© Marcelo Donadussi

马塞洛·多纳杜西

架构师提供的文本描述。南加州的一个地标，路易斯·米希隆葡萄酒厂，经过多年的遗忘，重新出现在这座城市的全景上。1920年至1970年间，这家葡萄酒种植公司推动了中国经济的发展。1977年，该公司关闭了业务，成为危机的牺牲品，最终导致其破产。1943年11月，在曼彻斯特风格的一座建筑的回收中，今天收到了法布里察建筑群，该建筑群的名称指的是该建筑物以前的用途。

Text description provided by the architects. A landmark of Caxias do Sul´s past, the Luiz Michielon Winery, resurfaced in the panorama of the city after years of forgetfulness. The wine-growing company that boosted the caxiense economy, between 1920 and 1970, had its activities closed in 1977, victim of a crisis that culminated in its bankruptcy. The recovery of one of the buildings, in Manchester style, dated November 1943, today receives the Fabbrica Complex, name that refers to the previous use of the building.

 © Marcelo Donadussi

马塞洛·多纳杜西

该建筑物于2002年提出保护请求，但该市主管机关认为该建筑物对保护事务毫无意义，该进程于2004年结束。部分的保存给了社区一种物质财产，但直接与非物质关系和异己记忆联系在一起，避免了现在与过去关系的破裂。

The building was the subject, in 2002, of a preservation request, however, the responsible organ of the city considered the building worthless of significance for preservation matters and the process was closed in 2004. The preservation of part of the set gave back to the community a material property, but directly connected with immaterial relations and dissident memories with space, avoiding the rupture between present and past relations.

 © Marcelo Donadussi

马塞洛·多纳杜西

复兴提出了一种新的集合与城市的关系，恢复了集体记忆中的象征存在。该项目旨在尽可能保持原有建筑的原貌，肯定其历史特征。建筑形式不相关或不明确的已建附件随后被移除。

The revitalization proposes a new relation of the set with the city, recovering the symbolic existence in the collective memory. The project aimed to keep as much as possible of the original construction, affirming its historical character. Built annexes which had no relevance or clarity in the architectural form, were then removed.

 First Floor Plan

一层平面图

 © Marcelo Donadussi

马塞洛·多纳杜西

 Section AA

AA节

开放空间和对建筑群的访问配置了一个绿色半公共区域，使文化和社会交流成为可能。为了巩固这一场地的使用，有必要进行干预，改变相对于街道的地面水平，以避免因雨造成的水灾。因此，进行了地下雨水排水和立面工程。

The open space and access to the Complex configures a green semipublic area that enables cultural and social exchanges. With the intention of consolidating the use of this site, an intervention was necessary, altering the level of the ground in relation to the street, in order to avoid floods caused by rain. Due to that, a work of rain drainage and elevation of the subfloor was executed.

 © Marcelo Donadussi

马塞洛·多纳杜西

烟囱的垂直性是城市的视觉标志，保持了对过去和工业时期的感知。在废弃期间，为了避免保存过程，部分被拆除，降低了它的高度。为了保持这一元素的历史连续性，增加了一种类似于其先前高度部分的新金属结构。有清理和填塞损坏或缺口点的程序，拆除其他不属于原建筑物的砖块被重新安置。

The verticality of the chimney is a visual landmark for the city, which maintains the perception of the past and the industrial period. During the abandonment time, in order to avoid the preservation process, part of it was demolished, decreasing its height. With the intention of maintaining the historical continuity of this element, a new metallic structure was added analogous to the portion of its previous height. There were processes of cleaning and filling in the damaged or gap points, where the bricks from the demolition of other buildings that did not belong to the original, were relocated.     

 © Marcelo Donadussi

马塞洛·多纳杜西

建筑空间包括三间位于底层的商业房间-让位给一家比萨饼店、一间寿司店和一家工匠酿酒厂-再加上一间门厅，可以进入二楼。在二楼，与右脚高度相关的自由楼层的原始特征是举办派对和文化活动，从而配置了文化和美食综合体。该建筑还包括支撑区，楼梯和电梯，以满足新的需求的地方。

The built space consists of three commercial rooms on the ground floor - to give place to a pizzeria, a sushi house and an artisan brewery - added to the foyer that gives access to the second floor, where the original characteristics of free floor associated with the high right foot holds parties and cultural events, thus configuring the cultural and gastronomic complex. The building also includes support areas, stairs and an elevator, in order to supply the new demands of the place.

 © Marcelo Donadussi

马塞洛·多纳杜西

建筑物的物质性以明显的砖结构为标志，并在拆除框架中所含的釉面开口的内外涂层后再次确认。原有的法式粘土砖，坡度分别为30°和45°，分别进行了清洗、更换和防水处理。遮住屋顶结构的天花板被拆除，木材被清除，用白蚁处理。

The materiality of the building is marked by the apparent brick structure and reaffirmed after the removal of the inner and outer coating that compose the glazed openings contained in a frame. The original clay tiles, French type, with slopes of 30 ° and 45 °, were individually washed, replaced and waterproofed. The ceiling that hid the roof structure was removed, leaving the timber apparent, which was cleaned and treated with termite.

 © Marcelo Donadussi

马塞洛·多纳杜西

Architects GD Studio Arquitetura

Location Rua Rafael Rossi, n°11. Bairro Nossa Senhora de Lourdes, Caxias do Sul / RS, Brazil

Architects in Charge Carolina Onzi Giovanella, Cláudia Geremia, Mônica Randon Debortoli, Natália Molinari Viapiana, Sabrina Morais Monaretto

Area 2390.69 m2

Project Year 2017

Photographs Marcelo Donadussi

Category Historic Preservation

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