© Ryosuke Sato

佐藤良介(Ryosuke Sato)

架构师提供的文本描述。旧式酒厂旧库改造工程始建于1911年，建于日本小原岛千叶市(OharaIsumi Chiba)。商店被废弃了几年，仓库也被废弃了，因为主人的母亲去世了，仓库状况不佳，因为一些横梁倒塌，柱子被白蚁或斜面吃掉。直接使用是不可能的。

Text description provided by the architects. The renovation project of the old storage of the wholesale liquor shop was built in 1911 in Ohara Isumi Chiba Japan. The shop was abandoned for some years and the storage also since the woman who was the mother of the owner was passed away.The storage was not good condition as some beams collapsing, pillars were eaten by termites or leaning. It was impossible to start using directly.

 © Ryosuke Sato

佐藤良介(Ryosuke Sato)

而且，仓库所属的地方政府也存在着日益增多的废弃房屋的问题。当地政府已经实行了半建凯双人制(这意味着一些村庄的人口超过了村里55岁以上的人口的一半)。在翻修之前，日本当地的仓库已经枯竭。

And, The local government  which the storage belong to has the problem of increasing abandoned houses. The local government has already been Semi-GENKAI SHURAKU (It means the population of some village is more than half of the people living in the village are over the age of 55.). Japanese local areas are exhausted as the storage before renovated.

 © Ryosuke Sato

佐藤良介(Ryosuke Sato)

在这种情况下，千叶大学开始了这一计划，其目标是将毕业生留在大学所属的地方，作为工人。在该项目中，学生需要在那里工作和创建自己的项目，并与当地人交流。为了立足点，对仓库进行了翻修。

In such a situation, Chiba University started the program which aims to remain the graduates in the local area where the university belongs to as workers. In the program, students are needed working and creating there own projects and communicating the local people. The storage are renovated for their foothold.

 © Ryosuke Sato

佐藤良介(Ryosuke Sato)

 Floor plans

平面图

 © Ryosuke Sato

佐藤良介(Ryosuke Sato)

这一地区的情况与日本其他地方非常相似。如果人们需要一个新的地方居住或商业，老建筑被拆除，没有任何历史或文化的想法。然后，他们用非语境合成材料和大规模生产的建筑方法建造了新的建筑。但是，这是一个根本性的问题，即同质化和降低局部地区的价值。而且非常清楚的是，我们不可能忽视他们的特性和区域振兴的自豪感。因此，对既有老建筑及其材料的改造，应尽量尊重现有的旧建筑及其材料，并使用现存的部件。

This area’s situation is very much same as other Japanese local areas. If people need a new place to live or business, old buildings are demolished without any thoughts for history or culture. Then they built new buildings by non-contextual synthetic materials and construction methods for mass production. But, it is one of the fundamental problem the homogenization and making less value to collapse local areas. And it is very clear that it is impossible to ignore their identity and the pride for regional revitalization. Therefore, The renovation should be taken with paying maximum respects for the existing old building and their materials and using parts still alive.

 © Ryosuke Sato

佐藤良介(Ryosuke Sato)

首先，将东侧和西侧的开阔楼层作为学生工作和交流所需的开放之门。另一方面，聚精会神和获得良好距离的当地人民，南北高地是离开原墙。由于钢筋的开放性，对钢框架进行了精心布置，以免干扰现有建筑的氛围。楼面漆是底板的混凝土。聚集体分布在屋檐下，它们是由破碎的旧屋顶瓷砖制成的。仍然是外墙上的旧瓦楞纸。这是因为保护这一地区的环境和气氛。

At first, Making wide opened floor level of east and west side elevations as all doors for getting the openness students need for working and making communication. On the other hand, concentration and getting good distance between the local people, north and south elevation was leave the original walls. For the reinforcement because the openness, steel frames were installed carefully planed as not disturb the atmosphere of the existing building. The floor finish is the concrete of the base slab. Aggregates are laid all over under the eaves, they are made by cracked old roof tiles. And still remaining old corrugates on the exterior walls. These are because preserving the context and atmosphere of this area.

 © Ryosuke Sato

佐藤良介(Ryosuke Sato)

Architects kurosawa kawara-ten

Location 7777-3 Ōhara, Isumi-shi, Chiba-ken 298-0004, Japan

Lead Architects Kenichi Kurosawa

Project manager Yoshie Kato

Project Year 2018

Photographs Ryosuke Sato

Category Store

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