© Diego Medina

(迭戈·麦迪纳)

音乐创造沉默，建筑创造空间。奥克塔维奥·帕兹。位于皮纳玛的一个封闭社区的一片平地，从东到西，从前街到后立面，都是一个扇子。在11号省道的另一边，一些年轻的松树在地段、邻居和Madariaga将军的田地之间起到了温和的过滤作用。这些数据包括度假屋的第一个项目数据，该数据将提供足够的空间进行收集和交流，同时铭记，在度假时，空间被更平静地使用，感官被唤醒，对周围环境的沉思成为一种有益的体验。

Music invents silence, architecture invents space. Octavio Paz. A flat lot located in a gated community in Pinamar opens as a fan from east to west, from the front –street- to the rear façade. Some young pines act as a gentle filter between the lot, the neighbors and the fields of General Madariaga –at the other side of Provincial Route 11. These comprised the first project data for a vacation home which would offer ample spaces to gather and converse bearing in mind that, on vacations, spaces are used more placidly, the senses are awake and the contemplation of the surroundings becomes a rewarding experience.

 © Diego Medina

(迭戈·麦迪纳)

 Ground floor plan

 © Diego Medina

(迭戈·麦迪纳)

两个明显的整体容器被重叠，交叉和休息在一个平台上，以实现房子。提升到平均水平，艾亚控制了环境，并强调了它的天文台性质。穿过的盒子保证了两种不同的景观：西边和北边，并确保所有房间都有充足的阳光。

Two apparently monolithic containers are overlapped, crossed and rested on a platform to materialize the house. Lifted over the average lot level, AYYA dominates the environment and accentuates its observatory nature. The crossed boxes guarantee different views from the two plans: down to the west and up to the north and ensure good sunlight in all the rooms.

 © Diego Medina

(迭戈·麦迪纳)

该项目促进并理解举行社交聚会的必要性。因此，艾雅被安排在一个露台，一个露台和一个游泳池，这就像一个水镜，增加了阳光的影响。

The project promotes and understands the need for social gatherings. AYYA is consequently arranged around a patio, a terrace and a pool which, like a water mirror, multiplies the effects of the sunlight.

在底层，住宅靠近正面，以保护居民的隐私，压制社区独特的噪音，加强向西开放的决定。房子的边界消失了，通过完全开放的洞口，这就产生了巨大的混合空间，其中‘内部’和‘外部’融化了，并增加了明显的房子的大小。板子在起居室-饭厅-裂开，像漏斗一样约束着内部和外部的过渡。在对立面的游戏中，容器，屋顶板和墙壁也作为居住的边界，因为它是从遥远的田野欣赏。在厨房和它的出口，空间‘雕刻’混凝土盒。

On the ground floor, the residence closes to the front so as to keep the residents’ privacy, silencing the distinctive noises of the neighborhood and reinforcing the decision of opening it to the west. The boundaries of the house disappear through the full opening of the fenestrations which generates large mixed spaces where ‘the inside’ and ‘the outside’ melt away and increases the apparent size of the house. The slab breaks away over the living-dining room and constrains -as a funnel- the transition between the inside and the outside. As in a game of opposites, the containers, roof slab and walls also act as a boundary for the residence as it is appreciated from the distant field. Over the kitchen and on its exit, the space ‘carves’ the concrete box.

 © Diego Medina

(迭戈·麦迪纳)

横梁将客厅从任何垂直元素(柱)中解放出来，从而扩展了露台。悬臂梁顶在吊床上，吊床上挂着吊床。这个元素的赋权-除了构图上的剧本-突出了度假精神：在玩耍和思考环境中发现的满足感。

The beam frees the living room from any vertical elements (columns) at the time that expands the terrace. The cantilevered beam crowns in a hammock which hangs from it. The empowerment of this element –apart from the play on compositions- highlights the vacation spirit: the gratification found in playing and contemplating the environment.

 © Diego Medina

(迭戈·麦迪纳)

在楼上，一辆马车依偎着游戏室和卧室，把平台挂在后立面上，为户外活动提供阴影。这辆马车延伸到前面，仿佛试图融入社区-这并不发生在一楼-而由于缺乏支持，它似乎飞越了通行计划。这坚实的悬臂产生了奇怪和融化与树木，把房子延伸到景观。稍微往下看，另一个悬臂的形状是一个龙骨状的形状，与第一个悬臂连接起来，同时给外部以刻度：一个崇高的雕刻计划，“延伸”到街道上投射的阴影。从功能的角度来看，它充当了汽车的太阳能屏障。

On the upper floor, a wagon which nestles the playroom and the bedrooms overhangs the platform to the rear façade offering shadow for outdoor activities. The wagon stretches to the front as if trying to blend with the neighborhood –which does not happen on the ground floor- while it seems to fly over the access plan due to the lack of supports. This solid cantilever produces strangeness and melts with the trees, extending the house into the landscape. Slightly down, another cantilever takes the shape of a pergola and connects with the first one while giving scale to the outside: a sublime carved plan that ‘stretches’ to the street projecting shadows. From a functional stance, it works as a solar shield for the vehicles.

 First Floor plan

一楼平面图

 © Diego Medina

(迭戈·麦迪纳)

时间的流逝和太阳的进程丰富了空间和感官体验。龙骨和雕刻的混凝土过滤阳光和投阴影，水平和垂直沿表面移动。

The passage of time and the course of the sun enrich the space and the sensory experience. The pergolas and the carved concrete filter the sunlight and cast shadows which horizontally and vertically travel along the surfaces.

这些房间是根据其大小来确定的；它们是中性的，而且没有涂层。这些空间不是为了给主人使用的灵活性而贴上“标签”的。该模板及其监督缺陷的标志被视为成就：结构，颜色和纹理融合，突出艾亚的性格。

The rooms are identified by their size; they are neutral and are not coated. These spaces were not ‘labeled’ in order to give the owner flexibility of use. The marks of the formwork and its supervised imperfection are taken as accomplishments: structure, color and texture fuse, highlighting AYYA’s character.

 © Diego Medina

(迭戈·麦迪纳)

所有材料都是为了尽量减少房屋维护，同时考虑到气候对它们的影响是建筑过程的延续。混凝土墙的内部充满了发泡聚苯乙烯板-在模板制作过程中，这些材料被放置和调整，因为混凝土都是一次浇筑的。

All the materials were selected to keep the house maintenance to the minimum and bearing in mind that the effects that the climate has on them are a continuation of the building process. The interior of the concrete walls were fully filled with expanded polystyrene sheets –which were placed and adjusted during the formwork process since the concrete is all poured at once.

 © Diego Medina

(迭戈·麦迪纳)

这些材料显示了他们是什么，因为他们没有表面处理。它们仍然-以及建筑过程-直接和永久地存在于建筑中。非人工钢筋混凝土悬垂在地形和平台上，形成鲜明的对比，典型的房子附近，并描绘自己的强大和激进的农村。这座住宅被改造成一个礼堂，每一次日落都在那里静观。这可能是它最大的优点：捕捉到每天下午太阳下山的乡村的精神。

The materials show what they are as they do not have surface finishes. They remain –as well as the building process- directly and permanently present in the construction. The non-artifice reinforced concrete overhangs the terrain and rests upon a platform, contrasting with the typical house of the neighborhood and portraying itself as strong and radical as the countryside. The residence is transformed into an auditorium where to contemplate each sunset. This might be its biggest virtue: to capture the spirit of the countryside where every afternoon the sun goes down.

 © Diego Medina

(迭戈·麦迪纳)

Architects Estudio Galera

Location Pinamar, Argentina

Architects in charge Ariel Galera, Cesar Amarante, Francisco Villamil, Diego Ballario

Area 290.0 m2

Project Year 2017

Photographs Diego Medina

Category Houses

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