Tejorling Radiance Temple Karan Darda Architects
2018-06-26 00:00
架构师提供的文本描述。这座建在农田里的庙宇供奉印度教的主要神明之一-玛哈德瓦(湿婆)。位于一个小鸡园。这座庙宇是为周围农民的日常崇拜而建造的。该建筑借鉴了该地区的历史方面和印度教寺庙建筑,这是重新解释的当代方式。一堵简单的砖墙标志着这个地区的入口。
Text description provided by the architects. The temple built in a farmland is dedicated to Mahadeva(Shiva), one of the major gods in Hinduism. Located in a Chickoo tree orchard. The temple is built for everyday worship by surrounding farmers. The building takes references from the region’s historical aspects and Hindu temple architecture, which is re-interpreted in a contemporary way. A simple brick wall marks the entry to the area.
整体结构是使用红橙色混凝土建造的,这有助于寺庙在周围的绿色环境中形成鲜明的对比。寺庙被小心地插在一小块土地上,从周围的大部分地方看上去都隐藏在树木里,这给游客和过路者带来了一种好奇心,而这些尺度是用黄金比例推导出来的,以达到预期的人类规模。
The overall structure is built using reddish-orange coloured concrete which helps the temple to contrast and standout in the surrounding greens. The temple is carefully inserted in a small piece of land which looks hidden into the trees from most of the surrounding areas creating a kind of curiosity for visitors and passers-by and the dimensions are derived using golden ratio to achieve the desired human scale.
该设计的目的是看上去像一个雕塑,是从传统形式中精心提炼出来的,以一种更简单的方式组合在一起,这样当地人就可以很容易地将自己和它联系在一起。
The design intends to look like a sculpture and is a result of careful extraction from the traditional forms put together in a simpler way so that the local could easily associate themselves with it.
通常,在印度教寺庙中,最里面的圣殿是由一系列曼达帕到达的。在这里,圣殿被直接打开到室外空间,并与一个小的冥想空间连接,以便过路人可以进入一个快速祈祷和继续他的工作以后。这座建筑有两个主要的开口,一个是入口,另一个是圣水的出口。涌出的水倒在神身上,作为敬拜的一部分。这两个开口在顶部形成一个连接,作为金字塔悬臂。
Generally in a Hindu temple the innermost Sanctum is reached by a series of Mandapas. Here the sanctum is opened up directly to the outdoor space and is attached with a small meditation space so as the passer-by could go in for a quick prayer and carry on with his work later. There are two major openings to the building, one which forms the entrance, another for the holy water to go out. The water going out is poured on the deity as a part of worship. The two openings form a connection at the top as the pyramid cantilevers.
寺庙的底部是一个正方形,当它到达顶端时,它变成了一个三角形,形成了5个表面的金字塔,给了它一个额外的维度。一个运动的表达是通过把一个小块从主结构中拉出来,创造出一个冥想的空间。一个人可以静静地坐一会儿,感觉里面的空间。提供了一个狭缝来将微风与自然光的微妙特性一起吸引进来。
The base of the temple is a square while it becomes a triangle as it reaches the top creating 5 surfaced pyramid giving an extra dimension to it .An expression of movement is created by pulling a small mass out of the main structure creating a space for meditation. One can sit quietly for a while and feel the space inside. A slit is provided to draw the breeze inside along with a subtle quality of natural light.
“当你到达寺庙的时候,它的结构看起来就像一个以正方形为基础的金字塔,在冥想状态下隐喻地说,但当你四处走动时,你发现了突出的质量,让建筑感觉像是脱离了冥想状态,在跳舞。”这两种形式的Mahadeva(湿婆)被描绘出来。
“As you arrive to the temple the structure seems like a normal square based pyramid metaphorically speaking in a meditating state , but as you move around, you discover the protruding mass making the building feel like it’s out of meditation state and is dancing “. This way the two forms of Mahadeva (Shiva) are depicted.
景观保持自然,周围一些柠檬草灌木的干预最小,休息都是由当地农民照顾。
The landscape is kept natural with minimum intervention of some lemon grass shrubs around, rest all is taken care by the local farmers.
举报
别默默的看了,快登录帮我评论一下吧!:)
注册
登录
更多评论
相关文章
-
描边风设计中,最容易犯的8种问题分析
2018年走过了四分之一,LOGO设计趋势也清晰了LOGO设计
-
描边风设计中,最容易犯的8种问题分析
2018年走过了四分之一,LOGO设计趋势也清晰了LOGO设计
-
描边风设计中,最容易犯的8种问题分析
2018年走过了四分之一,LOGO设计趋势也清晰了LOGO设计