Lomax Studio CAN

2018-06-26 03:00

架构师提供的文本描述。一位雕塑家和一位版画家的新艺术家工作室坐落在伦敦新十字的一家小型工业工厂里。一个18世纪的水族馆曾经坐落在这个遗址上，很久以前就被拆除了。这两卷书代表了艺术家作品、工业和国内的对立尺度。瓷砖卷容纳较小的工作区，以及厨房和浴室。较大的体积包含较大的工作区域。从外部看，这是两个独立的工作室。在内部，两个卷是统一的相同的材料调色板。

Text description provided by the architects. A new artist studio for a sculptor and a printmaker nestled along a small industrial mews in New Cross, London. An 18th-century wash-house once sat on the site, long since demolished. The two volumes represent the opposing scales of the artist's work, the industrial and the domestic. The tiled volume houses the smaller working areas as well as the kitchen and bathroom. The larger volume contains the large working area. Externally this presents itself as 2 separate studios. Internally, the 2 volumes are unified with the same material palette.

 Front Elevation

 © Andy Stagg

安迪·斯塔格

 Axonometric

为了以有限的预算最大化空间，工作室使用了客户从实践中积累起来的“现成”材料和材料。可以用这样的方式使用这些材料，把它们从普通提升到观赏性，这个主题可以通过最近在RIBA的“Blockshop”等其他项目来探索。轻屋面结构由新旧脚手架构件混合而成，其复杂性使其具有装饰性。镀锌服务坐在一个安静的混凝土块上，以减少视觉干扰。

To maximize space with a limited budget the studio uses a combination of 'off the shelf' materials and materials the clients had accumulated from their practice. CAN look to use these materials in such a way that elevated them from the ordinary to the ornamental, a theme which CAN have been exploring through other recent projects such as 'The Blockshop' at the RIBA. A mixture of new and old scaffolding components form the lightweight roof structure which through its complexity becomes ornamental. Galvanized services sit on a muted concrete block to reduce visual distraction.

 © Andy Stagg

安迪·斯塔格

浴室的立方体被贴在里面和外面。在外部，同样的瓷砖，覆盖着红色的混凝土外壳，用来覆盖国内的体积。工业用钢板和混凝土砌块是工业棚的标志。一扇古老的粉红拱形门窗把所有的作品都绑在一起，代表了艺术家作品中的色彩闪现。为了安全起见，工作室的前部可以完全关闭，所有的玻璃都位于后面的庭院花园上。一个高水平的圆形窗户点缀着前面的钢山墙.

A bathroom cube is tiled inside and out. Externally, the same tiles, topped with red concrete copings are used to clad the domestic volume. Industrial Steel Panels and concrete blocks signify the industrial shed. An Antique Pink arched entrance door and windows tie the volumes together and represent the flashes of color present in the artists work. The front of the studio can be completely shut down for security along the mews with all of the glass located to the rear opening onto the small courtyard garden. One high-level circular window punctuates the steel gable at the front.

 © Andy Stagg

安迪·斯塔格

门廊的形式是从一般的工业棚和18世纪的水族馆中得到启示的。砖砌的山墙是用双乌鸦台阶装饰的。卷是关闭的，以创造一个外部工作区在后方，也把南光通过一套双门进入厨房。屋顶灯被布置在北面的沥青上，将漫射光带入大空间。

The gabled forms take their cue from the generic industrial shed and the 18th-century wash-house once located on the site. The tiled gables are ornamented with a double crow step. The volumes are off-set to create an external working area at the rear which also brings southern light into the kitchen through a set of double doors. Rooflights are arranged on the north facing pitches to bring diffused light into the large space.