“沉默之室”是唯一家这样做的建筑公司，自2012年以来，气球一直在试验当代建筑文化中的摄像头蒙库拉模块。“沉默之室”是唯一家这样做的建筑公司。

A permanent spatial installation for the “Room of Silence” at the palliative unit The only architectural firm to do so, balloon have been experimenting since 2012 with camera obscura modules in contemporary architectural culture.

 © Schreyer David

c Schreyer David

从照相机的工作原理来看，照相机的原型机很像人眼，它把图像倒置在视网膜上。通过墙壁上的一个洞，将周围独特的特征实时拍摄和投影，并随着光线、日间和一年中光线的出现而发生的所有变化，在暗室里的暗室里拍摄和投影。因此，这项工作也不需要任何电工装置，如胶片相机。借助镜片和棱镜，外部世界的投影可以聚焦并重定向到室内的地板、墙壁或天花板上。

Camera obscura In terms of how it works, the camera obscura as the prototype of the photographic camera is much like the human eye, that depicts images upside down on the retina. Distinctive features in the surroundings are photographed and projected in real time through a hole in the wall, upside down and along with all changes due to incidence of light, time of day and year, onto a screen in the darkened room inside the camera obscura. Hence, this also works without the need for any electrotechnical installations such as a film camera. With the aid of lenses and angled mirrors, the projection of the outside world can be brought into focus and redirected onto the floor, the walls or ceiling of the interior.

 © Schreyer David

c Schreyer David

围绕着“你需要把世界颠倒过来，从不同的角度看待熟悉的事物”的想法把世界颠倒过来，2012/13年度，气球在一辆旧大篷车上安装了一个摄像头遮光罩，作为Out反向研究项目(由AWS-Impulse资助)的一部分。开发和部署它作为一个移动现场研究工具的位置分析，目的是可视化隐藏的潜力的地方。参与者的反应显示出了一种平静的、几乎是冥想的效果，那就是颠倒的移动，但无声的图像对观众的心理。基于这一观察，这一想法将在医疗和治疗设施的日间设计中使用这种照相机遮光罩效应。

Turning the world upside down Themed around the idea of “You need to turn the world upside down to view familiar things from a different perspective”, in 2012/13 balloon installed a camera obscura in an old caravan as part of the Outinverse research project (subsidized by AWS - Impulse), developing and deploying it as a mobile field research instrument for location analysis with the aim of visualizing hidden potentials of places. The reaction of the participants revealed a calming, almost meditative effect of the upside-down moving, but silent images on the viewers’ psyche. Based on this observation, the idea came about to use this camera obscura effect in designing day-rooms in medical, therapeutic facilities.

 © Schreyer David

c Schreyer David

默哀室-第一个用于这类目的步入式暗室-是2017年在姑息性病房的一间日间里永久安装的，当时正在改建和建造一个扩建费斯滕菲尔德地区医院(LKH)。这是一种对环境敏感的感知装置，它为病人和访客打开了更广泛的查看周围站点的范围，同时也启动了他们的思维世界。具体来说，4米宽、9米高的黑暗“沉默之室”允许用户在墙上拍摄新花园的投影和天花板上移动的多云天空。视觉装置放大了与ARGE Morawetz-Zinganel合作设计的房间的效果，并补充了“沉默的房间”中的其他设施：放松的休息室和按摩椅、长凳、睡垫和锣。通过打开和关闭百叶窗和窗帘，并通过修改照明，可以创造不同的光线情绪和场景，在房间里使用。

Room of silence The first walk-in camera obscura for such purposes was built as a permanent installation in a day room of the palliative unit in the course of converting and building an extension to Fürstenfeld regional hospital (LKH) in 2017. It is a context-sensitive perceptual installation that opens up a wider spectrum of viewing the surrounding site for patients and visitors, but also sets their worlds of thought in motion. Specifically, the four-meter-wide and nine-meter-high darkened “Room of Silence” allows users to take in a projection of the new gardens on the wall and the moving cloudy sky on the ceiling. The visual installations amplify the effect of the room designed in collaboration with ARGE Morawetz-Zinganel and supplement the other facilities available in the “Room of Silence”: a relaxing lounger and massage chair, a long bench, sleeping pads and a gong. By opening and closing the blinds and the curtain and by modifying the lighting, it is possible to create different light moods and scenarios for use in the room.

 © Schreyer David

c Schreyer David

重点不是事件的架构，而是感官的架构。

The focus is not on an architecture for events, for staging, but rather an architecture of the senses.