架构师提供的文本描述。1939年，毕加索画了一幅超现实主义和立体主义的作品，女子头像。2017年，数字艺术家奥马尔·阿基尔将其转变为三维艺术，并将其重新设计为装置艺术作品，有趣的是超现实主义和立体主义的核心在于对当下逻辑和有序理论的突破，强调本能、潜意识、记忆，探索和相信“绝对现实是超越事实的真正意识”。

Text description provided by the architects. 1939, Pablo Picasso painted a surrealism and cubism work, Women’s head. In 2017, digital artist Omar Aqil transformed it into three-dimensional and redesigned it into installation art work, the interesting thing about this crossover is that the core of surrealism and cubism lies in the breakthrough of logical and orderly theory of present, emphasizing the instinct, the subconscious, the memory, exploring and believing that ‘absolute reality is the true consciousness beyond fact.’

几百年后，这种不可触摸的形象在三维和物理呈现给观众的基础上被重新创造出来。完整的表象形式，物质，甚至质感，都在以当代的方式嬉戏，提醒人们现实是难以分离的。

Hundreds of years later, this untouchable image has been recreated in three-dimensional and physically present to audience. The complete representational form, material and even texture are frolicking in the form of a contemporary way to remind people that reality is hard to be detached.

小时候，我很好奇为什么几乎所有版本的地图都是由四种颜色组成的，当我问妈妈，她告诉我，四种颜色的托盘可以组成任何复杂的组合，没有相同的颜色链接。所以，这似乎是一个数学游戏。

In childhood, I was curious that why almost all versions of map are made up of four colors, when I asked mother, she told me that four color pallets can compose any complex combination without the same color link. So, it seems to be a mathematical game.

后来得知，四色图的原理是现代数学著名的谜题“四色猜测”四色定理。在数学语言中，“平面被任意细分为不重叠的区域，每个区域总是可以用1234的四位数字中的一位来标记，而在两个相邻的区域没有相同的数字。”

Later, it was learned that the principle of the four-color map is the famous puzzle of modern mathematics, ‘Four color guess’ ‘Four color Theorem’. In mathematics language is that “The planes are arbitrarily subdivided into areas that do not overlap, each region can always be marked with one of the four digits of 1234, without having the same number in two adjacent areas.”

我没有能力解决这个数学难题和它的方程式，但是当一个空间计划以一种过于复杂的形式出现时，我的第一本能就是从孩提时代的四色地图。

I do not have the ability to solve this mathematical puzzle and its equation, but when a space plan appears in an overly complex form, four-color map from childhood was my first instinct.

我列举了两个有趣的元素，珍贵的记忆和杰出的当代艺术作品。但是当回到项目本身时，设计师的现实束缚和商业目的是显而易见的。

I have listed two interesting elements, precious memories and outstanding contemporary art work. But when return to the project itself, the reality shackle and commercial purpose for designer is obvious.

我们需要表达两个基本的品牌定位1 Wor(全球设计师品牌买家和负担得起的奢侈品)的基础上，相当妥协的空间和有限的预算，无论空间必须支持一系列的产品展示和相关功能。

We need to express two basic brand orientations of 1Wor (global designer brand buyer and affordable luxury) based on a rather compromised space and limited budget, wherever the space has to support a series of product display and related functions.

这是一个将全球时装设计师与中国市场联系起来的时尚商业平台。除了观察和感兴趣的新兴时尚商业模式，我们雄心勃勃的是设计一个空间，以捕捉时尚人士的城市景观。他们是一群矛盾的、强烈的消费主义者、理智的、冷漠的、敏锐的、自我中心主义的人，他们需要在生活中证明自己，在冒险中寻求美，所以，我相信他们会享受到新鲜的东西。

This is a fashion business platform that links global fashion designers to China market. In addition to the observation and interest of emerging fashion business model, our ambitious is to design a space to capture sights of trendy people of the city. They are a group of people of contradiction, strong consumerist, sensible, indifferent-ism, keen sense, self-centrism who needs prove themselves in life, warrior seeking beauty in adventure.So, I am sure they will enjoy something fresh.

于是，我们放弃了二维商业计划展示的过渡逻辑，回到这个有线的角度空间，以空间轮廓作为设计的基础，通过折叠平面产生循环线，在空间中创造一个新的二维序列，从序列延伸到空间中的四维，然后结合四色图和颜色提取与材料分解，从一个装置艺术作品中，创造出一个空间设计，似乎是基于灵感，而实际上是基于逻辑创造。

Thus, we abandoned transitional logic of 2-dimensional business plan display, back to this wired angled space, the outline of space is used as the base of the design and generate circulation line by folding the plan to create a new two-dimensional sequence in space, from the sequence extend four-way in the space, then integrated four color map and color extraction and material decomposition from a installation art work, created a spatial design that seemed based on inspiration but actually based on logic creation.

在这种情况下，墙壁颜色延伸到地板和天花板，创建了穿透和突破空间的块，镜子代表消失，顶层视图由天花板计划和搁置系统的镜像反射、可以控制的控制、可以组织的组织组成，而不受控制的、非结构化的部分在空间中的存在可能是最合理的处理方式。货架和主支柱是由圆形、矩形和明显的线条组成的正交几何，它们的组织形式略有倾斜，更衣室里还带有一点滑稽的陈述镜，我很高兴能沉浸在由独特逻辑构成的模糊空间中。它与我们相似，简单与复杂，理性与放纵，边界与组合。

In this scenario, wall color extended to floor and ceiling, created blocks that penetrate and break through the space, mirror represents vanish, the top view is composed by mirror reflection of ceiling plan and shelve system, the control that can be controlled, the organization that can be organized, and the existence of uncontrolled and unstructured part lies randomly in the space may be the most reasonable way of procedure.Shelves and main prop are firmed orthogonal geometry, composed by round, rectangular and distinct lines, and they were organized in a slightly skewed shape, also with a bit teased statement mirror in the changing room, I was delighted to immerse myself to the blurred space which is composed by distinct logic. It is similar to us, simple with complex, ration with indulge, boundaries with combination.