声景：空间设计融合了声音的无形元素。这个装置利用了AGC Asahi玻璃开发并在2018年米兰设计周上展示的一种技术-产生声音的玻璃。在意大利米兰举行的这一活动中，米兰中心车站的一个旧仓库里创造了一个新颖的“声音景观”。

Soundscapes: Spatial Design Incorporating the Invisible Element of Sound This installation makes use of sound-generating glass, a technology developed by AGC Asahi Glass and previously presented at Milan Design Week 2018. During this event in Milan, Italy, a novel "soundscape" was created inside an old warehouse at Milano Centrale Station.

 © Akihide Mishima

c.Akihid Mishima

产生声音的玻璃结合了一种全新的设计，在玻璃层之间使用一种特殊的中间层。当使用这种材料作为换能器产生声音时-就像扬声器的隔膜一样-创新的设计减轻了玻璃固有的共振特性，产生了清晰、优美的声音。

Sound-generating glass incorporates a brand-new design making use of a special intermediary layer in between the glass layers. When using this material as a transducer to generate sound—much like a speaker's diaphragm—the innovative design mitigates the inherent resonance characteristics of glass and produces clear, beautiful sounds.

 © Akihide Mishima

c.Akihid Mishima

该展览采用透明玻璃和声音的无形特性设计，捕捉到一片玻璃破碎成散落在空气中的碎片的瞬间，使游客感觉时间似乎静止不动。散落在这个空间中的35块玻璃中的每一片都发出一种不同的自然声音，所有这些声音都是通过一个多源音频装置传输的。

Designed using transparent glass and the intangible nature of sound, this exhibit captures a moment in time where a single sheet of glass has shattered into a number of shards dispersed throughout the air, making visitors feel as though time is standing still. Each of the 35 sheets of glass scattered throughout this space emits a different nature sound, all of which are transmitted through a multi-source audio setup.

 © Akihide Mishima

c.Akihid Mishima

 © Akihide Mishima

c.Akihid Mishima

就像当一个真正的自然散步，这个展览提供了一个多层次的声音景观，在其中的声音可以不同的感觉，取决于他们被听到的位置，除了为每个游客提供一个明显不同的场景来体验。例如，一位游客可能会听到从高处传来的鸟鸣，这些地方会间歇性地移动，而另一位游客则会听到从下面某处传来的撞击波的声音，所有这些声音结合在一起，在整个空间内创造出分散的、看不见的声音“室”。这个空间中使用的自然声音的声源都来自现场录音，展览的主题是“水循环”，其中水蒸气变成水滴，然后以水的形式流过溪流，直到到达海洋。

Just like when taking a real nature walk, this exhibit provides a multi-layered soundscape in which the sounds can be sensed differently depending on the location at which they are being heard, in addition to providing each visitor with a distinctly different scene to experience. One visitor, for example, may hear birdsong from high-up locations that moves around intermittently, while another hears the sounds of crashing waves coming from somewhere below, all of which combine to create scattered, invisible "chambers" of sound within the overall space. Sound sources for the nature sounds used in this space are all taken from field recordings, and the overarching exhibit theme is the "water cycle," wherein water vapor turns into water droplets, which then flow as water through streams until they reach the ocean.

 © Akihide Mishima

c.Akihid Mishima

这个装置采用了一个特殊的设计装置：为了直观地传达声音实际上是从玻璃本身发出的，每个单元的激励器(声源)都安装在与玻璃分开的位置，振动通过细丝传送到玻璃材料(类似于锡可以通过绳子或电线连接电话)。其结果是一个令人印象深刻的扬声器设置，其中声音似乎发出的碎片玻璃只是悬浮在空气中。

A special design setup has been adopted for this installation: In order to convey visually that sound is, in fact, being emitted from the glass itself, the exciter (the sound source) for each unit has been installed at a location separate from the glass, with vibrations being conveyed via fine wire to the glass material (similar to how a tin can telephone connected by string or wire operates). The result is an impressive speaker setup in which sound seems to be emitted by shards of glass simply suspended in the air.

 © Akihide Mishima

c.Akihid Mishima

通过闭上眼睛，接收通过玻璃介质传递的各种声音，就有可能通过听觉感知来“看到”外部风景和图像。这一新的玻璃技术作为一个窗口进入世界的声音景观。

By closing one's eyes and taking in the various sounds conveyed through the glass medium, it is possible to "see" external landscapes and imagery through auditory sensations alone. This new glass technology serves as a window into the world of soundscapes.

 Courtesy of Mandai Architects

曼岱建筑师的礼遇

Architects Mandai Architects

Location Via Ferrante Aporti, 13, 20142 Milano MI, Italy

Space Design Motosuke Mandai (mandai architects)

Area 290.0 m2

Project Year 2018

Photographs Akihide Mishima

Category Installation

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