，在流线的另一边安排间接光和直接光是否能使住在那里的人的感觉更好。此外，它是以白色为基础的，除了地板和阁楼，这样即使在室内也很容易感觉到光。就整个平面图而言，未来要做的是分散客户日本式思考的可能性，即父母住在一起的可能性，在ldk和日本式的房间之间，使人更容易从周围的每一个水边取水，而东京的房间则计划能够迁移。我想通过建筑来思考人类心脏的运动和情感，认为自然光是无法数字化的。

When getting off the stairs, you will reach the LDK while experiencing indirect light from the high windows installed at the top. I experience the direct school from the south side with LDK and realize the start of a real day. I thought whether arranging indirect light and direct light on the other side of the flow line can make the feelings of the person living there better. Moreover, it is based on white except for the floor and the attic so as to make it easy to feel light even in the interior. In terms of the whole of the floor plan to make in the future to spread the client Japanese-style thinking the possibility that the parents are living together, between the LDK and the Japanese-style room to make it easier to access from each of the water around and Tokoro room planning to be able to migratory ing. I would like to think through the architecture the movements and emotions of the human heart that natural light can not digitize.

 © Tetsuya Yashiro

.Tetsuya Yashiro

 Floor plan

 © Tetsuya Yashiro

.Tetsuya Yashiro