架构师提供的文本描述。我们第一次造访这所房子，对我们产生了强烈的影响；街道上可见茂密的植被，这使我们的内心充满希望。

Text description provided by the architects. The first visit we made to the house had a strong impact on us; a dense vegetation was visible from the street  making the inside quite promising.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

一旦进入地块，三个亭子，一个又一个发现，形成了房子，并在不同的时间，随着家庭的成长。

Once in the plot, three pavillions, discovered one after the other, formed the house and were built at different time following the family growth.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

从一开始，在我们看来，我们以前见过的客户和他们刚刚买到的房子之间似乎有着很强的联系。因此，我们的建议从根本上是为了加强这一约束，并保护它们所共有的特殊性质。

Since the very beginning, it seemed to us that there was a strong connection between the clients, whom we met a little before, and the house they had just acquired. Therefore, our proposal fundamentally aimed to reinforce this bound and protect the special character that, in our opinion, they shared.

 Axonometric

其结果是一种异质性的干预，各种行动集中在不同的领域，有时是在建筑工程期间，以某种方式参与从其第一次建造的亭台开始的房屋的不断演变。

The result is an heterogeneous intervention, with various actions focused in different areas, sometimes incorporated during the construction works, participating in some way in the continuous evolution of the house from its first built pavillion.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

该房子的核心是位于中央展馆，与前面的花园和后院。围绕着它，有两个较小的展馆专门为音乐工作室和办公室，这是为父母双方的工作空间。

The core of the house is located in the central pavillion, with access to the front garden and backyard. Surrounding it, there are two smaller pavillions dedicated to the music studio and office room, which are work spaces for both parents.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

卧室位于不同展馆的顶层，是通过一座桥连接起来的，为穿过房子的路线提供了乐趣；同样，一个隐蔽的楼梯将孩子们的卧室直接连接到音乐室，在他们下面两层。

The bedrooms, located on the top floor of different pavillions, are communicated through a bridge providing fun to the routes through the house; similarly, a hidden staircase connects the children bedroom directly to the music room found two floors below them.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

在最概念性的意义上，被粘土覆盖的外部空间最终把房子绑在地面上。

The exterior spaces covered with pieces of clay end up tying the house to the ground in the most conceptual sense.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

因此，它是一个非常活跃的房子，无论是在它的展馆内外；在它的中心核心非常熟悉的房子，同时也是高度社交的房子；一个可以在它的不同角落找到一个人和孤立自己的房子。

It is, thus, a very lively house both inside and outside its pavilions; a house that is intensely familiar in its central core and, at the same time, intensely social; a house where it is possible to find someone as well as to isolate oneself in any of its different corners.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥