建筑师提供的文字说明。由三种不同的流体形态组成，每一个都代表着三个中国书法笔画的灵感：厚墨、半干和涂抹，故宫南支将呈现为墨黑的、感官的雕塑形式，坐在周围的青米和甘蔗地里。

Text description provided by the architects. Composed of three distinct fluid forms, each represents inspiration from the three Chinese calligraphy strokes: the thick ink, the half-dry and the smearing, the Palace Museum Southern Branch will present itself as an ink-dark, sensuous sculptural form sitting within the surrounding green rice and sugar cane fields.

 Floor Plans. Image Courtesy of KRIS YAO | ARTECH

平面图。克里斯·姚·阿泰克的形象礼貌

这三种形式还具有不同的功能：由于对文物的自然光水平的敏感性，实体形式容纳了馆长和展览厅；玻璃和钢的“空”便于博物馆大厅、咖啡馆、图书馆和行政办公室；第三种涂抹笔画通过相互交叉的实体和空形式流动，将各种空间与流畅的流通模式联系在一起。

The three forms also contain different functions: due to sensitivity of natural light level for the artifacts, the solid form houses the curatorial department and exhibition halls; the glass-and-steel “void” volume facilitates museum lobby, café, library and administration offices; the third smearing stroke flows through intersecting solid and void forms, linking various spaces with smooth circulation pattern.

 © Shawn Liu Studio

刘少伟工作室

 © Shawn Liu Studio

刘少伟工作室

游客到达博物馆遗址的大门时，会看到湖对面的主楼。经过一座弯曲的人行桥，这是建筑设计中不可或缺的一部分，在进入博物馆大楼之前，人们会从玻璃下面经过，来到一个宁静的竹子庭院。

Visitors arrive at the gate of the museum site will have a glance of the main building across the lake. After crossing a curved pedestrian bridge, which is an integral part of the architecture design, one would pass under the glass volume and arrive at a tranquil bamboo courtyard before entering into the museum building.

 © Shawn Liu Studio

刘少伟工作室

在宏伟的大厅里，巨大的玻璃幕墙构成了湖景和风景的框架。一条宏伟的楼梯缓缓升起，带着游客来到定向室，在那里，随着展览的展开，玻璃杯的体积与实心的音量成正比。

In the grand lobby, large glass curtain wall frames the views of the lake and landscape. A grand stairway gently rises up and leads visitors to the orientation room where the glass volume hits the solid volume as the exhibitions unfold.

 © Shawn Liu Studio

刘少伟工作室

实体造型的外部由36，000多块铸铝“磁盘”组成，它们附着在曲面上，用现代数字化设计描绘了古代青铜龙和云图案。当太阳移动时，从圆盘上反射出来的影像将在这个独特设计的立面上展现出云中一条“移动”的龙。

The exterior of the solid form is composed of more than 36,000 pieces of cast aluminum “disks” attached to the curved surfaces, depicting ancient bronze dragon and cloud patterns using modern digitized design. As the sun moves, the reflection from the disks will reveal a “moving” dragon in the clouds on this uniquely designed façade.

 © Shawn Liu Studio

刘少伟工作室

 © Jeffrey Cheng

(C)郑家富

Architects KRIS YAO | ARTECH

Location No. 888, Gugong Boulevard, Taibao City, Chiayi County, Taiwan

Lead Architects Kris Yao

Project Principle Kuo-Chien Shen

Project Manager Winnie Wang

Project Supervisor Glen Lu, Jun-Ren Chou, Tien-Yu Lo

Design Team Chien-Yi Wu, Lien-Tang Chen, Jake Sun, Frank Lu, Ting-Tseng Shen, Wen-Li Liu, Ting-Fung Ho, Wen-Ling Liao, Miya Yu

Inspection Team Calvin Chen, Yi-Seng Tsai, Jui-Hung Lin, Stanley Liu, Bruce Wu, Jason Lin, Yun-Yi Wang, Hui-Ting Yu, Sam Chuang, Chu-Chun Chang, Hui-Ling Lee、Dawson Hung, Sam Chang, Yi-Ti Tsai, Yu-Ching Chen

Area 38332.69 m2

Project Year 2015

Photographs Shawn Liu Studio, KyleYu, Jeffrey Cheng, Commonwealth Publishing Group

Category Museums & Exhibit